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	<title>Phylicia Rashad Archives - StageZine</title>
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		<title>&#8216;Purpose&#8217;: Toxic family blockbuster</title>
		<link>https://stagezine.com/purpose-toxic-family-blockbuster/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=purpose-toxic-family-blockbuster</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Tue, 25 Mar 2025 03:39:30 +0000</pubDate>
				<category><![CDATA[Closed Shows]]></category>
		<category><![CDATA[African-American Drama]]></category>
		<category><![CDATA[Alana Arenas]]></category>
		<category><![CDATA[Branden Jacobs-Jenkins]]></category>
		<category><![CDATA[Glenn Davis]]></category>
		<category><![CDATA[Harry Lennix]]></category>
		<category><![CDATA[Jon Michael Hill]]></category>
		<category><![CDATA[Kara Young]]></category>
		<category><![CDATA[LaTanya Richardson Jackson]]></category>
		<category><![CDATA[Phylicia Rashad]]></category>
		<category><![CDATA[Steppenwolf Theatre Company]]></category>
		<category><![CDATA[The Helen Hayes Theater]]></category>
		<category><![CDATA[The Steppenwolf Theatre Company]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=17853</guid>

					<description><![CDATA[<p>PURPOSE By Branden Jacobs-Jenkins Directed by Phylicia Rashad Through August 31, 2025 The Helen Hayes Theater 240 W 44th St. https://purposeonbroadway.com/ &#160; By Scott Harrah Playwright Branden Jacobs-Jenkins won the Tony Award for Best Revival of a Play last year with the hit dysfunctional-family drama Appropriate. Now, he’s scored with another engrossing blockbuster about a [&#8230;]</p>
<p>The post <a href="https://stagezine.com/purpose-toxic-family-blockbuster/">&#8216;Purpose&#8217;: Toxic family blockbuster</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div id="attachment_17855" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17855" data-attachment-id="17855" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/crop-206_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-17855 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=750%2C500&#038;ssl=1" alt="'PURPOSE': (left to right) LaTanya Richardson Jackson, Glenn Davis, Kara Young &amp; Jon Michael Hill. Photo: Marc J. Franklin." width="750" height="500" data-id="17855" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-206_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17855" class="wp-caption-text">&#8216;PURPOSE&#8217;: (left to right) LaTanya Richardson Jackson, Glenn Davis, Kara Young &amp; Jon Michael Hill. Photo: Marc J. Franklin.</p></div>
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<p><strong><em>PURPOSE</em></strong><br />
<strong>By Branden Jacobs-Jenkins</strong><br />
<strong>Directed by Phylicia Rashad</strong><br />
<strong>Through August 31, 2025</strong><br />
<strong>The Helen Hayes Theater</strong><br />
<strong>240 W 44th St.</strong><br />
<a href="https://purposeonbroadway.com/"><strong>https://purposeonbroadway.com/</strong></a></p>
<p>&nbsp;</p>
<p><strong>By Scott Harrah</strong></p>
<p>Playwright Branden Jacobs-Jenkins won the Tony Award for Best Revival of a Play last year with the hit dysfunctional-family drama <em>Appropriate</em>. Now, he’s scored with another engrossing blockbuster about a toxic family, <em>Purpose</em>.</p>
<p>The story focuses on the famous Jaspers, an influential, affluent African-American family in Chicago. The Jaspers are renowned for their political influence and religion. Patriarch Solomon “Sonny” Jasper (Harry Lennix) is a former Civil Rights leader who now works as a pastor and beekeeper. He and his affable but tough-as-nails wife Claudine (LaTanya Richardson Jackson) have both helped the Jasper family make a good name for themselves, and they will do anything to maintain their respectable image. Claudine has a law degree, but she doesn’t really practice law and instead works as a socialite for human rights and various Black causes.</p>
<h3>Meet the Jasper family</h3>
<p><em>Purpose</em> unfolds with narrator Nazareth or “Naz” Jasper (Jon Michael Hill) as he just returned home from New York with uninvited friend Aziza (Kara Young).  Naz is the youngest son and has dropped out of divinity school. He explains the family’s many shortcomings and the conflicts that ultimately result when everyone gets together for a reunion.</p>
<p>The play has ongoing themes of social prominence, social and racial justice, identity and faith. The story is not exactly anything new or original, but it rings with veracity and reality regardless.</p>
<h3>Highbrow soap opera</h3>
<p>The story unfurls like a highbrow soap opera as we meet the many troubled and flawed family members.</p>
<p>First, there’s Junior (Glenn Davis), the older son and politician who has just been released from prison after being convicted of mismanaging campaign funds. His fashionable wife Morgan (Alana Arenas) is in trouble and will soon do time behind bars for helping her husband with his crime.</p>
<p>The other character, Aziza, is not a family member. She’s the high-spirited, earthbound outsider from Harlem and is initially impressed by meeting the famous Jasper clan, but she soon learns the family is not as glamorous as they seem.</p>
<h3>Dysfunctional dinner</h3>
<p>Sparks fly when everyone sits down to dinner and Junior starts talking about incarceration reform. Sonny is not pleased that his oldest son has little interest in carrying on his legacy. The father is also unhappy that Naz has decided to become a nature photographer instead of a pastor.</p>
<p>When questions about Naz’s sexuality are raised, Aziza reveals that she is hoping to have a child with him, but marriage is not in the plans because she only wants Naz as a sperm donor. It would be unfair to reveal anymore because what’s most enjoyable about Purpose is hearing all the juicy secrets the family members reveal though arguing, complete with razor-sharp dialogue that is crisp, biting and often hilarious in a dark way.</p>
<h3>Lies &amp; deceit</h3>
<p>The story is about the lies and deceit famous families spin, all to keep up appearances and maintain good PR in the media. The Jaspers could be the African-American Kennedys, and Sonny is a composite of the Reverend Jesse Jackson, the late Dr. Martin Luther King Jr. (Dr. King’s portrait hangs prominently in the Jaspers’ living room) and countless other Civil Rights leaders.</p>
<h3>Seamless direction &amp; great cast</h3>
<p>The show has so many good elements, from the outstanding scenic design of Todd Rosenthal to Phylicia Rashad’s seamless direction. Ms. Rashad gets great performance from everyone in the gifted cast.</p>
<p>Harry Lennix is perfect as Solomon, with his imposing voice and command of the stage. LaTanya Richardson Jackson is equally powerful as his scheming and manipulative wife, Claudine.</p>
<p>Jon Michael Hill is best known for his roles on the network TV shows “Elementary,” “Detroit 1-8-7,” “Law and Order: SVU” and the HBO series “Eastbound and Down.” As a stage actor, he is first-rate, acting as both narrator and the youngest member of the Jasper family. His scenes between his father Solomon and with older brother Junior are consistently convincing and sublime.</p>
<h3>Superb supporting cast</h3>
<p>Supporting cast members are all excellent as well. Glenn Davis is always riveting as the failed politician Junior. As long-suffering wife Morgan, Alana Arenas gives a knockout performance. Her shouting match at the dinner table is one of the show’s highlights, and she commands instant respect—and fear—when she has a meltdown.</p>
<p>Tony Award winner Kara Young (who won Best Actress for a Featured Role in a Play for <em>Purlie </em>last year) proves she’s a rising star to keep watching on Broadway. Ms. Young manages to make her character Aziza one of the only sane people in the show. She also has some of the best lines and dialogue, delivering them with aplomb and getting many laughs from the audience.</p>
<p>The play was originally produced by Steppenwolf Theatre Company in Chicago, and <em>Purpose</em> deserves a decent run on Broadway. It’s an insightful, sometimes over-the-top but never dull evening of family drama at its best.</p>
<p>&nbsp;</p>
<p><strong><em>Published March 24, 2025</em></strong><br />
<strong><em>Reviewed at press performance on March 20, 2025</em></strong></p>
<p>&nbsp;</p>
<div id="attachment_17867" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17867" data-attachment-id="17867" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/crop-407_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin-2/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;PURPOSE&amp;#8217;: Jon Michael Hill &amp;#038; Harry Lennix. Photo: Marc J. Franklin.&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-17867" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?resize=750%2C500&#038;ssl=1" alt="'PURPOSE': Jon Michael Hill &amp; Harry Lennix. Photo: Marc J. Franklin." width="750" height="500" data-id="17867" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-407_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-1.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17867" class="wp-caption-text">&#8216;PURPOSE&#8217;: Jon Michael Hill &amp; Harry Lennix. Photo: Marc J. Franklin.</p></div>
<p>&nbsp;</p>
<div id="attachment_17868" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17868" data-attachment-id="17868" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/crop-219_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;PURPOSE&amp;#8217;: Jon Michael Hill &amp;#038; Glenn Davis. Photo: Marc J. Franklin.&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-17868" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=750%2C500&#038;ssl=1" alt="'PURPOSE': Jon Michael Hill &amp; Glenn Davis. Photo: Marc J. Franklin." width="750" height="500" data-id="17868" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-219_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17868" class="wp-caption-text">&#8216;PURPOSE&#8217;: Jon Michael Hill &amp; Glenn Davis. Photo: Marc J. Franklin.</p></div>
<p>&nbsp;</p>
<div id="attachment_17854" style="width: 2570px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17854" data-attachment-id="17854" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/235_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?fit=2560%2C1708&amp;ssl=1" data-orig-size="2560,1708" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;Marc J. Franklin&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;PURPOSE&amp;#8217;: Kara Young. Photo: Marc J. Franklin. &lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-17854" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?resize=750%2C500&#038;ssl=1" alt="'PURPOSE': Kara Young. Photo: Marc J. Franklin. " width="750" height="500" data-id="17854" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?w=2560&amp;ssl=1 2560w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?resize=1536%2C1025&amp;ssl=1 1536w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?resize=2048%2C1366&amp;ssl=1 2048w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?resize=600%2C400&amp;ssl=1 600w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/235_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin-scaled.jpg?w=2250&amp;ssl=1 2250w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17854" class="wp-caption-text">&#8216;PURPOSE&#8217;: Kara Young. Photo: Marc J. Franklin.</p></div>
<p>&nbsp;</p>
<div id="attachment_17873" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17873" data-attachment-id="17873" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/crop-449_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;PURPOSE&amp;#8217;: Jon Michael Hill. Photo: Marc J. Franklin.&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-17873" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=750%2C500&#038;ssl=1" alt="PURPOSE': Jon Michael Hill. Photo: Marc J. Franklin." width="750" height="500" data-id="17873" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-449_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17873" class="wp-caption-text">&#8216;PURPOSE&#8217;: Jon Michael Hill. Photo: Marc J. Franklin.</p></div>
<p>&nbsp;</p>
<div id="attachment_17874" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17874" data-attachment-id="17874" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/crop-37_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;PURPOSE&amp;#8217;: LaTanya Richardson Jackson. Photo: Marc J. Franklin. &lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-17874" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=750%2C500&#038;ssl=1" alt="'PURPOSE': LaTanya Richardson Jackson. Photo: Marc J. Franklin. " width="750" height="500" data-id="17874" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-37_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17874" class="wp-caption-text">&#8216;PURPOSE&#8217;: LaTanya Richardson Jackson. Photo: Marc J. Franklin.</p></div>
<p>&nbsp;</p>
<div id="attachment_17876" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17876" data-attachment-id="17876" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/crop-435_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;PURPOSE&amp;#8217;: Alana Arenas &amp;#038; Kara Young. Photo: Marc J. Franklin. &lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-17876" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=750%2C500&#038;ssl=1" alt="" width="750" height="500" data-id="17876" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-435_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17876" class="wp-caption-text">&#8216;PURPOSE&#8217;: Alana Arenas &amp; Kara Young. Photo: Marc J. Franklin.</p></div>
<p>&nbsp;</p>
<div id="attachment_17882" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17882" data-attachment-id="17882" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/crop-351_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;PURPOSE&amp;#8217;: Harry Lennix. Photo: Marc J. Franklin.&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-17882" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=750%2C500&#038;ssl=1" alt="'PURPOSE': Harry Lennix. Photo: Marc J. Franklin." width="750" height="500" data-id="17882" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-351_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17882" class="wp-caption-text">&#8216;PURPOSE&#8217;: Harry Lennix. Photo: Marc J. Franklin.</p></div>
<p>&nbsp;</p>
<div id="attachment_17885" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17885" data-attachment-id="17885" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/crop-75_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;PURPOSE&amp;#8217;: Jon Michael Hill, Kara Young &amp;#038; Harry Lennix. Photo: Marc J. Franklin.&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-17885" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=750%2C500&#038;ssl=1" alt="'PURPOSE': Jon Michael Hill, Kara Young &amp; Harry Lennix. Photo: Marc J. Franklin." width="750" height="500" data-id="17885" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-75_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17885" class="wp-caption-text">&#8216;PURPOSE&#8217;: Jon Michael Hill, Kara Young &amp; Harry Lennix. Photo: Marc J. Franklin.</p></div>
<p>&nbsp;</p>
<div id="attachment_17886" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-17886" data-attachment-id="17886" data-permalink="https://stagezine.com/purpose-toxic-family-blockbuster/crop-148_purpose_broadway_production_photos_2025_hr_final_credit_marc_j_franklin/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin" data-image-description="" data-image-caption="&lt;p&gt;&amp;#8216;PURPOSE&amp;#8217;: Glenn Davis &amp;#038; LaTanya Richardson. Photo: Marc J. Franklin.&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="size-full wp-image-17886" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=750%2C500&#038;ssl=1" alt="'PURPOSE': Glenn Davis &amp; LaTanya Richardson. Photo: Marc J. Franklin." width="750" height="500" data-id="17886" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2025/03/CROP-148_Purpose_Broadway_Production_Photos_2025_HR_Final_Credit_Marc_J_Franklin.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-17886" class="wp-caption-text">&#8216;PURPOSE&#8217;: Glenn Davis &amp; LaTanya Richardson. Photo: Marc J. Franklin.</p></div>
<p>The post <a href="https://stagezine.com/purpose-toxic-family-blockbuster/">&#8216;Purpose&#8217;: Toxic family blockbuster</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">17853</post-id>	</item>
		<item>
		<title>&#8216;Skeleton Crew&#8217;: Working-class heroes</title>
		<link>https://stagezine.com/skeleton-crew-working-class-heroes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=skeleton-crew-working-class-heroes</link>
					<comments>https://stagezine.com/skeleton-crew-working-class-heroes/#comments</comments>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Sun, 30 Jan 2022 23:21:21 +0000</pubDate>
				<category><![CDATA[Closed Shows]]></category>
		<category><![CDATA[African-American Drama]]></category>
		<category><![CDATA[Brandon J. Dirden]]></category>
		<category><![CDATA[Chanté Adams]]></category>
		<category><![CDATA[Joshua Boone]]></category>
		<category><![CDATA[Phylicia Rashad]]></category>
		<category><![CDATA[Ruben Santiago-Hudson]]></category>
		<category><![CDATA[Samuel J. Friedman Theatre]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=13573</guid>

					<description><![CDATA[<p>&#160; SKELETON CREW Written by Dominique Morisseau Directed by Ruben Santiago-Hudson Through February 20, 2022 Samuel J. Friedman Theatre 261 West 47th Street (212-239-6200),www.manhattantheatreclub.com  &#160; By David NouNou There is a universality that hits hard in Dominique Morisseau’s new drama Skeleton Crew. It deals with hard times, power struggles in jobs, loss of jobs, homelessness, [&#8230;]</p>
<p>The post <a href="https://stagezine.com/skeleton-crew-working-class-heroes/">&#8216;Skeleton Crew&#8217;: Working-class heroes</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div id="attachment_13576" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13576" data-attachment-id="13576" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-39/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 39" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13576 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=750%2C500&#038;ssl=1" alt="Skeleton Crew" width="750" height="500" data-id="13576" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13576" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Joshua Boone &amp; Chanté Adams. Photo: Matthew Murphy.</p></div>
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<p><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_3.5.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" data-attachment-id="380" data-permalink="https://stagezine.com/?attachment_id=380" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_3.5.jpg?fit=198%2C42&amp;ssl=1" data-orig-size="198,42" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="stars_3.5" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_3.5.jpg?fit=198%2C42&amp;ssl=1" loading="lazy" class="aligncenter size-full wp-image-380" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_3.5.jpg?resize=198%2C42&#038;ssl=1" alt="" width="198" height="42" data-id="380" /></a></p>
<p>&nbsp;</p>
<p><em><strong>SKELETON CREW</strong></em><br />
<strong>Written by Dominique Morisseau</strong><br />
<strong>Directed by Ruben Santiago-Hudson</strong><br />
<strong>Through February 20, 2022</strong><br />
<strong>Samuel J. Friedman Theatre</strong><br />
<strong>261 West 47th Street</strong><br />
<strong>(212-239-6200),<a href="https://www.manhattantheatreclub.com">www.manhattantheatreclub.com </a></strong></p>
<p>&nbsp;</p>
<p><strong>By David NouNou</strong></p>
<p>There is a universality that hits hard in Dominique Morisseau’s new drama <em>Skeleton Crew</em>. It deals with hard times, power struggles in jobs, loss of jobs, homelessness, resilience and dignity. It could be any depressed city in the United States, but in this instance, it is set in Detroit in 2008 at a car-stamping plant.</p>
<p>Faye (Phylicia Rashad) has been working at the plant for 29 years, waiting for her 30<sup>th</sup> in order to collect her retirement pension. She is a chain-smoking labor representative and a den mother to her fellow workers. She has been abandoned by her son because she is a lesbian. The company manager Reggie (Brandon J. Dirden) is conflicted by the fact that the plant will be shutting down and has to remain silent about it but has concerns for the employees.  Two of the hard-working and loyal employees are Dez (Joshua Boone), a young rebel who has heard rumors of the shutdown, and Shanita (Chante Adams), a young, single expectant mother who truly enjoys her job and takes pride in what she does.</p>
<p>Ms. Morisseau fleshes out her characters well. We get to know them and feel for them. But there is a hitch here. There is a feeling of <em>déjà vu</em>. It is a variation of Lynn Nottage’s  2017 play <em>Sweat</em>. Both plays are written by women who understand the everyday fears people face from losing their jobs to the daily perils that exist outside their confines. However, in this case, <em>Skeleton Crew</em> is less convoluted.</p>
<p>It’s great to see Phylicia Rashad back on stage. Her Faye is sass personified and resilient. She has fallen many times but remains a survivor because she has no other choice. She infuses Faye with the dignity she so richly deserves. Ms. Rashad is a constant joy to watch.</p>
<p>Having seen Brandon J. Dirden in <em>Enron</em>, <em>Clybourne Park</em>, <em>All the Way</em> as Martin Luther King, Jr. and <em>Jitney,</em> it is gratifying to see an actor grow with each successive role. He is perfect as the company man who has to be tough and still have the capacity to care about the employees’ future. I can’t wait to see what he does this spring in Richard Greenberg’s <em>Take Me Out.</em></p>
<p>Joshua Boone and Chanté Adams are the younger members of the cast, and they make their presence known. As Dez, Mr. Boone is a likeable rebel that doesn’t just go down with the ship, he has plans and ideas to eventually succeed. Ms. Adams is a delight as a young expectant mother who doesn’t let things get her down.</p>
<p>Although familiar in nature, <em>Skeleton Crew</em> offers memorable performances.</p>
<p>&nbsp;</p>
<p><strong><i>Edited by Scott Harrah</i></strong><br />
<strong><i>Published January 31, 2022</i></strong><br />
<strong><i>Reviewed at January 29, 2022 press performance.</i></strong></p>
<p>&nbsp;</p>
<div id="attachment_13579" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13579" data-attachment-id="13579" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-85/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 85" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13579 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=750%2C500&#038;ssl=1" alt="" width="750" height="500" data-id="13579" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13579" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Phylicia Rashad. Photo: Matthew Murphy.</p></div>
<div id="attachment_13580" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13580" data-attachment-id="13580" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-515/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 515" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13580 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=750%2C500&#038;ssl=1" alt="" width="750" height="500" data-id="13580" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13580" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Brandon J. Dirden &amp; Phylicia Rashad. Photo: Matthew Murphy.</p></div>
<div id="attachment_13581" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13581" data-attachment-id="13581" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-303/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 303" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13581 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=750%2C500&#038;ssl=1" alt="Skeleton Crew" width="750" height="500" data-id="13581" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13581" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Joshua Boone, Brandon J. Dirden, Phylicia Rashad &amp; Chanté Adams. Photo: Matthew Murphy.</p></div>
<p>&nbsp;</p>
<div id="attachment_13582" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13582" data-attachment-id="13582" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-269/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 269" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13582 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=750%2C500&#038;ssl=1" alt="Skeleton Crew" width="750" height="500" data-id="13582" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13582" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Adesola Osakalumi. Photo: Matthew Murphy.</p></div>
<p>The post <a href="https://stagezine.com/skeleton-crew-working-class-heroes/">&#8216;Skeleton Crew&#8217;: Working-class heroes</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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