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	<title>Chanté Adams Archives - StageZine</title>
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		<title>&#8216;Skeleton Crew&#8217;: Working-class heroes</title>
		<link>https://stagezine.com/skeleton-crew-working-class-heroes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=skeleton-crew-working-class-heroes</link>
					<comments>https://stagezine.com/skeleton-crew-working-class-heroes/#comments</comments>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Sun, 30 Jan 2022 23:21:21 +0000</pubDate>
				<category><![CDATA[Closed Shows]]></category>
		<category><![CDATA[African-American Drama]]></category>
		<category><![CDATA[Brandon J. Dirden]]></category>
		<category><![CDATA[Chanté Adams]]></category>
		<category><![CDATA[Joshua Boone]]></category>
		<category><![CDATA[Phylicia Rashad]]></category>
		<category><![CDATA[Ruben Santiago-Hudson]]></category>
		<category><![CDATA[Samuel J. Friedman Theatre]]></category>
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					<description><![CDATA[<p>&#160; SKELETON CREW Written by Dominique Morisseau Directed by Ruben Santiago-Hudson Through February 20, 2022 Samuel J. Friedman Theatre 261 West 47th Street (212-239-6200),www.manhattantheatreclub.com  &#160; By David NouNou There is a universality that hits hard in Dominique Morisseau’s new drama Skeleton Crew. It deals with hard times, power struggles in jobs, loss of jobs, homelessness, [&#8230;]</p>
<p>The post <a href="https://stagezine.com/skeleton-crew-working-class-heroes/">&#8216;Skeleton Crew&#8217;: Working-class heroes</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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										<content:encoded><![CDATA[<div id="attachment_13576" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13576" data-attachment-id="13576" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-39/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 39" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13576 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=750%2C500&#038;ssl=1" alt="Skeleton Crew" width="750" height="500" data-id="13576" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-39.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13576" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Joshua Boone &amp; Chanté Adams. Photo: Matthew Murphy.</p></div>
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<p><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_3.5.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" data-attachment-id="380" data-permalink="https://stagezine.com/?attachment_id=380" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_3.5.jpg?fit=198%2C42&amp;ssl=1" data-orig-size="198,42" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="stars_3.5" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_3.5.jpg?fit=198%2C42&amp;ssl=1" loading="lazy" class="aligncenter size-full wp-image-380" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2014/08/stars_3.5.jpg?resize=198%2C42&#038;ssl=1" alt="" width="198" height="42" data-id="380" /></a></p>
<p>&nbsp;</p>
<p><em><strong>SKELETON CREW</strong></em><br />
<strong>Written by Dominique Morisseau</strong><br />
<strong>Directed by Ruben Santiago-Hudson</strong><br />
<strong>Through February 20, 2022</strong><br />
<strong>Samuel J. Friedman Theatre</strong><br />
<strong>261 West 47th Street</strong><br />
<strong>(212-239-6200),<a href="https://www.manhattantheatreclub.com">www.manhattantheatreclub.com </a></strong></p>
<p>&nbsp;</p>
<p><strong>By David NouNou</strong></p>
<p>There is a universality that hits hard in Dominique Morisseau’s new drama <em>Skeleton Crew</em>. It deals with hard times, power struggles in jobs, loss of jobs, homelessness, resilience and dignity. It could be any depressed city in the United States, but in this instance, it is set in Detroit in 2008 at a car-stamping plant.</p>
<p>Faye (Phylicia Rashad) has been working at the plant for 29 years, waiting for her 30<sup>th</sup> in order to collect her retirement pension. She is a chain-smoking labor representative and a den mother to her fellow workers. She has been abandoned by her son because she is a lesbian. The company manager Reggie (Brandon J. Dirden) is conflicted by the fact that the plant will be shutting down and has to remain silent about it but has concerns for the employees.  Two of the hard-working and loyal employees are Dez (Joshua Boone), a young rebel who has heard rumors of the shutdown, and Shanita (Chante Adams), a young, single expectant mother who truly enjoys her job and takes pride in what she does.</p>
<p>Ms. Morisseau fleshes out her characters well. We get to know them and feel for them. But there is a hitch here. There is a feeling of <em>déjà vu</em>. It is a variation of Lynn Nottage’s  2017 play <em>Sweat</em>. Both plays are written by women who understand the everyday fears people face from losing their jobs to the daily perils that exist outside their confines. However, in this case, <em>Skeleton Crew</em> is less convoluted.</p>
<p>It’s great to see Phylicia Rashad back on stage. Her Faye is sass personified and resilient. She has fallen many times but remains a survivor because she has no other choice. She infuses Faye with the dignity she so richly deserves. Ms. Rashad is a constant joy to watch.</p>
<p>Having seen Brandon J. Dirden in <em>Enron</em>, <em>Clybourne Park</em>, <em>All the Way</em> as Martin Luther King, Jr. and <em>Jitney,</em> it is gratifying to see an actor grow with each successive role. He is perfect as the company man who has to be tough and still have the capacity to care about the employees’ future. I can’t wait to see what he does this spring in Richard Greenberg’s <em>Take Me Out.</em></p>
<p>Joshua Boone and Chanté Adams are the younger members of the cast, and they make their presence known. As Dez, Mr. Boone is a likeable rebel that doesn’t just go down with the ship, he has plans and ideas to eventually succeed. Ms. Adams is a delight as a young expectant mother who doesn’t let things get her down.</p>
<p>Although familiar in nature, <em>Skeleton Crew</em> offers memorable performances.</p>
<p>&nbsp;</p>
<p><strong><i>Edited by Scott Harrah</i></strong><br />
<strong><i>Published January 31, 2022</i></strong><br />
<strong><i>Reviewed at January 29, 2022 press performance.</i></strong></p>
<p>&nbsp;</p>
<div id="attachment_13579" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13579" data-attachment-id="13579" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-85/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 85" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13579 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=750%2C500&#038;ssl=1" alt="" width="750" height="500" data-id="13579" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-85.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13579" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Phylicia Rashad. Photo: Matthew Murphy.</p></div>
<div id="attachment_13580" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13580" data-attachment-id="13580" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-515/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 515" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13580 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=750%2C500&#038;ssl=1" alt="" width="750" height="500" data-id="13580" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-515.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13580" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Brandon J. Dirden &amp; Phylicia Rashad. Photo: Matthew Murphy.</p></div>
<div id="attachment_13581" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13581" data-attachment-id="13581" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-303/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?fit=1280%2C853&amp;ssl=1" data-orig-size="1280,853" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 303" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13581 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=750%2C500&#038;ssl=1" alt="Skeleton Crew" width="750" height="500" data-id="13581" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=1024%2C682&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-303.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13581" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Joshua Boone, Brandon J. Dirden, Phylicia Rashad &amp; Chanté Adams. Photo: Matthew Murphy.</p></div>
<p>&nbsp;</p>
<div id="attachment_13582" style="width: 1290px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-13582" data-attachment-id="13582" data-permalink="https://stagezine.com/skeleton-crew-working-class-heroes/skeleton_crew-269/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?fit=1280%2C854&amp;ssl=1" data-orig-size="1280,854" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="SKELETON_CREW 269" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?fit=750%2C500&amp;ssl=1" loading="lazy" class="wp-image-13582 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=750%2C500&#038;ssl=1" alt="Skeleton Crew" width="750" height="500" data-id="13582" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?w=1280&amp;ssl=1 1280w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=300%2C200&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=1024%2C683&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=768%2C512&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=360%2C240&amp;ssl=1 360w, https://i0.wp.com/stagezine.com/wp-content/uploads/2022/01/SKELETON_CREW-269.jpg?resize=600%2C400&amp;ssl=1 600w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-13582" class="wp-caption-text">&#8216;SKELETON CREW&#8217;: Adesola Osakalumi. Photo: Matthew Murphy.</p></div>
<p>The post <a href="https://stagezine.com/skeleton-crew-working-class-heroes/">&#8216;Skeleton Crew&#8217;: Working-class heroes</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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