‘CULT OF LOVE’: (left to right) Christopher Sears, Barbie Ferreira, Roberta Colindrez, Mare Winningham, Zachary Quinto, David Rasche, Shailene Woodley & Rebecca Henderson. Photo: Joan Marcus.

CULT OF LOVE
Written by Leslye Headland
Directed by Trip Cullman
Through February 2, 2025
Second Stage
The Helen Hayes Theater
240 W. 44^th Street
https://2st.com/shows/cult-of-love

By Scott Harrah

Opening just in time for the holidays, playwright Leslye Headland’s Cult of Love is a one act that features all the formulaic elements of a dysfunctional family: arguments about religion, career and marital problems, strained relationships, homophobia, drug abuse, mental illness, and so on. Although the 100-minute play does not exactly shed new light on these issues when they appear in “toxic” families, the trenchant performances of the all-star cast in this fine production, directed by Trip Cullman, make us forget the familiar themes. Just sit back and watch the family fireworks explode.

The story focuses on four adult siblings who return to their parents’ farmhouse in Connecticut for Christmas. Home might be “where the heart is” for some, but in the Dahl family, it’s where the hurt is. Ginny Dahl (Mare Winningham) is the manipulative matriarch who pretends that there’s nothing wrong with the family. Father Bill Dahl (David Rasche) appears sweet on the surface. He loves to play the piano and reminisce about the days when all four kids were young and used to sing “Shenandoah” like a saccharine, American version of the Von Trapp family in The Sound of Music. However, Bill is having memory issues and it’s becoming obvious he might be developing dementia.

The Dahl kids

Each one of the Dahl children has an issue that the parents either cannot accept or try to ignore. Mark (Zachary Quinto) went to Yale and was a seminary student but decided to become a lawyer instead. His marriage and career are not in great shape. He is also no longer a Christian—something that does not thrill his evangelical parents. His wife Rachel (Molly Bernard) converted to Christianity when she married him.

Evie Dahl (Rebecca Henderson) is a chef who shuns her religious upbringing. She is also an out-and-proud lesbian, married to wife Pippa (Roberta Colindrez). Diana Dahl Bennett (Shailene Woodley) is a pregnant Jesus freak who has struggled with mental-health problems since childhood. She and her preacher husband James (Christopher Lowell) are temporarily living with Evie’s parents after being forced out of their church.

Everyone is waiting for Johnny Dahl (Christopher Sears) to show up on Christmas Even so they can dig into a roast lamb. Johnny is a recovering drug addict and eventually arrives late with his friend Loren (Barbie Ferreira), a fun-loving free spirit who is refreshingly level-headed and not amused by the discord of the Dahl family.

The Dahls have always played music together, from banjo and guitar to the kazoo. Watching them all jamming and singing together gives the show the right amount of levity to help neutralize the dark tone of gloom and tension that runs throughout the narrative.

Stellar cast

Despite the lugubrious nature of this sometimes-predictable drama, Cult of Love is worth seeing primarily thanks to the brilliant cast. Director Trip Cullman gets superb performances from everyone. Mare Winningham is marvelous as the crafty, unpleasant mother Ginny, and David Rasche also shines as her husband Bill. Zachary Quinto does a great job portraying the brooding Mark, and Christopher Sears is also first-rate as Johnny.

The female cast members are all outstanding.  Rebecca Henderson is often touching as Evie, while Shailene Woodley is riveting and shows incredible range as Diana, the Bible-thumping daughter who goes from sweet and annoying to downright disturbing when she has a meltdown. Molly Bernard as Rachel, Roberta Colindrez as Evie’s out-of-place wife Pippa and Barbie Ferreira as Loren are all sublime in their supporting roles.

Cult of Love is hardly average Broadway holiday fare. Playwright Leslye Headland skillfully dissects and destroys the myth of “happy” families who demand loyalty without truly knowing how to love and accept one’s kin despite their individual quirks and flaws.

Published December 19, 2024
Reviewed at press performance on December 17, 2024

‘CULT OF LOVE’: (left to right) Shailene Woodley, Christopher Sears, Rebecca Henderson & Zachary Quinto. Photo: Joan Marcus.

‘CULT OF LOVE’: (left to right) Zachary Quinto, Mare Winningham, Shailene Woodley & David Rasche. Photo: Joan Marcus.

‘CULT OF LOVE’: Zachary Quinto & Shailene Woodley. Photo: Joan Marcus.

‘CULT OF LOVE’: (left to right) Zachary Quinto, Molly Bernard & Chris Lowell. Photo: Joan Marcus.

The post ‘Cult of Love’: Dysfunctional family Christmas appeared first on StageZine.

THE THREE ALISONS: (left to right) Sydney Lucas, Beth Malone & Emily Skeggs. Photo: Joan Marcus

FUN HOME
Music by Jeanine Tesori
Book and lyrics by Lisa Kron
Based on the graphic novel by Alison Bechdel
Choreography by Danny Mefford
Directed by Sam Gold
Circle in the Square Theatre
1633 Broadway
(212-239-6280), www.FunHomeBroadway.com

By Scott Harrah

Home is where the hurt is in this Broadway transfer of the hit Off-Broadway musical adaptation of Alison Bechdel’s autobiographical graphic novel Fun Home: A Family Tragicomic. The show, which played a successful run at the Public Theater, is hardly your standard Broadway musical fare. This dark, often disturbing story is essentially a “memory play” with songs woven into the narrative, but it’s not exactly a modern-day Glass Menagerie with music.

Narrated by lesbian cartoonist Alison Bechdel (played at age 43 by Beth Malone), with Small Alison (Sydney Lucas) and Middle Alison (Emily Skeggs) representing the protagonist at different stages of her life, Fun Home is about growing up in a dysfunctional family in a Pennsylvania town in the 1970s. The Bechdels live in an old Victorian mansion, adding to the creepiness of the setting. Dad Bruce (Michael Cerveris) is an English teacher and also the town undertaker, running a local funeral parlor that the kids nickname the “fun home.” Dad has a passion for classic literature, antiques, decorating and renovating the family home—and underage teenage boys. Mother Helen (Judy Kuhn) is the typical wife in denial about her husband’s secret sexuality.

The dramatic conflict mostly centers on Alison’s volatile relationship with her parents. Her father is often critical of young Alison, chiding her for not liking to wear dresses and critiquing her budding art talent as she develops a passion for drawing cartoons. Unfortunately, most of the songs in this nontraditional musical seem strained, unnatural and silly—from ditties about polishing the furniture to a rousing number, “Changing My Major,” by Alison as she discovers lesbian love after a libidinous night with Joan (Roberta Colindrez) while a freshman at posh Oberlin College.

Despite a few funny moments, such as Alison’s dad sending her “lesbian books” like one by Collette, the subject matter in Fun Home is somber indeed, at times downright lugubrious, and doesn’t exactly lend itself to musical theater.

In addition, the story of Alison’s troubled parents is often more compelling than Alison’s own coming-of-age trajectory. However, there just isn’t enough detail about the parents and their sham marriage. Helen Bechdel tells of being stationed with her husband in Germany while he was in the military and traveling to Paris to meet a man who turned out to be his lover, but the significance of this anecdote is never explained. We know that the father is a self-loathing man unable to be true to himself, and the mother is a long-suffering woman who is sick of all the lies and deception, and Fun Home would be a far more interesting show if the parents’ backstory was explained better.

Director Sam Gold gets outstanding performances from the cast, despite the awkward in-the-round staging that is always tricky at Circle in the Square, with audiences having to watch the back of actors’ heads at times. Mr. Cerveris’ Bruce is consistently heartbreaking, portraying a man overwrought with guilt about his double life. Judy Kuhn is also outstanding as wife Helen, giving a searing portrait of a woman breaking down from years of marital discord. The three actresses playing Alison are all superb as well.

Fun Home already has a cult audience that enjoys it as a musical, but one wonders if the show might be more satisfying and solid as a straightforward drama because the Bechdel family suffers from enough adversity and emotional mishaps to make the story stand by itself, without any need for songs. Regardless, Fun Home is a powerful saga that puts a different spin on stage epics about maladjusted families and the pain of growing up feeling out of place and misunderstood.

MOM & YOUNG ALISON: Judy Kuhn & Sydney Lucas. Photo: Jenny Anderson

THE BECHDEL FAMILY: (left to right) Judy Kuhn, Oscar Williams, Zell Steele Marrow, Sydney Lucas & Michael Cerveris. Photo: Joan Marcus

GROOVING AT THE ‘FUN HOME’ FUNERAL PARLOR: Oscar Williams, Zell Steele Marrow & Sydney Lucas. Photo: Joan Marcus

ALISON & MIDDLE ALISON: Beth Malone & Emily Skeggs. Photo: Jenny Anderson

YOUNG ALISON & HER DAD: Sydney Lucas & Michael Cerveris. Photo: Joan Marcus

Edited by Scott Harrah
Published April 23, 2015
Reviewed at press performance on April 22, 2015

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