‘OLD FRIENDS’: (Collage, left) Lea Salonga & (collage, right) Bernadette Peters. Photos: Matthew Murphy.

STEPHEN SONDHEIM’S OLD FRIENDS
Music & lyrics by Stephen Sondheim
Devised by Cameron Mackintosh
Choreography by Stephen Mear
Direction & musical staging by Matthew Bourne
Through June 29, 2025
Manhattan Theatre Club at the Samuel J. Friedman Theatre
261 West 47^th Street
https://sondheimoldfriends.com/

By Scott Harrah

Stephen Sondheim’s Old Friends is a not a “new” effort. Instead, it is a compendium revue of 40 songs from 14 classic musicals, performed by a cast of 19 actors. The show was originally devised by Cameron McIntosh and directed and staged by Matthew Bourne. Stars and featured performers include Sondheim veteran and three-time Tony Award winner Bernadette Peters, Tony winners Lea Salonga and Beth Leavel, among others.

The late, great Stephen Sondheim’s works have been featured in many musical revues. Previously, his songbook specialty musicals were produced in 1977 in Side by Side by Sondheim, and in 1999 in Putting It Together. Mr. Sondheim’s last Broadway musical medley show was Sondheim on Sondheim back in 2010, starring the late Barbara Cook, Vanessa Williams, Tom Wopat, Leslie Kritzer, and more.

How Sondheim changed musical theater

Mr. Sondheim remains a legend long after his death in 2021. True Sondheim aficionados are downright fanatical about his contributions to American musical theater.

“His skill of the rhyme and key changes are second to none,” the late StageZine.com critic David NouNou wrote in a review of Sondheim on Sondheim.

“He has changed the face of musical theater and turned it into a serious adult art form. If he would have written nothing more than simply the lyrics to musicals such as West Side Story (music by Leonard Bernstein), and Gypsy (music by Jule Styne), he would still be in the pantheon of musical prodigies, for they are two of the most brilliant and perfect scores ever written. However, Sondheim wrote full scores for countless musicals, and his shows have been awarded the Tony five times as Best Musical of the Year. They are A Funny Thing Happened on The Way to The Forum, Company, A Little Night Music, Sweeney Todd and Passion. Not to mention the ones that were nominated but didn’t win, such as Sunday in the Park with George, Pacific Overtures, Into the Woods, and my own favorite musical of all time, Follies.”

Songs from these musicals are included in Old Friends.

Sondheim’s hit parade

There is no true narrative included in the show. It’s not a “jukebox musical,” after all. Instead, a short prologue written by James Lapine is introduced in the beginning by Ms. Peters and Ms. Salonga.  Next, the two stars sing “Side by Side,” and then join Jason Pennycooke and Gavin Lee to perform “Comedy Tonight.” The titular “Company” from the 1970 musical Company follows.

Ms. Leavel, Bonnie Langford and Joanna Riding all team up for a rousing rendition of another Company gem, the patter song “You Could Drive a Person Crazy.”  “Getting Married Today,” from the same show, is a particularly fun number featuring Ms. Riding, Kevin Earley, Maria Wirries and company.

Bernadette Peters shines

Bernadette Peters performed in several Broadway productions of Sondheim shows. Her name is often synonymous with Sondheim’s work, and one can see why based on her highly emotional depth when singing such standards as “Send in the Clowns” and “Losing My Mind.” Granted, although her voice sounds strained at certain times, she still brings passion and poignancy to each lyric she sings, and the near-operatic quality remains intact.

Ms. Peters is lots of fun in “Hello, Little Girl” from Into the Woods, and Jacob Dickey is hilarious as the beefy Big Bad Wolf. In addition, she’s also one of the funniest aging strippers when singing “You Gotta Get a Gimmick” from Gypsy with Ms. Leavel and Ms. Riding. As the middle-aged stripper Mazeppa, Ms. Peters even plays the trumpet and gets huge laughs from the audience.

Lea Salonga’s incredible range

Equally important, Lea Salonga shows incredible range in a variety of songs, including her marvelous duet with Ms. Peters, “Children Will Listen” to a zany twist on Ms. Lovett from Sweeney Todd, singing the darkly comic “The Worst Pies in London.” What’s more, Ms. Salonga is at the top her game (and vocal range) while singing a gorgeous “Somewhere” from West Side Story—a golden oldie that creates frisson and sends aesthetic chills up one’s spine. She is at her outstanding best when belting out Mama Rose’s signature song “Everything’s Coming Up Roses” from Gypsy.

Ms. Peters and Ms. Salonga are in perfect harmony on “Being Alive” and “Side by Side” at the end of the second act.

Other cast performance surprises

There is so much amazing talent in the show. It’s almost impossible to mention them all without being verbose. That said, another performer truly stands out here: Beth Leavel, especially when singing “The Ladies Who Lunch” from Company. Ms. Leavel has all the flamboyant mannerisms and clipped vocal phraseology down to a science. She sings with the wit and sarcasm of a jaded Manhattan woman, bored with the wealthy elite. Elaine Stritch originated the song in Company.

Also noteworthy is the incredible Bonnie Langford and her razzle-dazzle take on “I’m Still Here” from Follies.  She brings back to glorious life the story of a show-biz “has been” who, despite many career ups and downs, has survived the travails of Hollywood and Broadway.

Great direction, choreography, costumes & sets

Director Matthew Bourne does an excellent job with this amazing cast and these timeless Sondheim treasures. Jill Parker’s gorgeous costumes and Matt Kinley’s engaging sets evoke the glorious world of Manhattan sophisticates from Company while also capturing the dark whimsy of Mr. Sondheim’s more daring musicals like Sweeney Todd. Stephen Mear’s vivacious choreography pulls out all the proverbial stops, especially when several cast members are all onstage for the showstopping numbers.

Old Friends is a marvelously entertaining and often poignant tribute to Stephen Sondheim and the unforgettable music and songs he created that will live on for many generations to come.

Published May 26, 2025
Reviewed at performance on May 22, 2025

‘OLD FRIENDS’: (Collage, left & right) Beth Leavel. Photos: Matthew Murphy.

‘OLD FRIENDS’: Lea Salonga. Photo: Matthew Murphy.

‘OLD FRIENDS’: Bonnie Langford. Photo: Matthew Murphy.

‘OLD FRIENDS’: Jacob Dickey & Bernadette Peters. Photo: Matthew Murphy.

‘OLD FRIENDS’: Joanna Riding & cast. Photo: Matthew Murphy.

‘OLD FRIENDS’: Beth Leavel, Bernadette Peters & Joanna Riding. Photo: Matthew Murphy.

‘OLD FRIENDS’: Jeremy Secomb & cast. Photo: Matthew Murphy.

‘OLD FRIENDS’: The cast. Photo: Matthew Murphy.

‘OLD FRIENDS’: The cast. Photo: Matthew Murphy.

‘OLD FRIENDS’: Kyle Selig, Daniel Yearwood & Jacob Dickey. Photo: Matthew Murphy.

‘OLD FRIENDS’: Jacob Dickey & Bernadette Peters. Photo: Matthew Murphy.

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‘SPONGEBOB SQUAREPANTS’: Ethan Slater, making a phenomenal Broadway debut bringing the iconic cartoon character SpongeBob to life. Photo: Joan Marcus

SPONGEBOB SQUAREPANTS: THE BROADWAY MUSICAL
Based on the series by Stephen Hillenburg
Book by Kyle Jarrow
Music Supervision, orchestration & arrangements by Tom Kitt
Choreographed by Christopher Gattelli
Directed by Tina Landau
Palace Theatre

Broadway & 47th Street

(877-250-2929), www.SpongeBobBroadway.com

By Scott Harrah

SpongeBob Squarepants: The Broadway Musical is surprisingly one of the best shows of the season and is a welcome respite from an otherwise lackluster fall on Broadway. Based on the hit Nickelodeon TV cartoon that’s been thrilling kids and adults alike since 1999, this original musical has so much colorful, joyful glee going for it, from the effervescent newcomer Ethan Slater as the iconic SpongeBob to clever sets and costumes by David Zinn to infectious songs by everyone from Cyndi Lauper, Sara Bareilles and John Legend to Steven Tyler and Joe Perry of Aerosmith and the late David Bowie, all skillfully and sharply directed by Tina Landau and choreographed by Christopher Gatelli.

One doesn’t even need to have ever seen an episode of “SpongeBob” (though it helps) to enjoy this magical piece of theatrical cotton candy. From the opening moments, when Patchy the Pirate (Jon Rua) takes the stage, followed by two security guards (Vashty Mompoint and JC Schuster), we know this show is all about having fun, and will be like a party. Its originality is ingenious and the pleasure never ends, thanks to a solid book by Kyle Jarrow and tight music supervision, orchestrations and arrangements by Tony and Pulitzer Prize winner Tom Kitt (Next to Normal).

The story is simple: Bikini Bottom, home to SpongeBob and all the whimsical undersea creatures that inhabit the TV show, faces annihilation by an impending volcanic eruption that will destroy everything and everyone. SpongeBob and his “BFF” Patrick Star (Danny Skinner) try to come up with a plan to save the town. Along the way, we meet the many townsfolk, from Squidward Q. Tentacles (Gavin Lee) to Eugene Krabs (Brian Ray Norris), Karen the Computer (Stephanie Hsu) and Sandy Cheeks (Lilli Cooper) to Sheldon Plankton (Wesley Taylor).

Great musicals have outstanding songs, and there are so many here, from the opener “Bikini Bottom Day” to “Hero is My Middle Name” by Cyndi Lauper and Rob Hyman. One of the highlights is “I’m Not a Loser” (written by They Might Be Giants), featuring Squidward Q. Tentacles and his many tap-shoe-covered “feet” doing a show-stopping, razzle-dazzle production number with the tap-dancing Sea Anemones.

There are so many impeccable performances from the mega-talented cast that it’s almost impossible to mention them all, but standouts include Gavin Lee with his snarky take on Squidward Q. Tentacles; Lilli Cooper as the brilliant Sandy Cheeks, the only mammal in this aquatic land; and of course, Ethan Slater as SpongeBob. Instead of wearing a SpongeBob costume, Ethan Slater is a flesh-and-blood incarnation of the famous creature who lives in a pineapple under the sea. Sporting plaid pants and suspenders, Mr. Slater brings an exhausting, stratospheric level of both energy and humanity to the role. There is a natural guilelessness to Mr. Slater and he imbues it flawlessly into SpongeBob, adding the many layers of dimension necessary to bring a cartoon character to life onstage.

Long may Bikini Bottom have a place on Broadway, because SpongeBob SquarePants deserves to run for years and entertain and inspire many with its universal message of teamwork, inclusiveness and hope, making it a badly needed tonic for these troubled times, but it’s also just a lot of harmless merriment and so much fun.

Edited by Scott Harrah
Published December 8, 2017
Reviewed at December 7, 2017 press performance.

‘SPONGEBOB SQUAREPANTS’: Lilli Cooper & Ethan Slater. Photo: Joan Marcus

‘SPONGEBOB SQUAREPANTS’: Wesley Taylor & company. Photo: Joan Marcus

‘SPONGEBOB SQUAREPANTS’: Gavin Lee & company. Photo: Joan Marcus

‘SPONGEBOB SQUAREPANTS’: The cast. Photo: Joan Marcus

‘SPONGEBOB SQUAREPANTS’: Danny Skinner & Ethan Slater. Photo: Joan Marcus

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