Broadway Celebrates Juneteenth Concert
Returns to Times Square

June 18, 2023
11:00am – 12:30pm

www.diversity.broadway

New York, NY – May 11, 2023 – The Broadway League’s Black to Broadway Initiative announces the third annual Broadway Celebrates Juneteenth concert in Times Square on Sunday, June 18^th from 11:00am – 12:30pm (rain or shine). This free outdoor concert is open to all as the community gathers to honor this important holiday. Black culture and expression will be celebrated by Black Broadway artists performing songs, dances, and spoken word accompanied by live music provided by The Music Performance Trust Fund. Special guest speakers will also make appearances throughout the event.

“We know that the arts can bring people together and it is beautifully evident during Broadway Celebrates Juneteenth as thousands gather in the heart of Times Square to reflect on the importance of this national holiday through live performance,” said Charlotte St. Martin, President of The Broadway League. “We thank the Broadway community for helping to make this third annual concert possible.”

This year’s sponsors include United Airlines, M·A·C (Make-up Art Cosmetics), the NYC Mayor’s Office of Media and Entertainment, The Music Performance Trust Fund, The Araca Group, Open Jar Studios, and The Times Square Alliance.

American Sign Language interpretation will be provided during Broadway Celebrates Juneteenth. Details about this year’s host and talent line-up will be announced soon. For more information, please visit www.diversity.broadway.

Presented by The Broadway League’s Black to Broadway Initiative, Broadway Celebrates Juneteenth creative and production teams include Steve H. Broadnax III as Director and Writer, Rashad McPherson as Music Director, Brian Moreland and Aaliytha Stevens as Executive Producers as well as Co-Chairs of The Broadway League’s Multi-Cultural Task Force, Jhanaë Bonnick as Stage Manager, and Devon Miller of Foresight Theatrical as General Manager.

The goal of Black to Broadway is to inspire deeper engagement with awareness of, and access to Broadway for all Black people. Created by The Broadway League in 2019, this initiative is an industry-wide celebration of the Black community on Broadway – on stage, in the audience, behind the scenes, and as leaders in the Broadway community. To learn more about Black to Broadway, visit BroadwayLeague.com or Diversity.Broadway.

Juneteenth concert in 2022: 2023 Tony Award nominee Alex Newell (‘Shucked’) performs for crowed. Photo: Marc J. Franklin.

EVENT DETAILS

Title: Broadway Celebrates Juneteenth
Date: Sunday, June 18, 2023
Time: 11:00am – 12:30pm; rain or shine
Location: Duffy Square in Times Square (46^th and 47^th Streets between Broadway and Seventh Avenue)
Cost: Free
Website: www.diversity.broadway

About United
At United, Good Leads The Way. With U.S. hubs in Chicago, Denver, Houston, Los Angeles, New York/Newark, San Francisco and Washington, D.C., United operates the most comprehensive global route network among North American carriers, and is now the largest airline in the world as measured by available seat miles. For more about how to join the United team, please visit www.united.com/careers and more information about the company is at www.united.com. United Airlines Holdings, Inc., the parent company of United Airlines, Inc., is traded on the Nasdaq under the symbol “UAL”.

M·A·C (Make-Up Art Cosmetics) is a leading brand of professional cosmetics and part of The Estée Lauder Companies Inc. Since its creation in Toronto, Canada, over 30 years ago, the brand’s popularity has grown through a tradition of word-of-mouth endorsement from Makeup Artists, models, photographers, and journalists around the world. M·A·C is now sold in over 130 countries/territories worldwide. Follow M·A·C on TikTok, Twitter, Snapchat and Pinterest (@maccosmetics); become a M·A·C fan on Facebook (facebook.com/MACcosmetics); follow M·A·C on Instagram (instagram.com/maccosmetics) and watch M·A·C videos on YouTube (youtube.com/maccosmetics). For a M·A·C location near you, visit maccosmetics.com.

THE MUSIC PERFORMANCE TRUST FUND (MPTF) was established in 1948 as a nonprofit independent public service organization whose mission includes contributing to the public knowledge and appreciation of music, as well as making music a part of every child’s life experience. Headquartered in New York City, the tax-exempt MPTF, operating under section 501(c)(3) of the Internal Revenue Code, evolved from a landmark collective bargaining agreement between the American Federation of Musicians and the major recording companies of the day. Today the MPTF is a vital organization that brings music to the public and supplements the income of musicians, all at no cost to those receiving this precious gift of music.

THE BROADWAY LEAGUE (Charlotte St. Martin, President), founded in 1930, is the national trade association for the Broadway industry. The League’s 700-plus members include theatre owners and operators, producers, presenters, and general managers in nearly 200 markets in North America and internationally. Each year, League members bring Broadway to upwards of 30 million people in New York, on Tour across the U.S. and Canada, and around the globe. The Broadway League’s newest category of membership, League Fellows, affords access and benefits to upcoming professionals who represent a diversity of background, ethnicity, experience, and views. The Broadway League annually co-presents the Antoinette Perry “Tony” Awards®, one of the most coveted awards in the entertainment industry.

The post Free Broadway Juneteenth concert 6/18/23 in Times Square appeared first on StageZine.

‘MJ’ : Myles Frost. Photo: Matthew Murphy

MJ
Book by Lynn Nottage
Directed & choreographed by Christopher Wheeldon
Neil Simon Theatre
250 West 52nd Street
(800-755-4000), https://mjthemusical.com

By Scott Harrah

Jukebox musicals that attempt to tell the story of a superstar while weaving hit songs into a narrative are always problematic in nature.  Sometimes jukebox bio-musicals work brilliantly (such as Tina and Jersey Boys) or they miss the mark completely.  Attempting a jukebox bio of an artist as iconic, enigmatic and controversial as the late Michael Jackson is inherently an ambitious effort, particularly with a book writer as first rate as Lynn Nottage.  However, while MJ fails as a solid bio-musical, it has enough of his hits to please MJ fans and tourists and is a crowd-pleaser, if nothing else.

One wonders why the producers chose to include a book and story when Michael Jackson has enough of a classic songbook to fill an entire show as a revue.  Think of past Broadway revues of songs that were huge hits like Smokey Joe’s Café (featuring the songs of Jerry Leiber and Mike Stoller) and Ain’t Misbehavin’, starring the late Nell Carter. More recently we had After Midnight in 2013 as well as the long-running Michael Jackson revue Thriller Live on London’s West End, featuring hits by the Jackson 5 and Michael Jackson.  All that would be needed for MJ could have been a recreation of all his iconic hit songs spanning the decades and that would certainly have sufficed, without the need for a book or story line.  The show, if simply a revue, would have thrilled his fans and easily run for years.  Instead, what we have here is another messy jukebox musical with an awkward book that sanitizes the truth.  MJ is not the first bio-musical to sugarcoat a music legend’s life.  Remember the Janis Joplin musical A Night with Janis Joplin a few years ago?  That show, “approved” by her estate, portrayed Joplin as an almost saintly figure and barely mentioned her pesky little heroin addiction.

MJ was produced “by special arrangement with the Estate of Michael Jackson,” so there was no way the show ever intended to give anything resembling the “real” Michael Jackson.  Here, he is portrayed as a “victim” of the media.  The story focuses on his Dangerous Tour in 1993 as he tells everything to an MTV reporter interviewing him for a documentary.  We have three versions of Michael here: Early Motown Michael (Christian Wilson), who is perfect in voice and movement. Next is “Thriller” Michael (Tavon Olds-Sample), impressive in voice and manner, if a bit too terrified of his father Joe (Quentin Earl Darrington) by that point. Finally, we have the 1993 “victimized” Michael (Myles Frost).  Mr. Frost has some of the physical qualities of Michael Jackson down well, from his wispy voice and quirky mannerisms to his famous “robot” and “moonwalk” dances.  However, Mr. Frost lacks Michael Jackson’s magnetism.

As a biographical musical that attempts to encapsulate a certain time in the superstar’s life, MJ fails. Derek McLane’s set (mostly a dreary rehearsal hall) is often drab, Christopher Wheeldon’s direction is all over the place, and Jason Michael Webb’s musical direction and orchestrations are inconsistent.  Granted, recreating Michael’s iconic pop songs and videos is no easy task, but it is difficult to know what is prerecorded here and what is live.  MJ is a true “thriller” for diehard Michael Jackson fans who simply want to see covers of his classics, such as recreating the Jackson 5 singing “ABC” on TV’s “Soul Train.”  The show works best when it aims for pure nostalgia.

Edited by Scott Harrah
Published February 6, 2022
Reviewed at February 3, 2022 press performance.

‘MJ’: Myles Frost & cast. Photo: Matthew Murphy.

‘MJ’: Myles Frost & cast. Photo: Matthew Murphy.

‘MJ’: Myles Frost & cast. Photo: Matthew Murphy.

‘MJ’: Tavon Olds-Sample & cast. Photo: Matthew Murphy.

The post ‘MJ’: Michael Jackson’s jukebox musical bio appeared first on StageZine.