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	<title>Worst Broadway Theater 2014 Archives - StageZine</title>
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		<title>Top 10 Best &#038; Worst of 2014 Theater</title>
		<link>https://stagezine.com/best-worst-2014-theater/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=best-worst-2014-theater</link>
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		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Mon, 22 Dec 2014 00:00:53 +0000</pubDate>
				<category><![CDATA[Archived Features]]></category>
		<category><![CDATA[Closed Shows]]></category>
		<category><![CDATA[Best Broadway Theater 2014]]></category>
		<category><![CDATA[Best Off-Broadway Theater 2014]]></category>
		<category><![CDATA[Worst Broadway Theater 2014]]></category>
		<category><![CDATA[Worst Off-Broadway Theater 2014]]></category>
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					<description><![CDATA[<p>As 2014 winds down, it is that time of year again when we at StageZine list our Top 10 Best and Worst of Broadway and Off-Broadway Theater. We each list the shows we loved and those we hated. David Nounou&#8217;s TOP 10 BEST OF 2014 1.  The Curious Incident Of the Dog in the Night-Time: [&#8230;]</p>
<p>The post <a href="https://stagezine.com/best-worst-2014-theater/">Top 10 Best &#038; Worst of 2014 Theater</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div id="attachment_1624" style="width: 5988px" class="wp-caption alignleft"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-1624" data-attachment-id="1624" data-permalink="https://stagezine.com/curious-incident-is-best-drama-in-years/curious-1/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?fit=5978%2C3971&amp;ssl=1" data-orig-size="5978,3971" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;2.8&quot;,&quot;credit&quot;:&quot;\u00a92014 Joan Marcus&quot;,&quot;camera&quot;:&quot;Canon EOS 5D Mark III&quot;,&quot;caption&quot;:&quot;Curious Incident of the Dog in the Night-Time, The\nEthel Barrymore Theatre\n\n\nALEXANDER SHARP\n\nTAYLOR TRENSCH\n\nFRANCESCA FARIDANY\n\nIAN BARFORD\n\nENID GRAHAM\n\nHELEN CAREY\n\nMERCEDES HERRERO\n\nRICHARD HOLLIS\n\nBEN HORNER\n\nJOCELYN BIOH\n\nDAVID MANIS\n\nKEREN DUKES\n\nSTEPHANIE ROTH HABERLE\n\nTOM PATRICK STEPHENS\n\n\n\n\n\n\n\nProduction Credits:\nMarianne Elliott (Direction)\nBunny Christie (Scenic and Costume Design)\nPaule Constable (Lighting Design)\nIan Dickinson for Autograph (Sound Design)\nFinn Ross (Video Design)\nScott Graham and Steven Hoggett for Frantic Assembly (Movement)\nAdrian Sutton (Music)\n\nOther Credits:\nWritten by: Adapted by Simon Stephens from the novel by Mark Haddon&quot;,&quot;created_timestamp&quot;:&quot;1411702164&quot;,&quot;copyright&quot;:&quot;\u00a92014, Joan Marcus&quot;,&quot;focal_length&quot;:&quot;70&quot;,&quot;iso&quot;:&quot;5000&quot;,&quot;shutter_speed&quot;:&quot;0.00625&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="Curious-1" data-image-description="&lt;p&gt;Curious Incident of the Dog in the Night-Time, The&lt;br /&gt;
Ethel Barrymore Theatre&lt;/p&gt;
&lt;p&gt;ALEXANDER SHARP&lt;/p&gt;
&lt;p&gt;TAYLOR TRENSCH&lt;/p&gt;
&lt;p&gt;FRANCESCA FARIDANY&lt;/p&gt;
&lt;p&gt;IAN BARFORD&lt;/p&gt;
&lt;p&gt;ENID GRAHAM&lt;/p&gt;
&lt;p&gt;HELEN CAREY&lt;/p&gt;
&lt;p&gt;MERCEDES HERRERO&lt;/p&gt;
&lt;p&gt;RICHARD HOLLIS&lt;/p&gt;
&lt;p&gt;BEN HORNER&lt;/p&gt;
&lt;p&gt;JOCELYN BIOH&lt;/p&gt;
&lt;p&gt;DAVID MANIS&lt;/p&gt;
&lt;p&gt;KEREN DUKES&lt;/p&gt;
&lt;p&gt;STEPHANIE ROTH HABERLE&lt;/p&gt;
&lt;p&gt;TOM PATRICK STEPHENS&lt;/p&gt;
&lt;p&gt;Production Credits:&lt;br /&gt;
Marianne Elliott (Direction)&lt;br /&gt;
Bunny Christie (Scenic and Costume Design)&lt;br /&gt;
Paule Constable (Lighting Design)&lt;br /&gt;
Ian Dickinson for Autograph (Sound Design)&lt;br /&gt;
Finn Ross (Video Design)&lt;br /&gt;
Scott Graham and Steven Hoggett for Frantic Assembly (Movement)&lt;br /&gt;
Adrian Sutton (Music)&lt;/p&gt;
&lt;p&gt;Other Credits:&lt;br /&gt;
Written by: Adapted by Simon Stephens from the novel by Mark Haddon&lt;/p&gt;
" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?fit=750%2C498&amp;ssl=1" loading="lazy" class="wp-image-1624 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?resize=750%2C498&#038;ssl=1" alt="Curious-1" width="750" height="498" data-id="1624" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?w=5978&amp;ssl=1 5978w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?resize=1024%2C680&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?resize=600%2C400&amp;ssl=1 600w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?w=1500&amp;ssl=1 1500w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/10/Curious-1.jpg?w=2250&amp;ssl=1 2250w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-1624" class="wp-caption-text">BEST SHOW OF 2014: &#8216;The Curious Incident of the Dog in the Night-Time&#8217; is also one of the best Broadway dramas in the last decade. Photo: Joan Marcus</p></div>
<p>As 2014 winds down, it is that time of year again when we at StageZine list our Top 10 Best and Worst of Broadway and Off-Broadway Theater. We each list the shows we loved and those we hated.</p>
<p><strong>David Nounou&#8217;s TOP 10 BEST OF 2014<br />
</strong></p>
<p>1.<strong><em>  The Curious Incident Of the Dog in the Night-Time</em>:</strong> Far and away the best play of the year. A brilliant must-see theatrical event.</p>
<p>2.  <strong><em>Cabaret</em>:</strong> With Emma Stone it became a five-star show again. Best Sally Bowles yet.</p>
<p>3.  <strong><em>A Raisin In The Sun</em>:</strong> Exciting revival; always great to see it when done to perfection.</p>
<p>4.  <strong><em>Aladdin</em>:</strong> Best Disney musical since <em>The Lion King.</em></p>
<p>5.  <strong><em>Sweeney Todd</em>:</strong> Emma Thompson made this revival at Lincoln Center unforgettable.</p>
<p>6.  <strong><em>Heathers</em>:</strong> Even with a small budget, a wonderful musical was created due to great imagination.</p>
<p>7.  <strong><em>Hedwig and the Angry Inch</em>:</strong> Neil Patrick Harris made it indelible and unforgettable.</p>
<p>8.  <strong><em>Of Mice and Men</em>:</strong> Steinbeck at his best, compelling revival with wonderful performances.</p>
<p>9.  <strong><em>Pageant</em>: </strong>Always fun to see this takeoff on all beauty pageants, because it is spot-on.</p>
<p>10.  <strong><em>The Elephant Man</em>: </strong>Bradley Cooper.  Need I say more?</p>
<p>&nbsp;</p>
<div id="attachment_426" style="width: 710px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Raisin-2-2.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-426" data-attachment-id="426" data-permalink="https://stagezine.com/a-raisin-in-the-sun-revival-shines/raisin-2-2/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Raisin-2-2.jpg?fit=700%2C463&amp;ssl=1" data-orig-size="700,463" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Raisin-2 (2)" data-image-description="" data-image-caption="&lt;p&gt;ONE OF BEST REVIVALS OF 2014:  &amp;#8216;A Raisin in the Sun&amp;#8217; is the best African-American drama ever &amp;#038; this revival was sublime. Photo: Brigitte Lacombe&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Raisin-2-2.jpg?fit=700%2C463&amp;ssl=1" loading="lazy" class="wp-image-426 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Raisin-2-2.jpg?resize=700%2C463&#038;ssl=1" alt="ONE OF BEST REVIVALS OF 2014: 'A Raisin in the Sun' is the best African-American drama ever &amp; this revival was sublime. Photo: Brigitte Lacombe" width="700" height="463" data-id="426" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Raisin-2-2.jpg?w=700&amp;ssl=1 700w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Raisin-2-2.jpg?resize=300%2C198&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Raisin-2-2.jpg?resize=680%2C450&amp;ssl=1 680w" sizes="auto, (max-width: 700px) 100vw, 700px" /></a><p id="caption-attachment-426" class="wp-caption-text">ONE OF BEST REVIVALS OF 2014: &#8216;A Raisin in the Sun&#8217; is the best African-American drama ever &amp; this revival was sublime. Photo: Brigitte Lacombe</p></div>
<p>&nbsp;</p>
<p><strong> THE WORST OF 2014 THEATER IN PICTURES&#8230;</strong></p>
<p>&nbsp;</p>
<div id="attachment_552" style="width: 936px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Intimacy-1.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-552" data-attachment-id="552" data-permalink="https://stagezine.com/intimacy-tales-of-taboo-the-family-bone/intimacy-1/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Intimacy-1.jpg?fit=926%2C615&amp;ssl=1" data-orig-size="926,615" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Intimacy-1" data-image-description="" data-image-caption="&lt;p&gt;MAKING BLUE MOVIES: (Left to right) Daniel Gerroll, Ella Dershowitz, Austin Cauldwell &amp;#038; Déa Julien in the silly porn comedy &amp;#8216;Intimacy,&amp;#8217; one of 2014&amp;#8217;s worst plays. Photo: Monique Carboni.&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Intimacy-1.jpg?fit=750%2C498&amp;ssl=1" loading="lazy" class="size-full wp-image-552" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Intimacy-1.jpg?resize=750%2C498&#038;ssl=1" alt="MAKING BLUE MOVIES: (Left to right) Daniel Gerroll, Ella Dershowitz, Austin Cauldwell &amp; Déa Julien in the silly porn comedy 'Intimacy,' one of 2014's worst plays. Photo: Monique Carboni." width="750" height="498" data-id="552" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Intimacy-1.jpg?w=926&amp;ssl=1 926w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Intimacy-1.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Intimacy-1.jpg?resize=677%2C450&amp;ssl=1 677w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Intimacy-1.jpg?resize=360%2C240&amp;ssl=1 360w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-552" class="wp-caption-text">MAKING BLUE MOVIES: (Left to right) Daniel Gerroll, Ella Dershowitz, Austin Cauldwell &amp; Déa Julien in the silly porn comedy &#8216;Intimacy,&#8217; one of 2014&#8217;s worst plays. Photo: Monique Carboni.</p></div>
<p>&nbsp;</p>
<div id="attachment_543" style="width: 936px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Holler-2-2.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-543" data-attachment-id="543" data-permalink="https://stagezine.com/holler-not-the-gospel-according-to-tupac/holler-2-2/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Holler-2-2.jpg?fit=926%2C593&amp;ssl=1" data-orig-size="926,593" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Holler-2 (2)" data-image-description="" data-image-caption="&lt;p&gt;WORST OF 2014: Canned hip-hop music &amp;#038; every ghetto cliche in the &amp;#8216;hood made &amp;#8216;Holler If Ya Hear Me&amp;#8217; a dud. Photo: Joan Marcus&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Holler-2-2.jpg?fit=750%2C480&amp;ssl=1" loading="lazy" class="size-full wp-image-543" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Holler-2-2.jpg?resize=750%2C480&#038;ssl=1" alt="WORST OF 2014: Canned hip-hop music &amp; every ghetto cliche in the 'hood made 'Holler If Ya Hear Me' a dud. Photo: Joan Marcus" width="750" height="480" data-id="543" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Holler-2-2.jpg?w=926&amp;ssl=1 926w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Holler-2-2.jpg?resize=300%2C192&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Holler-2-2.jpg?resize=702%2C450&amp;ssl=1 702w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-543" class="wp-caption-text">WORST OF 2014: Canned hip-hop music &amp; every ghetto cliche in the &#8216;hood made &#8216;Holler If Ya Hear Me&#8217; a dud. Photo: Joan Marcus</p></div>
<p>&nbsp;</p>
<p><strong>David Nounou&#8217;s</strong> <strong>TOP 10 WORST OF 2014<br />
</strong></p>
<p>1.  <strong><em>Holler If Ya Hear Me</em>:</strong> Definitely and by far the worst show of the year. Misguided conception for a Broadway musical, with inept direction by Kenny Leon.</p>
<p>2.<strong>  <em>The Realistic Joneses</em>:</strong> Usual Will Eno blatherfest.</p>
<p>3.<strong>  <em>The Last Ship</em>:</strong> With or without Sting, this turgid ship sank a long time ago.</p>
<p>4.  <strong><em>Bullets Over Broadway</em>:</strong> Susan Stroman took a brilliant Woody Allen comedy and turned it into schlock at its worst.</p>
<p>5.  <strong><em>Rocky</em>: </strong>A horrific and ill-conceived idea for a musical, courtesy of Sylvester Stallone.</p>
<p>6.  <strong><em>Bronx Bombers</em>: </strong>Actually a stage bomb; the Bronx had nothing to do with it.</p>
<p>7.  <strong><em>The River</em>: </strong>Thank God it was only half as long as Jez Butterworth&#8217;s previous outing <em>Jerusalem</em>, which made it bearable. Although one can watch Hugh Jackman read a phone book and make it interesting, he was miscast here.</p>
<p>8.<strong>  <em>Under My Skin</em>: </strong>Off-Broadway gender-switching concept (starring Kerry Butler) at its incompetent and unfunny worst.</p>
<p>9.  <strong><em>Intimacy</em>: </strong>Inept and stupid Off-Broadway &#8220;porn in suburbia&#8221; button pusher from smut auteur Thomas Bradshaw.</p>
<p>10.  <strong><em>A Delicate Balance</em>:</strong> Pam McKinnon took an Edward Albee snoozefest in which nothing really happens and sucked out any life out of it.<br />
<strong><br />
DISHONORABLE MENTION</strong></p>
<p><strong><em>The Velocity Of Autumn</em>:</strong> Had no business being on Broadway and why did they even bother?</p>
<p><strong><em>It&#8217;s Only A Play</em>:</strong> Never has so much star power gone to waste and suffered from a basically one-note comedy.</p>
<p><strong>THE BEST OF 2014 THEATER IN PICTURES&#8230;<br />
</strong></p>
<div id="attachment_252" style="width: 936px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/LadyDay-1.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-252" data-attachment-id="252" data-permalink="https://stagezine.com/lady-day-audra-mcdonald-as-billie-holiday/ladyday-1/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/LadyDay-1.jpg?fit=926%2C617&amp;ssl=1" data-orig-size="926,617" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}" data-image-title="LadyDay-1" data-image-description="" data-image-caption="&lt;p&gt;PORTRAIT OF THE JAZZ ICON: Audra McDonald won a Tony for her outstanding portrayal of Billie Holiday in &amp;#8216;Lady Day at Emerson&amp;#8217;s Bar &amp;#038; Grill,&amp;#8217; one of the best shows of 2014. Photo: Evgenia Eliseeva&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/LadyDay-1.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-252" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/LadyDay-1.jpg?resize=750%2C500&#038;ssl=1" alt="PORTRAIT OF THE JAZZ ICON: Audra McDonald won a Tony for her outstanding portrayal of Billie Holiday in 'Lady Day at Emerson's Bar &amp; Grill,' one of the best shows of 2014. Photo: Evgenia Eliseeva" width="750" height="500" data-id="252" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/LadyDay-1.jpg?w=926&amp;ssl=1 926w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/LadyDay-1.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/LadyDay-1.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/LadyDay-1.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-252" class="wp-caption-text">PORTRAIT OF THE JAZZ ICON: Audra McDonald won a Tony for her outstanding portrayal of Billie Holiday in &#8216;Lady Day at Emerson&#8217;s Bar &amp; Grill,&#8217; one of the best shows of 2014. Photo: Evgenia Eliseeva</p></div>
<p>&nbsp;</p>
<div id="attachment_537" style="width: 936px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Heathers-3-1.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-537" data-attachment-id="537" data-permalink="https://stagezine.com/heathers-the-musical-is-so-very-brilliant/heathers-3-1/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Heathers-3-1.jpg?fit=926%2C568&amp;ssl=1" data-orig-size="926,568" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Heathers-3 (1)" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;SO VERY&amp;#8217; BRILLIANT: The cast of Off-Broadway&amp;#8217;s &amp;#8216;Heathers The Musical,&amp;#8217; one of 2014&amp;#8217;s best. Photo: Chad Batka&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Heathers-3-1.jpg?fit=750%2C460&amp;ssl=1" loading="lazy" class="size-full wp-image-537" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Heathers-3-1.jpg?resize=750%2C460&#038;ssl=1" alt="'SO VERY' BRILLIANT: The cast of Off-Broadway's 'Heathers The Musical,' one of 2014's best. Photo: Chad Batka" width="750" height="460" data-id="537" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Heathers-3-1.jpg?w=926&amp;ssl=1 926w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Heathers-3-1.jpg?resize=300%2C184&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Heathers-3-1.jpg?resize=733%2C450&amp;ssl=1 733w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-537" class="wp-caption-text">&#8216;SO VERY&#8217; BRILLIANT: The cast of Off-Broadway&#8217;s &#8216;Heathers The Musical,&#8217; one of 2014&#8217;s best. Photo: Chad Batka</p></div>
<p><strong><br />
Scott Harrah&#8217;s TOP 10 BEST OF 2014<br />
</strong></p>
<p>1.  <strong><em>The Curious Incident of the Dog in the Night-Time</em>:</strong> This British import is a rare mix of a great script, outstanding acting and technical wizardry. One of the best shows of the past 10 years, with a Tony-worthy performance by Alex Sharp.</p>
<p>2.  <strong><em>Hedwig and the Angry Inch</em>:</strong> Neil Patrick Harris helped make this revival a must-see. I liked the original back in the 1990s, but I totally flipped for this Broadway revival of <em>Hedwig.</em></p>
<p>3.  <em><strong>Aladdin</strong></em>: Despite the lukewarm reaction from critics and the Tony Awards, this is a fun and colorful family musical from Disney.</p>
<p>4.  <em><strong>Heathers</strong></em>: A &#8220;so very&#8221; brilliant Off-Broadway adaptation of the 1980s cult film.</p>
<p>5. <em><strong>The Cripple of Inishmaan</strong></em>: This clever Irish play was misunderstood by most critics. Martin McDonagh&#8217;s wry Irish humor and Daniel Radcliffe made the show lots of fun.</p>
<p>6.  <em><strong>The Elephant Man</strong></em>: A brilliant revival of a play about acceptance, starring Bradley Cooper.</p>
<p>7.   <em><strong>Pageant</strong></em>: Great revival of the musical spoof on beauty pageants.</p>
<p>8.  <em><strong>A Raisin in the Sun</strong></em>: Outstanding revival of the best African-American drama of all time.</p>
<p>9.  <em><strong>Lady Day at Emerson’s Bar and Grill:</strong></em> Audra McDonald channeling Billie Holiday in one her best stage performances to date.</p>
<p>10. <em><strong>Ruthless: The Musical</strong></em>: Hilarious, shamelessly campy revival of the Off-Broadway musical satire that sends up everything from <em>The Bad Seed</em> to <em>All About Eve.</em></p>
<p><strong>AND THE WORST&#8230;</strong></p>
<div id="attachment_495" style="width: 936px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Bullets-1-1.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-495" data-attachment-id="495" data-permalink="https://stagezine.com/bullets-over-broadway-shoots-blanks/bullets-1-1/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Bullets-1-1.jpg?fit=926%2C572&amp;ssl=1" data-orig-size="926,572" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Bullets-1 (1)" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;BULLETS&amp;#8217; ONLY SHOT BLANKS:  The mind-numbingly lame &amp;#038; lifeless musical adaptation of Woody Allen&amp;#8217;s &amp;#8216;Bullets Over Broadway,&amp;#8217; haphazardly directly by Susan Stroman. Photo: Paul Kolnik&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Bullets-1-1.jpg?fit=750%2C463&amp;ssl=1" loading="lazy" class="size-full wp-image-495" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Bullets-1-1.jpg?resize=750%2C463&#038;ssl=1" alt="'BULLETS' ONLY SHOT BLANKS: The mind-numbingly lame &amp; lifeless musical adaptation of Woody Allen's 'Bullets Over Broadway,' haphazardly directly by Susan Stroman. Photo: Paul Kolnik" width="750" height="463" data-id="495" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Bullets-1-1.jpg?w=926&amp;ssl=1 926w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Bullets-1-1.jpg?resize=300%2C185&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Bullets-1-1.jpg?resize=728%2C450&amp;ssl=1 728w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-495" class="wp-caption-text">&#8216;BULLETS&#8217; ONLY SHOT BLANKS: The mind-numbingly lame &amp; lifeless musical adaptation of Woody Allen&#8217;s &#8216;Bullets Over Broadway,&#8217; haphazardly directly by Susan Stroman. Photo: Paul Kolnik</p></div>
<p>&nbsp;</p>
<div id="attachment_682" style="width: 936px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Jones-3.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-682" data-attachment-id="682" data-permalink="https://stagezine.com/keeping-up-with-these-joneses-isnt-easy/jones-3/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Jones-3.jpg?fit=926%2C1475&amp;ssl=1" data-orig-size="926,1475" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Jones-3" data-image-description="" data-image-caption="&lt;p&gt;BIG TALENTS, CONFUSING SHOW: Toni Collette &amp;#038; Michael C. Hall in &amp;#8216;The Realistic Joneses,&amp;#8217; the worst play of 2014. Photo: Joan Marcus&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Jones-3.jpg?fit=642%2C1024&amp;ssl=1" loading="lazy" class="wp-image-682 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Jones-3.jpg?resize=750%2C1195&#038;ssl=1" alt="BIG TALENTS, CONFUSING SHOW: Toni Collette &amp; Michael C. Hall in 'The Realistic Joneses,' the worst play of 2014. Photo: Joan Marcus" width="750" height="1195" data-id="682" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Jones-3.jpg?w=926&amp;ssl=1 926w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Jones-3.jpg?resize=188%2C300&amp;ssl=1 188w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Jones-3.jpg?resize=642%2C1024&amp;ssl=1 642w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/09/Jones-3.jpg?resize=282%2C450&amp;ssl=1 282w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-682" class="wp-caption-text">BIG TALENTS, CONFUSING SHOW: Toni Collette &amp; Michael C. Hall in &#8216;The Realistic Joneses,&#8217; one of the worst plays of 2014. Photo: Joan Marcus</p></div>
<p>&nbsp;</p>
<p><strong>Scott Harrah&#8217;s TOP 10 WORST OF 2014<br />
</strong></p>
<p>1.  <em><strong>Holler If Ya Hear Me</strong></em>: A contrived musical with canned, pre-recorded hip-hop music, every half-baked ghetto cliche known in the &#8216;hood, and zero drama. An insult to Tupac Shakur&#8217;s memory. (And the play only <em>featured</em> his music. It wasn&#8217;t even about him!)</p>
<p>2.  <em><strong>The Realistic Joneses</strong></em>: Despite a great all-star cast, the show was merely more confusing twaddle from the consistently pretentious Will Eno.</p>
<p>3. <em><strong> It&#8217;s Only a Play</strong></em>: Full of stars, but Terrence McNally&#8217;s smash hit is totally devoid of anything funny. It&#8217;s just not much of a play.</p>
<p>4.  <em><strong>A Delicate Balance</strong></em>: Edward Albee won the Pulitzer for this? Theater fans paid <em>how much</em> to see this confusing bore-a-thon?</p>
<p>5.  <em><strong>Rocky:</strong></em> This adaptation of the Sylvester Stallone classic film didn&#8217;t &#8220;fly&#8221; as a musical, and was a total snoozer until the final scene. Too little, too late. Sorry, Sly.</p>
<div id="attachment_2337" style="width: 616px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/12/Under-My-Skin.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-2337" data-attachment-id="2337" data-permalink="https://stagezine.com/best-worst-2014-theater/under-my-skin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/12/Under-My-Skin.jpg?fit=606%2C925&amp;ssl=1" data-orig-size="606,925" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Under My Skin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;UNDER MY SKIN&amp;#8217;: Like a parasite, that is. This unfunny Off-Broadway body-switching &amp;#8216;comedy&amp;#8217; with Kerry Butler (left) &amp;#038; Matt Walton was like &amp;#8216;Freaky Friday&amp;#8217; with bad sex jokes &amp;#038; terrible NY accents. One of the 2014&amp;#8217;s worst plays. Photo: Broadway.com&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/12/Under-My-Skin.jpg?fit=606%2C925&amp;ssl=1" loading="lazy" class="wp-image-2337 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/12/Under-My-Skin.jpg?resize=606%2C925&#038;ssl=1" alt="'UNDER MY SKIN': Like a parasite, that is. This unfunny Off-Broadway body-switching 'comedy' with Kerry Butler (left) &amp; Matt Walton was like 'Freaky Friday' with bad sex jokes &amp; terrible NY accents. One of the 2014's worst plays. Photo: Broadway.com" width="606" height="925" data-id="2337" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/12/Under-My-Skin.jpg?w=606&amp;ssl=1 606w, https://i0.wp.com/stagezine.com/wp-content/uploads/2014/12/Under-My-Skin.jpg?resize=196%2C300&amp;ssl=1 196w" sizes="auto, (max-width: 606px) 100vw, 606px" /></a><p id="caption-attachment-2337" class="wp-caption-text">&#8216;UNDER MY SKIN&#8217;: Like a parasite, that is. This unfunny Off-Broadway body-switching &#8216;comedy&#8217; with Kerry Butler (left) &amp; Matt Walton was like &#8216;Freaky Friday&#8217; with bad sex jokes &amp; terrible NY accents. One of the 2014&#8217;s worst plays. Photo: Broadway.com</p></div>
<p>6.  <em><strong>Under My Skin</strong></em>: Stupid, unfunny body-switching Off-Broadway &#8220;comedy&#8221; starring Kerry Butler. Like <em>Freaky Friday</em> with bad sex jokes and atrocious attempts at New York accents.</p>
<p>7.  <em><strong>Bronx Bombers</strong></em>: One foul baseball play that should have stayed Off Broadway. The Yankees deserved a much better stage bio-drama than this.</p>
<p>8. <em><strong> Mothers and Sons</strong></em>: Another atrocity from Terrence McNally, despite Tyne Daly&#8217;s fine performance as a homophobic mother still grieving over her son&#8217;s death from AIDS. Dated and preachy drivel.</p>
<p>9.<em><strong>  Intimacy</strong></em>: For some reason, one-track-minded provocateur Thomas Bradshaw keeps getting his &#8220;porn with a message&#8221; Off-Broadway plays produced. Entertaining? Yes. But good theater? No.</p>
<p>10. <em><strong>Bullets Over Broadway:</strong></em> A puerile, pathetic adaptation of the hit Woody Allen film, with random vintage songs thrown in as a &#8220;score.&#8221; No bullets here&#8211;just blanks.</p>
<p><strong>DISHONORABLE MENTION</strong></p>
<p><em><strong>If/Then</strong></em>: Poor Idina Menzel, a talented diva, playing a recently divorced woman in this hokey dud, depicting a sanitized New York and every bad New York stereotype (past and present) imaginable.</p>
<p><em><strong>The Velocity of Autumn</strong></em>: Estelle Parsons deserved a much better &#8220;comeback” than this lame, pointless drama about an elderly Brooklyn woman and her troubled relationship with her son.</p>
<p><strong><em>Edited by Scott Harrah</em><br />
<em> Published December 22, 2014</em></strong></p>
<p>The post <a href="https://stagezine.com/best-worst-2014-theater/">Top 10 Best &#038; Worst of 2014 Theater</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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