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	<title>Ntozake Shange Archives - StageZine</title>
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		<title>&#8216;For Colored Girls&#8217;: A lyrical, haunting reboot</title>
		<link>https://stagezine.com/for-colored-girls-a-lyrical-haunting-reboot/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=for-colored-girls-a-lyrical-haunting-reboot</link>
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		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Wed, 27 Apr 2022 11:47:38 +0000</pubDate>
				<category><![CDATA[Closed Shows]]></category>
		<category><![CDATA[African-American Drama]]></category>
		<category><![CDATA[Booth Theatre]]></category>
		<category><![CDATA[Broadway Revivals]]></category>
		<category><![CDATA[Camille A. Brown]]></category>
		<category><![CDATA[Ntozake Shange]]></category>
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					<description><![CDATA[<p>&#160; FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE/WHEN THE RAINBOW IS ENUF Written By Ntozake Shange Directed &#38; choreographed by Camille A. Brown Through June 5, 2022 Booth Theatre 222 West 45th Street (212-239-6200), www.forcoloredgirlsbway.com &#160; By David NouNou The late Ntozake Shange and her play For Colored Girls Who Have Considered Suicide/When the Rainbow [&#8230;]</p>
<p>The post <a href="https://stagezine.com/for-colored-girls-a-lyrical-haunting-reboot/">&#8216;For Colored Girls&#8217;: A lyrical, haunting reboot</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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										<content:encoded><![CDATA[<div id="attachment_13950" style="width: 2570px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13950" data-attachment-id="13950" data-permalink="https://stagezine.com/for-colored-girls-a-lyrical-haunting-reboot/173_for_colored_girls_broadway_production_photos_2022_hr_credit_marc_j_franklin_final/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?fit=2560%2C1707&amp;ssl=1" data-orig-size="2560,1707" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13950 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?resize=750%2C500&#038;ssl=1" alt="" width="750" height="500" data-id="13950" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?w=2560&amp;ssl=1 2560w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?resize=1536%2C1024&amp;ssl=1 1536w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?resize=2048%2C1365&amp;ssl=1 2048w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?resize=600%2C400&amp;ssl=1 600w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/173_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final-scaled.jpg?w=2250&amp;ssl=1 2250w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13950" class="wp-caption-text">&#8216;FOR COLORED GIRLS&#8217;: (left to right) Stacey Sargeant, Amara Granderson, Okwui Okpokwasili, Tendayi Kuumba, Kenita R. Miller, D. Woods &amp; Alexandria Wailes. Photo: Marc J. Franklin.</p></div>
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<p><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_4.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" data-attachment-id="382" data-permalink="https://stagezine.com/?attachment_id=382" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_4.jpg?fit=198%2C42&amp;ssl=1" data-orig-size="198,42" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="stars_4" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_4.jpg?fit=198%2C42&amp;ssl=1" loading="lazy" class="aligncenter size-full wp-image-382" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_4.jpg?resize=198%2C42&#038;ssl=1" alt="" width="198" height="42" data-id="382" /></a></p>
<p>&nbsp;</p>
<p><em><strong>FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE/WHEN THE RAINBOW IS ENUF</strong></em><br />
<strong>Written By Ntozake Shange</strong><br />
<strong>Directed &amp; choreographed by Camille A. Brown</strong><br />
<strong>Through June 5, 2022</strong><br />
<strong>Booth Theatre</strong><br />
<strong>222 West 45th Street</strong><br />
<strong>(212-239-6200), <a href="https://www.forcoloredgirlsbway.com">www.forcoloredgirlsbway.com</a></strong></p>
<p>&nbsp;</p>
<p><strong>By David NouNou</strong></p>
<p>The late Ntozake Shange and her play <em>For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf</em> were both ground-breaking. Ms. Shange was only the second African-American woman to have a play produced on Broadway by 1976. The first was Lorraine Hansberry and her immortal 1959 play <em>A Raisin in the Sun.</em>  Ms. Shange coined the term “Choreopoem” for her play, meaning poetic monologues accompanied by dance movement and music.  It tells the stories of seven African-American women who have suffered in a sexist society.</p>
<p>The seven women in the play have no names except for the beautiful colors of the rainbow. They are simply known as (placed in alphabetical order): Lady in Blue (Stacey Sargeant), Lady in Brown (Tendayi Kuumba), Lady in Green (Alexis Sims), Lady in Orange (McKenzie Frye), Lady in Purple (Treshelle Edmond), Lady in Red (Kenita R. Miller) and Lady in Yellow (D. Woods), and beautiful they are.</p>
<p>Their stories are many: They are singular but yet they blend into each other, lyrical and yet poetic. Some have been battered but they are survivors; they have been abused by their men but have come out the other end of the rainbow stronger. They celebrate their color and their womanhood through dance, music and the joy of their lives.</p>
<p>The women are a cohesive unit. They are the perfect ensemble that is so intertwined, they pick up where the other leaves off. They are in sync together; it is impossible to single out one from the other; they are a beautiful rainbow team, all of whom I mentioned by name earlier. These magical performances are beautifully staged by Camille A. Brown, an actress, dancer and choreographer. Ms. Brown has used her talent and expertise injecting the show with rhythm, passion and joy. The stage is in constant motion. <em>For Colored Girls Who Have Considered Suicide/When the Rainbow is Enuf</em> is an ode to the women in the play and the women they represent.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong><i>Edited by Scott Harrah</i></strong><br />
<strong><i>Published April 27, 2022</i></strong><br />
<strong><i>Reviewed at April 26, 2022 press performance.</i></strong></p>
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<div id="attachment_13952" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13952" data-attachment-id="13952" data-permalink="https://stagezine.com/for-colored-girls-a-lyrical-haunting-reboot/crop-209_for_colored_girls_broadway_production_photos_2022_hr_credit_marc_j_franklin_final/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13952 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?resize=750%2C500&#038;ssl=1" alt="FOR COLORED GIRLS" width="750" height="500" data-id="13952" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/04/Crop-209_For_Colored_Girls_Broadway_Production_Photos_2022_HR_Credit_Marc_J_Franklin_Final.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13952" class="wp-caption-text">&#8216;FOR COLORED GIRLS&#8217;: (left to right) D. Woods, Kenita R. Miller, Alexandria Wailes, Tendayi Kuumba, Okwui Okpokwasili, Amara Granderson &amp; Stacey Sargeant. Photo: Marc J. Franklin.</p></div>
<p>The post <a href="https://stagezine.com/for-colored-girls-a-lyrical-haunting-reboot/">&#8216;For Colored Girls&#8217;: A lyrical, haunting reboot</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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