‘OLD FRIENDS’: (Collage, left) Lea Salonga & (collage, right) Bernadette Peters. Photos: Matthew Murphy.

STEPHEN SONDHEIM’S OLD FRIENDS
Music & lyrics by Stephen Sondheim
Devised by Cameron Mackintosh
Choreography by Stephen Mear
Direction & musical staging by Matthew Bourne
Through June 29, 2025
Manhattan Theatre Club at the Samuel J. Friedman Theatre
261 West 47^th Street
https://sondheimoldfriends.com/

By Scott Harrah

Stephen Sondheim’s Old Friends is a not a “new” effort. Instead, it is a compendium revue of 40 songs from 14 classic musicals, performed by a cast of 19 actors. The show was originally devised by Cameron McIntosh and directed and staged by Matthew Bourne. Stars and featured performers include Sondheim veteran and three-time Tony Award winner Bernadette Peters, Tony winners Lea Salonga and Beth Leavel, among others.

The late, great Stephen Sondheim’s works have been featured in many musical revues. Previously, his songbook specialty musicals were produced in 1977 in Side by Side by Sondheim, and in 1999 in Putting It Together. Mr. Sondheim’s last Broadway musical medley show was Sondheim on Sondheim back in 2010, starring the late Barbara Cook, Vanessa Williams, Tom Wopat, Leslie Kritzer, and more.

How Sondheim changed musical theater

Mr. Sondheim remains a legend long after his death in 2021. True Sondheim aficionados are downright fanatical about his contributions to American musical theater.

“His skill of the rhyme and key changes are second to none,” the late StageZine.com critic David NouNou wrote in a review of Sondheim on Sondheim.

“He has changed the face of musical theater and turned it into a serious adult art form. If he would have written nothing more than simply the lyrics to musicals such as West Side Story (music by Leonard Bernstein), and Gypsy (music by Jule Styne), he would still be in the pantheon of musical prodigies, for they are two of the most brilliant and perfect scores ever written. However, Sondheim wrote full scores for countless musicals, and his shows have been awarded the Tony five times as Best Musical of the Year. They are A Funny Thing Happened on The Way to The Forum, Company, A Little Night Music, Sweeney Todd and Passion. Not to mention the ones that were nominated but didn’t win, such as Sunday in the Park with George, Pacific Overtures, Into the Woods, and my own favorite musical of all time, Follies.”

Songs from these musicals are included in Old Friends.

Sondheim’s hit parade

There is no true narrative included in the show. It’s not a “jukebox musical,” after all. Instead, a short prologue written by James Lapine is introduced in the beginning by Ms. Peters and Ms. Salonga.  Next, the two stars sing “Side by Side,” and then join Jason Pennycooke and Gavin Lee to perform “Comedy Tonight.” The titular “Company” from the 1970 musical Company follows.

Ms. Leavel, Bonnie Langford and Joanna Riding all team up for a rousing rendition of another Company gem, the patter song “You Could Drive a Person Crazy.”  “Getting Married Today,” from the same show, is a particularly fun number featuring Ms. Riding, Kevin Earley, Maria Wirries and company.

Bernadette Peters shines

Bernadette Peters performed in several Broadway productions of Sondheim shows. Her name is often synonymous with Sondheim’s work, and one can see why based on her highly emotional depth when singing such standards as “Send in the Clowns” and “Losing My Mind.” Granted, although her voice sounds strained at certain times, she still brings passion and poignancy to each lyric she sings, and the near-operatic quality remains intact.

Ms. Peters is lots of fun in “Hello, Little Girl” from Into the Woods, and Jacob Dickey is hilarious as the beefy Big Bad Wolf. In addition, she’s also one of the funniest aging strippers when singing “You Gotta Get a Gimmick” from Gypsy with Ms. Leavel and Ms. Riding. As the middle-aged stripper Mazeppa, Ms. Peters even plays the trumpet and gets huge laughs from the audience.

Lea Salonga’s incredible range

Equally important, Lea Salonga shows incredible range in a variety of songs, including her marvelous duet with Ms. Peters, “Children Will Listen” to a zany twist on Ms. Lovett from Sweeney Todd, singing the darkly comic “The Worst Pies in London.” What’s more, Ms. Salonga is at the top her game (and vocal range) while singing a gorgeous “Somewhere” from West Side Story—a golden oldie that creates frisson and sends aesthetic chills up one’s spine. She is at her outstanding best when belting out Mama Rose’s signature song “Everything’s Coming Up Roses” from Gypsy.

Ms. Peters and Ms. Salonga are in perfect harmony on “Being Alive” and “Side by Side” at the end of the second act.

Other cast performance surprises

There is so much amazing talent in the show. It’s almost impossible to mention them all without being verbose. That said, another performer truly stands out here: Beth Leavel, especially when singing “The Ladies Who Lunch” from Company. Ms. Leavel has all the flamboyant mannerisms and clipped vocal phraseology down to a science. She sings with the wit and sarcasm of a jaded Manhattan woman, bored with the wealthy elite. Elaine Stritch originated the song in Company.

Also noteworthy is the incredible Bonnie Langford and her razzle-dazzle take on “I’m Still Here” from Follies.  She brings back to glorious life the story of a show-biz “has been” who, despite many career ups and downs, has survived the travails of Hollywood and Broadway.

Great direction, choreography, costumes & sets

Director Matthew Bourne does an excellent job with this amazing cast and these timeless Sondheim treasures. Jill Parker’s gorgeous costumes and Matt Kinley’s engaging sets evoke the glorious world of Manhattan sophisticates from Company while also capturing the dark whimsy of Mr. Sondheim’s more daring musicals like Sweeney Todd. Stephen Mear’s vivacious choreography pulls out all the proverbial stops, especially when several cast members are all onstage for the showstopping numbers.

Old Friends is a marvelously entertaining and often poignant tribute to Stephen Sondheim and the unforgettable music and songs he created that will live on for many generations to come.

Published May 26, 2025
Reviewed at performance on May 22, 2025

‘OLD FRIENDS’: (Collage, left & right) Beth Leavel. Photos: Matthew Murphy.

‘OLD FRIENDS’: Lea Salonga. Photo: Matthew Murphy.

‘OLD FRIENDS’: Bonnie Langford. Photo: Matthew Murphy.

‘OLD FRIENDS’: Jacob Dickey & Bernadette Peters. Photo: Matthew Murphy.

‘OLD FRIENDS’: Joanna Riding & cast. Photo: Matthew Murphy.

‘OLD FRIENDS’: Beth Leavel, Bernadette Peters & Joanna Riding. Photo: Matthew Murphy.

‘OLD FRIENDS’: Jeremy Secomb & cast. Photo: Matthew Murphy.

‘OLD FRIENDS’: The cast. Photo: Matthew Murphy.

‘OLD FRIENDS’: The cast. Photo: Matthew Murphy.

‘OLD FRIENDS’: Kyle Selig, Daniel Yearwood & Jacob Dickey. Photo: Matthew Murphy.

‘OLD FRIENDS’: Jacob Dickey & Bernadette Peters. Photo: Matthew Murphy.

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‘THE GIRLS’: Claire Moore & Joanna Riding. Photo: Matt Crockett, Dewynters

THE GIRLS
Written by Gary Barlow & Tim Firth
A musical comedy based on the film Calendar Girls
Directed by Tim Firth
Through July 15, 2017
Phoenix Theatre
110 Charing Cross Rd
London, WC2H 0JP
0844 871 7629, https://www.thegirlsmusical.com/

By David NouNou

The 2003 British movie Calendar Girls by Tim Firth was one of the most delightful, original, and enjoyable comedies that came out in many a year. It starred Helen Mirren, Julie Walters, Celia Imrie, and Penelope Wilton. They portrayed ordinary women on an extraordinary mission.

Gary Barlow and Tim Firth have turned an endearing 109 minute movie into a 2 ½ hour plodding musical that captures only parts of the film’s numerous charms. This is surprising, since screenwriter Tim Firth also wrote the book for this adaptation. What was once a lighthearted movie with serious undertones has now been stretched into what, at times, borders on tedium. Basically still sticking to the main plot of Annie Clark (Joanna Riding) losing her husband, John (James Gaddas) to leukemia and upon the suggestion of her best friend, Chris Harper (Shirley Jameson), they decide to enlist the help of their Women’s Institute ladies’ auxiliary group to do a nude calendar of older naked women posing behind tasteful auxiliary duties: baking, knitting, gardening, etc. All this is done to raise enough money to buy a comfortable sofa to put in the waiting room of a hospital lounge with a plaque to honor the memory of the late John Clarke.

Just like the current Broadway mega-hit Come From Away, which has a great opening number “Welcome to the Rock,” The Girls has a similar rousing opening with the song “Yorkshire.” It is an anthem to where the action takes place. Of course all the different types of women are here: the very old, the shy, the bosomy flirt, the ditz, the uptight; they are all here which is grand, but the writers decided that in order to know each lady better and identify with her, each one is given an anthem to herself and most of the songs become dirge-like, stopping the action in its tracks. The movie constantly moved till the end with the stills of the girls each posing in their magnificent hats for a month with their particular home-making talents for the calendar.

After the wonderful opening, unfortunately for this musical, things get bogged down with so many subplots, riddled with so much angst and endless songs, that by the time you get to the end where the calendar is finally coming to fruition, you are more exhausted than elated. Is this due to Gary Barlow’s music? Mr. Barlow is a huge pop star in the United Kingdom, a founding member of the English pop group Take That, so perhaps this show is more geared toward Mr. Barlow’s fans, but the point of his score was puzzling to this American reviewer.

Had the movie not been so perfect, one would not have noticed all the pitfalls in the musical adaptation. The Girls on the West End, however, has its moments, and will still be a treat for fans of the film.

Edited by Scott Harrah
Published June 28, 2017
Reviewed at June 22, 2017 performance in London

‘THE GIRLS’: James Gaddas & Joanna Riding. Photo: Matt Crockett, Dewynters

‘THE GIRLS’: Joanna Riding. Photo: Matt Crockett, Dewynters

‘THE GIRLS’: (left to right) Chloe Jackson, Ben Hunter & Josh Benson. Photo: Matt Crockett, Dewynters

The Girls Official London Trailer

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