
‘SOME LIKE IT HOT’: Christian Borle & J. Harrison Ghee. Photo: Marc J. Franklin.
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SOME LIKE IT HOT
Book by Matthew Lopez & Amber Ruffin
Music by Marc Shaiman
Lyrics by March Shaiman & Scott Wittman
Directed & choreographed by Casey Nicholaw
Shubert Theatre
225 West 44th Street
(212-239-6200), https://somelikeithotmusical.com/
By David NouNou
If you want to thoroughly enjoy and be entertained by Some Like It Hot, the new musical, you have to completely divest yourself of any attachment or sentimental feelings you have for the classic 1959 Billy Wilder movie of the same name. Although Sugar, Joe/Josephine, and Jerry/Daphne still exist, do not expect to see imitations or impersonations of Marilyn Monroe, Tony Curtis and Jack Lemmon.
The creators kept the framework and the names of the three lead characters as well as the title of the movie, for brand recognition, but wisely decided to take them on a different journey. Joe (Christian Borle) and Jerry (J. Harrison Ghee) still witness a gangland killing and are chased by the mob. In order to protect their identity, they disguise themselves in drag as Josephine and Daphne and join an all-female band, Sweet Sue (NaTasha Yvette Williams) and her Society Syncopators, and meet female singer Sugar Kane (Adrianna Hicks). No longer is the train taking the female band to Florida for their engagement and the possibility of meeting rich eligible gentlemen. The ladies are now headed to San Diego and Hollywood stardom.
The setup for the scenes is completely different. No longer is it a run from Chicago to Miami, but the trip is cross-country, with lots of stops along the way. Each stop presents a different problem for the boys running from the mob; their destination is San Diego and ultimately Mexico and freedom. Once in San Diego, freedom comes at a price. Along the way, Joe, now Josephine, has fallen for Sugar, and Daphne has captured the heart of Osgood Fielding III (Kevin Del Aguila). Complications arise even further once affairs of the heart fall into place.
Although the book lacks fresh material and jokes, and the score is unmemorable, the freshest and most memorable aspect of the show is J. Harrison Ghee as Jerry/Daphne. As portrayed in the movie by Jack Lemmon, and one of my favorite movie characters of all time, I never thought I could ever get Jack Lemmon out of my mind. Mr. Ghee has taken this role and redefined it as his own. He is handsome as Jerry, heartbreaking as the emerging Daphne, and breathtaking as the gorgeous triumphant Daphne.
Two-time Tony Award winner for Peter and the Starcatcher and Something Rotten, Christian Borle is a Broadway veteran and has livened up many a Broadway show. However, his Joe/Josephine lacks charm and charisma and falls short in the shadow of Mr. Ghee. Once he dons his wig as Josephine, he looks like the spitting image of veteran Broadway character actress Jackie Hoffman. What more can I say?
Adrianna Hicks, who was splendid as Catherine of Aragon in last year’s Six, has a tremendous voice—she is a crowd-pleaser on her solo numbers “At the Old Majestic Nickel Matinee” and “Ride Out the Storm”—but her Sugar lacks vulnerability, thus making her one note with no dimension.
However, one should not focus too much on the show’s minor flaws. Amidst all the mayhem taking place on stage, director/choreographer Casey Nicholaw has worked his magic again, as he did for Aladdin, Book of Mormon, and Mean Girls, and sorts everything out replete with a Keystone Kops finale. He has turned Some Like It Hot into a sizzling, grand old-style Broadway extravaganza.
Edited by Scott Harrah
Published December 14, 2022
Reviewed at December 13, 2022 press performance.
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‘MRS. DOUBTFIRE’: Rob McClure. Photo: Joan Marcus.
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MRS. DOUBTFIRE
Book by Karey Kirkpatrick & John O’Farrell
Music & lyrics by Wayne Kirkpatrick & Karey Kirkpatrick
Directed by Jerry Zaks
Choreographed by Lorin Latarro
Music supervision by Ethan Popp
Stephen Sondheim Theatre
124 West 43rd Street
(212-239-6200), www.DoubtfireBroadway.com
By David NouNou
Mrs. Doubtfire’s intentions are good and it aims to please. There is a lot going on in here, but in this case, the proverbial less would have been more. Fewer non-descript songs by the talented Kirkpatrick brothers would have gone a lot further. They did a great job with the score of Something Rotten!—one of my all-time favorite shows—but here the score is so unmemorable to the point of tedium, with the exception of two production numbers, “Make Me A Woman” and “The Shape of Things to Come,” thanks to the ingenious direction by Jerry Zaks and the choreography by Lorin Latarro.
When you create a stage adaptation of a mega-hit family movie—one which originally starred the incomparable Robin Williams—you are also taking a big gamble. Yes, it is an identifiable brand, but turning Mrs. Doubtfire into a musical forces one to make the unenviable comparison of movie versus musical. The movie was seamless and believable and you rooted for the hero Daniel Hilliard/Mrs. Doubtfire. In this case, it is quite difficult to root for Daniel (Rob McClure).
Daniel here is an obnoxious, irresponsible man-child who refuses to take anything seriously. His wife Miranda (Jenn Gambatese) has given him every opportunity to grow up and take responsibility as a husband and father, but he instead remains a child among his own three children: Lydia (Analise Scarpaci), Christopher (Jack Ryan Flynn) and the youngest, Natalie (Avery Sell). This leads to their divorce and the custody of the children. The only way Daniel would get more time to spend with his children is to take the job of their nanny/babysitter, and recreate himself as Mrs. Doubtfire with the aid of the make-up artists Frank, his brother (Brad Oscar) and his husband Andre (J. Harrison Ghee).
You’ll have to wait for about 20 minutes into the show before it begins to come to life, and that’s thanks to the marvelous number given to Mr. Oscar and Mr. Ghee in “Make Me a Woman.” Whenever the show drags, not meant as a pun, the two are in place to give the show some transfusion. Another lovable character is Peter Bartlett as Mr. Jolly, a TV host for a children’s show.
With the book not being much help except as the blueprint for the musical, Karey Kirkpatrick and John O’Farrell have thrown in a lot of unnecessary fillers to differentiate themselves from the movie. You will find that out for yourself. Thanks to the genius of Jerry Zaks, he’s infused it with a lot of fun touches to make it pass for family entertainment.
In defense of Mr. McClure, his energy is boundless, his talents are endless and he transforms from Daniel to Mrs. Doubtfire with ease. Despite Mr. McClure’s many gifts, how can anyone compete with a phenomenon like the late Robin Williams?
Jenn Gambatese isn’t given much to do but be dour for most of the show, and the kids— instead of being naturals—are cloying Broadway kids.
As I said before, the show tries very hard to please, and out-of-towners will love it.
Edited by Scott Harrah
Published December 9, 2021
Reviewed at December 8, 2021 press performance.

‘MRS. DOUBTFIRE’: (left to right) Avery Sell, Jake Ryan Flynn, Analise Scarpaci, Jenn Gambatese & Rob McClure. Photo: Joan Marcus.

‘MRS. DOUBTFIRE’: (left to right) J. Harrison Ghee, Brad Oscar, Charity Angél Dawson & Rob McClure. Photo: Joan Marcus.
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