‘BUENA VISTA SOCIAL CLUB’: The cast. Photo: Matthew Murphy.

BUENA VISTA SOCIAL CLUB
Book by Marco Ramirez
Music by Buena Vista Social Club
Choreography by Patricia Delgado & Justin Peck
Directed  & developed by Saheem Ali
Gerald Schoenfeld Theatre
236 West 45^th Street
https://buenavistamusical.com/

By Scott Harrah

Don’t miss this joyful tale of music in Cuba told during two separate time periods: In the 1950s, in the days before the Cuban Revolution, when President Fulgencio Batista still ruled and Havana was a gambling haven. Juxtaposed cleverly with this timeline is the year 1996, when a group of Cuban musicians reunite to record the titular Grammy-winning album on which this lively, colorful musical is based.

The backstory

In 1996, producer Juan de Marcos (Justin Cunningham) brings together a backup band for the older Cuban singers. The story focuses on four musicians, Omara Portundo (Natalie Venetia Belcon), Ibrahim (Mel Semé), Rubén (Jainardo Batista Sterling) and Eliades (Renesito Avich), all coping with the Fidel Castro regime and how it has affected their lives.

The narrative tells how the eponymous album (released in 1997) was made, bringing the musicians world recognition. The story was made into an acclaimed, Oscar-nominated 1999 documentary of the same name, by German filmmaker Wim Wenders.

When approached about doing the album, Omara is hesitant because she has not sung in years. But she is soon convinced by the album producer to reunite with old friends at the club. She, of course, immediately has no regrets.

From the 1950s to 1996

Part of the story is told in flashbacks to the ‘50s. The young Omara (Isa Antonetti) and sister Haydee (Ashley De La Rosa) are being pursued to sign a recording contract. In addition, Haydee is enthralled with the glamour of the white clubs frequented by tourists in Havana, while Omara prefers performing at the mostly Afro-Cuban Buena Vista. We also meet the younger Compay (Da’Von T. Moody) and Rubén (Leonardo Reyna). Rubén is a master at the piano and gets the whole group jamming with glee.

This is that rare stage musical in which flashbacks actually work and make sense. All songs are performed in Spanish. The best aspect of the show is seeing all the magnificent choreography by Patrick Delgado and Justin Peck, with characters all sporting Dede Ayite’s authentic Cuban costumes.

An entertaining evening

Mr. Delgado and Mr. Peck, with the help of creative consultant David Yazbek, Marco Paguia (music director, orchestrations and arrangements) and music director Dean Sharenow, have assembled an incredibly entertaining evening.

Director Saheem Ali gets marvelous performances from the entire gifted cast, and the story and songs all flow together well. Dav’Von T. Moody as young Compay and Leonardo Reyna as young Rubén make a dynamic duo.

Standouts include Ms. Belcon as Omara and Ms. Antonetti as the young Omara. The two women have powerful voices that soar. For instance, Ms. Belcon’s vocals are both incredibly sultry and raspy in the song “Candela.”

The Atlantic Theater Company originally produced the musical in 2023. Granted, this reviewer never saw that production, but there is no question that this festive celebration of Cuban music and life belongs on Broadway. It is one of the spring 2025 season’s best musical revivals—a nonstop jubilee of culture, history and Cuban music that will keep audiences spellbound from beginning to end. ¡Viva Cuba!

Published April 4, 2025
Reviewed at press performance on March 27, 2025

‘BUENA VISTA SOCIAL CLUB’: Leonardo Reyna (seated at piano) & cast. Photo: Matthew Murphy.

‘BUENA VISTA SOCIAL CLUB’: Isa Antonetti. Photo: Matthew Murphy.

‘BUENA VISTA SOCIAL CLUB’: (left to right) Justin Cunningham, Marco Paguia (seated at piano), Renecito Avich, Natalie Venetia Belcon & Román Diaz. Photo: Matthew Murphy.

‘BUENA VISTA SOCIAL CLUB: (left to right) Natalie Venetia Belcon, Mel Semé (foreground) & Wesley Wray. Photo: Matthew Murphy.

‘BUENA VISTA SOCIAL CLUB’: The cast. Photo: Matthew Murphy.

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