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	<title>Broadway news Archives - StageZine</title>
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		<title>Heath Schwartz &#038; Michelle Farabaugh acquire Boneau/Bryan-Brown, launch Aperture PR</title>
		<link>https://stagezine.com/heath-schwartz-michelle-farabaugh-acquire-boneau-bryan-brown-launch-aperture-pr/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=heath-schwartz-michelle-farabaugh-acquire-boneau-bryan-brown-launch-aperture-pr</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Thu, 21 May 2026 16:29:33 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway news]]></category>
		<category><![CDATA[Broadway PR]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=19375</guid>

					<description><![CDATA[<p>Veteran Theatrical Press Agents Heath Schwartz and Michelle Farabaugh Acquire Boneau/Bryan-Brown and Rebrand Firm as Aperture Public Relations New York, NY – May 21, 2026 – Veteran theatrical press agents Heath Schwartz and Michelle Farabaugh have acquired principal ownership of Boneau/Bryan-Brown, Inc., a publicity firm with over three decades of experience serving the theater industry, [&#8230;]</p>
<p>The post <a href="https://stagezine.com/heath-schwartz-michelle-farabaugh-acquire-boneau-bryan-brown-launch-aperture-pr/">Heath Schwartz &#038; Michelle Farabaugh acquire Boneau/Bryan-Brown, launch Aperture PR</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h3>Veteran Theatrical Press Agents Heath Schwartz and Michelle Farabaugh Acquire Boneau/Bryan-Brown and Rebrand Firm as Aperture Public Relations</h3>
<p><strong>New York, NY – May 21, 2026</strong> – Veteran theatrical press agents Heath Schwartz and Michelle Farabaugh have acquired principal ownership of Boneau/Bryan-Brown, Inc., a publicity firm with over three decades of experience serving the theater industry, rebranding the company effective June 1, 2026 as <strong>Aperture Public Relations</strong>.</p>
<p>Formed in 1991 by legendary press agents Chris Boneau and Adrian Bryan-Brown, who established the modern theatrical press agency model, Boneau/Bryan-Brown, Inc. has represented more than 400 theatrical productions on and off-Broadway, on national tour, and across the globe. Their campaigns have won 254 Tony Awards, 12 Pulitzer Prizes, 244 Drama Desk Awards, 178 Outer Critics Circle Awards, and countless other recognitions for clientele over more than a quarter century. A full list of the firm’s history on Broadway can be found at IBDB.</p>
<p>Heath Schwartz and Michelle Farabaugh, both long-time employees of Boneau/Bryan-Brown, Inc., will lead Aperture Public Relations as Partners and Co-Presidents while Adrian Bryan-Brown will continue providing client services for the new business and Chris Boneau will be an independent consultant.</p>
<p>The firm’s current clients include the Tony Award-winning Broadway productions <em>Chicago, Harry Potter and the Cursed Child, Moulin Rouge! The Musical, The Outsiders,</em> and <em>SIX: The Musical</em>; off-Broadway hits <em>Mexodus</em> and <em>The Play That Goes Wrong</em>; and institutions including Atlantic Theater Company, Audible Theater, Broadway Cares/Equity Fights AIDS, Classic Stage Company, and Paper Mill Playhouse. The company also serves as a consultant to The Broadway Cruise, The Cape Playhouse, International Literary Properties, and Lively McCabe.</p>
<h3>Statement from Heath Schwartz and Michelle Farabaugh</h3>
<p>“Boneau/Bryan-Brown has long set the gold standard among entertainment communication firms, serving not only as an industry leader but as an incubator for some of the most accomplished press agents working today. As Broadway and the media landscape continue to evolve, we embrace this next chapter with intention and vision. With our trusted team, Aperture will open the lens of opportunity to what’s possible for our clients, framing new perspectives and cutting through the noise to bring their stories into sharp and compelling focus. We are deeply grateful to Chris and Adrian for their years of mentorship and for the trust they’ve placed in us to carry this legacy forward.”</p>
<h3>Statement from Chris Boneau and Adrian Bryan-Brown</h3>
<p>“We know Heath and Michelle are going to lead a new era in communications marketing for theatre—in New York, nationwide, and globally. With their extensive industry knowledge, experience and expertise, not only will they continue to offer timely unparallelled direction and support to the industry, but they will also drive innovation and redefine how theatre is promoted. We are so excited for the launch of Aperture.”</p>
<h2>BIOGRAPHIES</h2>
<h3>Heath Schwartz (Partner &amp; Co-President)</h3>
<p>Heath Schwartz began working as a press agent at Boneau/Bryan-Brown in 2004.</p>
<p>Over his 22-year career, he has led campaigns for current Tony Award-winning hits <em>Chicago, Harry Potter and the Cursed Child, Moulin Rouge! The Musical,</em> and <em>The Outsiders,</em> as well as such past shows as <em>Mean Girls, Les Liaisons Dangereuses, The Elephant Man, Living on Love, Pippin, The Heiress, Nice Work If You Can Get It, Stick Fly, Follies, The House of Blue Leaves, The Motherf**ker With the Hat, Fences, Next Fall, A Little Night Music, Shrek The Musical,</em> and more.</p>
<p>Other Broadway credits include the international smash hit <em>Jersey Boys,</em> which he opened and worked on throughout its entire 11-year Broadway run, along with <em>Is He Dead?, The Farnsworth Invention, Frost/Nixon, The Year of Magical Thinking, The Lieutenant of Inishmore, The Drowsy Chaperone, Doubt,</em> and more, including productions on and off-Broadway for Manhattan Theatre Club and Signature Theatre.</p>
<p>Heath is a Texas native and graduate of Baylor University.</p>
<h3>Michelle Farabaugh (Partner &amp; Co-President)</h3>
<p>Michelle Farabaugh joined Boneau/Bryan-Brown as an intern in 2012.</p>
<p>In the years since, she has represented more than 160 shows on and off-Broadway, including the recent Broadway return of <em>Mamma Mia!</em>; the Tony Award-winning Best Plays <em>Leopoldstadt</em> and <em>The Ferryman</em>; <em>David Byrne&#8217;s American Utopia; Mean Girls; The Notebook; Groundhog Day; Deaf West’s Spring Awakening; Here Lies Love; The Hills of California;</em> and more.</p>
<p>She currently works with the Tony Award-recognized Paper Mill Playhouse and has represented Audible Theater productions since Audible’s theatrical division launched eight years ago.</p>
<p>She also spent ten seasons at Manhattan Theatre Club with shows including August Wilson&#8217;s <em>Jitney,</em> the Pulitzer Prize-winning <em>Cost of Living,</em> and <em>Constellations.</em></p>
<p>Michelle sits on the Association of Theatrical Press Agents and Managers’ Board of Governors – Press Agent Chapter and its Apprentice Committee.</p>
<p>She is a graduate of Villanova University and a native of Pittsburgh, Pennsylvania, where a summer internship with Pittsburgh CLO cemented her decision to pursue a career in the theater.</p>
<h3>Follow</h3>
<p><strong>Website:</strong> <a href="http://www.AperturePR.com">www.AperturePR.com</a><br />
<strong>Instagram:</strong> <a href="https://www.instagram.com/aperture.pr">@Aperture.PR</a></p>
<p>&nbsp;</p>
<p>The post <a href="https://stagezine.com/heath-schwartz-michelle-farabaugh-acquire-boneau-bryan-brown-launch-aperture-pr/">Heath Schwartz &#038; Michelle Farabaugh acquire Boneau/Bryan-Brown, launch Aperture PR</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">19375</post-id>	</item>
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		<title>P!nk to host 2026 Tony Awards at Radio City Music Hall</title>
		<link>https://stagezine.com/pnk-to-host-2026-tony-awards-at-radio-city-music-hall/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=pnk-to-host-2026-tony-awards-at-radio-city-music-hall</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Fri, 10 Apr 2026 16:15:40 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[2026 Tony Awards]]></category>
		<category><![CDATA[Broadway news]]></category>
		<category><![CDATA[Pink]]></category>
		<category><![CDATA[Radio City Music Hall]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=19014</guid>

					<description><![CDATA[<p>NEW YORK — P!NK will host the 79th Annual Tony Awards on Sunday, June 7, 2026. The ceremony returns to Radio City Music Hall. It will air live on CBS and stream on Paramount+. P!NK brings major star power to Broadway’s biggest night. She is a lifelong theater fan. She also delivers bold, high-energy live [&#8230;]</p>
<p>The post <a href="https://stagezine.com/pnk-to-host-2026-tony-awards-at-radio-city-music-hall/">P!nk to host 2026 Tony Awards at Radio City Music Hall</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>NEW YORK — <strong>P!NK</strong> will host the <strong>79th Annual Tony Awards</strong> on <strong>Sunday, June 7, 2026.</strong> The ceremony returns to Radio City Music Hall. It will air live on CBS and stream on Paramount+.</p>
<p>P!NK brings major star power to Broadway’s biggest night. She is a lifelong theater fan. She also delivers bold, high-energy live performances. As a result, producers expect a fresh and dynamic broadcast.</p>
<p>“I cannot wait to celebrate the hardest working people in showbiz,” P!NK said. She praised Broadway as a community built on talent, support, and inclusion.</p>
<h3>A global star meets Broadway</h3>
<p>The American Theatre Wing and the Broadway League selected P!NK to help expand the Tonys’ reach. She connects with audiences across generations. Therefore, her presence could bring new viewers to the ceremony.</p>
<p>Producers also highlighted her authenticity and creativity. They believe she will bring a bold new tone to the show.</p>
<h3>A career built on performance</h3>
<p>P!NK has sold more than 60 million album equivalents worldwide. She has also earned multiple Grammy Awards and other major honors. Her concerts fill arenas and stadiums around the globe.</p>
<p>Meanwhile, her music already appears on Broadway. Songs are featured in Moulin Rouge! The Musical and &amp; Juliet.</p>
<p>In addition, she remains active in philanthropy. She supports global causes and serves as an ambassador for UNICEF USA.</p>
<h3>Broadway’s biggest night returns</h3>
<p>The Tony Awards are produced by Tony Award Productions. This is a joint venture of the American Theatre Wing and the Broadway League. Raj Kapoor, Sarah Levine Hall, and Jack Sussman will executive produce the 2026 ceremony.</p>
<p>Tickets go on sale in April. Then, the ceremony will broadcast live from Radio City Music Hall on June 7, 2026.</p>
<p>&nbsp;</p>
<h3>Official links to Tony website &amp; social media</h3>
<p><strong>Website: <a href="https://www.tonyawards.com">https://www.tonyawards.com</a></strong></p>
<p><strong>Instagram: <a href="https://www.instagram.com/thetonyawards">https://www.instagram.com/thetonyawards</a></strong></p>
<p><strong>Facebook: <a href="https://www.facebook.com/TheTonyAwards">https://www.facebook.com/TheTonyAwards</a></strong></p>
<p><strong>TikTok: <a href="https://www.tiktok.com/@thetonyawards">https://www.tiktok.com/@thetonyawards</a></strong></p>
<p>The post <a href="https://stagezine.com/pnk-to-host-2026-tony-awards-at-radio-city-music-hall/">P!nk to host 2026 Tony Awards at Radio City Music Hall</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">19014</post-id>	</item>
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		<title>Mariska Hargitay joins &#8216;Every Brilliant Thing&#8217; 5-26-26</title>
		<link>https://stagezine.com/mariska-hargitay-joins-every-brilliant-thing-5-26-26/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mariska-hargitay-joins-every-brilliant-thing-5-26-26</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Mon, 30 Mar 2026 22:21:57 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway news]]></category>
		<category><![CDATA[Mariska Hargitay]]></category>
		<category><![CDATA[The Hudson Theatre]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=18996</guid>

					<description><![CDATA[<p>Hit solo play extends through June 28 at the Hudson Theatre NEW YORK—Mariska Hargitay is heading to Broadway. The Emmy and Golden Globe Award-winning star of NBC’s “Law &#38; Order: Special Victims Unit” will make her Broadway debut in Every Brilliant Thing, stepping into the acclaimed solo play after Daniel Radcliffe completes his run on [&#8230;]</p>
<p>The post <a href="https://stagezine.com/mariska-hargitay-joins-every-brilliant-thing-5-26-26/">Mariska Hargitay joins &#8216;Every Brilliant Thing&#8217; 5-26-26</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h3>Hit solo play extends through June 28 at the Hudson Theatre</h3>
<p>NEW YORK—Mariska Hargitay is heading to Broadway.</p>
<p>The Emmy and Golden Globe Award-winning star of NBC’s “Law &amp; Order: Special Victims Unit” will make her Broadway debut in <em>Every Brilliant Thing</em>, stepping into the acclaimed solo play after Daniel Radcliffe completes his run on May 24, 2026. Ms. Hargitay begins performances May 26 at the Hudson Theatre, where the production has extended its limited engagement through June 28, 2026.</p>
<p>Tickets are available at <a href="https://everybrilliantthing.com/"><strong>https://everybrilliantthing.com/</strong></a></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<div id="attachment_19000" style="width: 2570px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-19000" data-attachment-id="19000" data-permalink="https://stagezine.com/mariska-hargitay-joins-every-brilliant-thing-5-26-26/mariska-horizontal-padded/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?fit=2560%2C1219&amp;ssl=1" data-orig-size="2560,1219" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="mariska-horizontal-padded" data-image-description="" data-image-caption="&lt;p&gt;Mariska Hargitay. Photo: Emilio Madrid.&lt;/p&gt;
" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?fit=750%2C357&amp;ssl=1" loading="lazy" class="size-full wp-image-19000" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?resize=750%2C357&#038;ssl=1" alt="Mariska Hargitay" width="750" height="357" data-id="19000" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?w=2560&amp;ssl=1 2560w, https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?resize=300%2C143&amp;ssl=1 300w, https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?resize=1024%2C488&amp;ssl=1 1024w, https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?resize=768%2C366&amp;ssl=1 768w, https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?resize=1536%2C732&amp;ssl=1 1536w, https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?resize=2048%2C975&amp;ssl=1 2048w, https://i0.wp.com/stagezine.com/wp-content/uploads/2026/03/mariska-horizontal-padded-scaled.jpg?w=2250&amp;ssl=1 2250w" sizes="auto, (max-width: 750px) 100vw, 750px" /></a><p id="caption-attachment-19000" class="wp-caption-text">Mariska Hargitay. Photo: Emilio Madrid.</p></div>
<h3>A New Star Takes the Stage</h3>
<p>Earlier this season, Mr. Radcliffe helped launch the Broadway, earning praise for his performance. Now Ms. Hargitay takes over the one-person play, bringing a different kind of presence to the intimate, audience-driven piece.</p>
<p>“I read <em>Every Brilliant Thing</em> and cried, rejoiced, laughed, cried some more, and loved it so much,” Ms. Hargitay said. “It feels like an extraordinary gift to make my Broadway debut…with a play that affirms life so emphatically.”</p>
<p>She is best known for her long-running portrayal of Olivia Benson on NBC’s “Law &amp; Order: Special Victims Unit&#8221;  Now, Ms. Hargitay now returns to her theater roots with her first Broadway appearance.</p>
<h3>A Play About Finding Light</h3>
<p>Written by Duncan Macmillan with Jonny Donahoe and directed by Jeremy Herrin, <em>Every Brilliant Thing</em> follows a narrator reflecting on a life shaped by love, loss, and resilience—all told through a list of the small things that make life worth living.</p>
<p>The production thrives on audience interaction, creating a shared, communal experience that shifts each night. That intimacy has helped the play resonate worldwide, with productions in more than 80 countries and a recent West End run before its Broadway transfer.</p>
<h3>A Production That Resonates</h3>
<p>The Broadway production opened in March to strong reviews, with critics praising its emotional clarity and inventive structure. StageZine.com awarded the production four stars <a href="https://stagezine.com/every-brilliant-thing-daniel-radcliffe-excels/">in our review</a>, noting:</p>
<p>“<em>Every Brilliant Thing</em> takes the sensitive, stigmatized topic of mental health and makes it accessible and approachable for a broad audience, and that’s one of the truly brilliant aspects of the show. Moreover, it is refreshing to encounter a production like this in a world currently torn apart by war and political division. One leaves the theater deeply moved, with a renewed faith in both humanity and the power of theater.”</p>
<p>With Ms. Hargitay stepping into the role, the production continues to evolve while maintaining the intimacy that defines it.</p>
<h3>The Creative Team</h3>
<p>The Broadway staging features set and costume design by Vicki Mortimer, lighting design by Jack Knowles, and sound design by Tom Gibbons. Casting is by Jessica Ronane, with general management by TT Partners.</p>
<p>The production has also partnered with Project Healthy Minds.  The organization expands access to mental health resources through audience initiatives tied to the show’s themes.</p>
<p>The post <a href="https://stagezine.com/mariska-hargitay-joins-every-brilliant-thing-5-26-26/">Mariska Hargitay joins &#8216;Every Brilliant Thing&#8217; 5-26-26</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">18996</post-id>	</item>
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		<title>&#8216;Beaches&#8217; launches virtual casting call</title>
		<link>https://stagezine.com/beaches-launches-virtual-casting-call/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=beaches-launches-virtual-casting-call</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Mon, 12 Jan 2026 23:51:53 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway news]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=18861</guid>

					<description><![CDATA[<p>NEW YORK—Beaches, A New Musical has launched a virtual open call to cast Little Cee Cee, the younger version of one half of its central friendship, ahead of its upcoming Broadway run. Now, performers can submit video auditions as part of the casting search titled “Are You a Little Cee Cee?” Submissions remain open through [&#8230;]</p>
<p>The post <a href="https://stagezine.com/beaches-launches-virtual-casting-call/">&#8216;Beaches&#8217; launches virtual casting call</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p data-start="547" data-end="731">NEW YORK—<em data-start="547" data-end="575"><strong data-start="548" data-end="574">Beaches, A New Musical</strong></em> has launched a virtual open call to cast <strong data-start="617" data-end="635">Little Cee Cee</strong>, the younger version of one half of its central friendship, ahead of its upcoming Broadway run.</p>
<p data-start="733" data-end="1008">Now, performers can submit video auditions as part of the casting search titled <strong data-start="817" data-end="848">“Are You a Little Cee Cee?”</strong> Submissions remain open through <strong data-start="881" data-end="932">Friday, January 16 at 1:00 PM PST / 4:00 PM EST</strong>. Complete instructions appear at <a href="https://beachesthemusical.com/virtual-open-call"><em data-start="966" data-end="1007">beachesthemusical.com/virtual-open-call</em></a></p>
<h4 data-start="733" data-end="1008">Tickets on sale starting January 20, 2026</h4>
<p data-start="1010" data-end="1380">Next, the production will begin <strong data-start="1046" data-end="1087">Broadway previews on Friday, March 27</strong>, followed by an official <strong data-start="1113" data-end="1159">opening night on Wednesday, April 22, 2026</strong>, at the <strong data-start="1168" data-end="1188">Majestic Theatre</strong> (245 West 44th Street). A <strong data-start="1215" data-end="1231">fan pre-sale</strong> begins <strong data-start="1239" data-end="1278">Tuesday, January 20 at 10:00 AM EST</strong>. <strong data-start="1280" data-end="1288">Then</strong>, tickets will go on sale to the general public on <strong data-start="1339" data-end="1379">Thursday, January 22 at 10:00 AM EST</strong>.</p>
<p data-start="1382" data-end="1747">Meanwhile, the musical adapts the <em data-start="1420" data-end="1436">New York Times</em> bestselling novel that later inspired the 1988 film. <em data-start="1490" data-end="1503"><strong data-start="1491" data-end="1502">Beaches</strong></em> follows the lifelong bond between the outspoken, ambitious Cee Cee and the more reserved Bertie. They meet as children. They remain connected through decades of personal and professional change. Their friendship endures joy, rivalry, and loss.</p>
<h4 data-start="1382" data-end="1747">Creative team</h4>
<p data-start="1749" data-end="1954">In addition, the creative team includes <strong data-start="1793" data-end="1829">Grammy Award winner Mike Stoller</strong> (music), <strong data-start="1839" data-end="1859">Iris Rainer Dart</strong> (lyrics), and <strong data-start="1874" data-end="1898">Dart and Thom Thomas</strong> (book), with development support from <strong data-start="1937" data-end="1953">David Austin</strong>.</p>
<p data-start="1956" data-end="2535">On Broadway, <strong data-start="1973" data-end="1988">Lonny Price</strong> and <strong data-start="1993" data-end="2008">Matt Cowart</strong> co-direct the production. <strong data-start="2035" data-end="2051">Jessica Vosk</strong> stars as Cee Cee. <strong data-start="2070" data-end="2087">Kelli Barrett</strong> plays Bertie. <strong data-start="2102" data-end="2119">Jennifer Rias</strong> provides choreography, with orchestrations by <strong data-start="2166" data-end="2183">Charlie Rosen</strong>. Designers include <strong data-start="2203" data-end="2218">James Noone</strong> (scenic), <strong data-start="2229" data-end="2250">Tracy Christensen</strong> (costumes), <strong data-start="2263" data-end="2281">Ken Billington</strong> (lighting), <strong data-start="2294" data-end="2308">Kai Harada</strong> (sound), <strong data-start="2318" data-end="2335">David Bengali</strong> (projections), and <strong data-start="2355" data-end="2373">J. Jared Janas</strong> (wig, hair, and makeup). <strong data-start="2399" data-end="2418">The TRC Company</strong> handles casting, with <strong data-start="2441" data-end="2459">Joseph Thalken</strong> as music supervisor and <strong data-start="2484" data-end="2506">Thomas Recktenwald</strong> as production stage manager.</p>
<p data-start="2537" data-end="2984">Finally, producers include <strong data-start="2568" data-end="2597">Jennifer Maloney-Prezioso</strong>, <strong data-start="2599" data-end="2619">Douglas McJannet</strong> for Arden Entertainment, <strong data-start="2645" data-end="2680">Alison Spiriti and Justin Sudds</strong> for Right Angle Entertainment, and <strong data-start="2716" data-end="2752">Ryan Bogner and Tracey McFarland</strong> for Broadway &amp; Beyond Theatricals. The musical premiered internationally in 2024 at <strong data-start="2837" data-end="2856">Theatre Calgary</strong>, where it earned multiple regional awards. The team will announce additional casting and national tour details at a later date.</p>
<p data-start="2986" data-end="3046"><strong data-start="2986" data-end="3046">For more information, visit <a class="decorated-link" href="http://www.beachesthemusical.com" target="_new" rel="noopener" data-start="3017" data-end="3042">www.beachesthemusical.com</a></strong></p>
<hr data-start="3048" data-end="3051" />
<p>The post <a href="https://stagezine.com/beaches-launches-virtual-casting-call/">&#8216;Beaches&#8217; launches virtual casting call</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">18861</post-id>	</item>
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		<title>&#8216;The Fantasticks&#8217;: Reimagined version is Broadway-bound</title>
		<link>https://stagezine.com/the-fantasticks-reimagined-version-is-broadway-bound/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-fantasticks-reimagined-version-is-broadway-bound</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Wed, 07 Jan 2026 17:55:44 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway Musical Revivals]]></category>
		<category><![CDATA[Broadway news]]></category>
		<category><![CDATA[Christopher Gattelli]]></category>
		<category><![CDATA[Harvey Schmidt]]></category>
		<category><![CDATA[The Fantasticks]]></category>
		<category><![CDATA[Tom Jones]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=18827</guid>

					<description><![CDATA[<p>Classic musical reimagined as contemporary gay love story NEW YORK—Tony Award winner Christopher Gattelli directs and choreographs a new Fantasticks adaptation, completed by original author Tom Jones A new Broadway adaptation of The Fantasticks is moving forward, reimagining the classic musical as a contemporary gay love story. Tony Award winner Christopher Gattelli (Newsies, Death Becomes [&#8230;]</p>
<p>The post <a href="https://stagezine.com/the-fantasticks-reimagined-version-is-broadway-bound/">&#8216;The Fantasticks&#8217;: Reimagined version is Broadway-bound</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h3>Classic musical reimagined as contemporary gay love story</h3>
<p>NEW YORK—Tony Award winner Christopher Gattelli directs and choreographs a new <em>Fantasticks</em> adaptation, completed by original author Tom Jones</p>
<p>A new Broadway adaptation of <em>The Fantasticks</em> is moving forward, reimagining the classic musical as a contemporary gay love story. Tony Award winner Christopher Gattelli (<em>Newsies,</em> <em>Death Becomes Her</em>) will direct and choreograph the production, which features a revised book and lyrics by original author Tom Jones, with music by Harvey Schmidt.</p>
<h4>New version completed before original author&#8217;s death</h4>
<p>Broadway &amp; Beyond Theatricals, Daryl Roth, and True North Theatricals are producing the project. Jones completed the adaptation before his death in 2023, giving the long-running musical a new lens while preserving its original structure. The development process began in 2022 at Flint Repertory Theatre in Michigan and continued with subsequent productions at Provincetown Playhouse in Massachusetts and Coachella Valley Repertory in California.</p>
<p>In this updated <em>Fantasticks,</em> the central love story shifts from Matt and Luisa to Matt and Lewis. As a result, the musical’s familiar allegory of love, separation, and reconciliation unfolds through a gay perspective. At the same time, the story’s scheming fathers become mothers, reinforcing the production’s contemporary framing while keeping the narrative intact.</p>
<p>Reflecting on the adaptation in a 2022 interview with Playbill, Jones described the process as both demanding and rewarding. He emphasized that the new version required substantial lyric revisions, but added that the work renewed his enthusiasm for the material.</p>
<h4>Show ran for 42 years</h4>
<p><em>The Fantasticks</em> premiered Off-Broadway in 1960 at the Sullivan Street Playhouse in Greenwich Village. From there, it went on to run for 42 years and amassed 17,162 performances, making it the longest-running musical in the world. Over time, the show attracted a remarkable range of performers, including Liza Minnelli, Kristin Chenoweth, Megan Mullally, and Santino Fontana.</p>
<p>Equally important, the score helped secure the musical’s legacy. The ballad “Try to Remember” became a standard recorded by hundreds of artists, while songs such as “Soon It’s Gonna Rain” and “They Were You” continued to find new life through generations of performers.</p>
<p>The Broadway development also brings together a notable creative team. Sam Davis will provide new orchestrations, Jason Sherwood will design the scenic environment, and The Telsey Office will handle casting. DR Theatrical Management will oversee general management.</p>
<p>Producers have not yet announced casting, additional creative team members, or a production timeline. Venue details, opening dates, and ticket on-sale information also remain forthcoming.</p>
<p>StageZine will continue to follow developments on the project.</p>
<div id="attachment_18832" style="width: 418px" class="wp-caption aligncenter"><a href="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/01/The-Fantasticks-VERTICAL.jpeg?ssl=1"><img data-recalc-dims="1" decoding="async" aria-describedby="caption-attachment-18832" data-attachment-id="18832" data-permalink="https://stagezine.com/the-fantasticks-reimagined-version-is-broadway-bound/the-fantasticks-vertical/" data-orig-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/01/The-Fantasticks-VERTICAL.jpeg?fit=408%2C630&amp;ssl=1" data-orig-size="408,630" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="The Fantasticks VERTICAL" data-image-description="" data-image-caption="" data-large-file="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/01/The-Fantasticks-VERTICAL.jpeg?fit=408%2C630&amp;ssl=1" loading="lazy" class="wp-image-18832 size-full" src="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/01/The-Fantasticks-VERTICAL.jpeg?resize=408%2C630&#038;ssl=1" alt="" width="408" height="630" data-id="18832" srcset="https://i0.wp.com/stagezine.com/wp-content/uploads/2026/01/The-Fantasticks-VERTICAL.jpeg?w=408&amp;ssl=1 408w, https://i0.wp.com/stagezine.com/wp-content/uploads/2026/01/The-Fantasticks-VERTICAL.jpeg?resize=194%2C300&amp;ssl=1 194w" sizes="auto, (max-width: 408px) 100vw, 408px" /></a><p id="caption-attachment-18832" class="wp-caption-text">Courtesy of The Press Room.</p></div>
<p>&nbsp;</p>
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<p>The post <a href="https://stagezine.com/the-fantasticks-reimagined-version-is-broadway-bound/">&#8216;The Fantasticks&#8217;: Reimagined version is Broadway-bound</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">18827</post-id>	</item>
		<item>
		<title>Robyn Hurder returns to &#8216;Chicago&#8217; 12/15/25 to 1/11/26</title>
		<link>https://stagezine.com/robyn-hurder-returns-to-chicago-12-15-25-to-11-11-26/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=robyn-hurder-returns-to-chicago-12-15-25-to-11-11-26</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Wed, 26 Nov 2025 20:01:04 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Ambassdor Theatre]]></category>
		<category><![CDATA[Broadway news]]></category>
		<category><![CDATA[Robyn Hurder]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=18792</guid>

					<description><![CDATA[<p>CHICAGO WELCOMES BACK TO THE CELL BLOCK TONY AWARD NOMINEE ROBYN HURDER AS “VELMA KELLY” MONDAY, DECEMBER 15, 2025 – SUNDAY, JANUARY 11, 2026   NOW CELEBRATING 29 YEARS ON BROADWAY  &#160; NEW YORK—Broadway’s record-breaking hit musical Chicago has just announced that Tony Award nominee Robyn Hurder (Smash, A Beautiful Noise, Moulin Rouge! The Musical) will return to the [&#8230;]</p>
<p>The post <a href="https://stagezine.com/robyn-hurder-returns-to-chicago-12-15-25-to-11-11-26/">Robyn Hurder returns to &#8216;Chicago&#8217; 12/15/25 to 1/11/26</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong><em>CHICAGO</em> WELCOMES BACK TO THE CELL BLOCK </strong><strong>TONY AWARD NOMINEE </strong><strong>ROBYN HURDER </strong></p>
<p><strong>AS “VELMA KELLY” </strong><strong>MONDAY, DECEMBER 15, 2025 – SUNDAY, JANUARY 11, 2026</strong></p>
<p><strong> </strong></p>
<p><strong>NOW CELEBRATING 29 YEARS ON BROADWAY </strong></p>
<p>&nbsp;</p>
<div style="width: 273px" class="wp-caption aligncenter"><img decoding="async" loading="lazy" src="https://ecp.yusercontent.com/mail?url=https%3A%2F%2Fmeltwater-apps-production.s3.eu-west-1.amazonaws.com%2Fuploads%2Fimages%2F67be2925889fe975b9e6f051%2F1764099417843%2Fimage_71654859181764099417666.jpg&amp;t=1764175440&amp;ymreqid=ee423f81-62f7-9931-1c62-a7000101f000&amp;sig=koSxYz5NWDugMkxOaH6jcw--~D" alt="Robyn Hurder as Velma Kelly. Photo courtesy of Chicago, The Musical. " width="263" height="394" align="left" hspace="12" /><p class="wp-caption-text">Robyn Hurder as Velma Kelly. Photo courtesy of Chicago, The Musical.</p></div>
<p>NEW YORK—Broadway’s record-breaking hit musical <strong><em>Chicago </em></strong>has just announced that Tony Award nominee <strong>Robyn Hurder</strong> (<em>Smash,</em> <em>A Beautiful Noise, Moulin Rouge! The Musical</em>) will return to the cell block as “Velma Kelly” beginning Monday, December 15, 2025 through Sunday, January 11, 2026 at the Ambassador Theatre (219 W. 49th St., NYC). <strong><em>Chicago </em></strong>is Broadway’s longest-running American musical in Broadway history. For more information and to buy tickets, visit <a href="http://link.mediaoutreach.meltwater.com/ls/click?upn=u001.sp13ZQiLvOB67ulZmgEa9h5yT0eu1pQiWEEZZL4fLg2eoUUU-2FHT1gUm5IGduh0aI4cOe_pIbxPfpDI69aAybPrpOfg-2BPiOTsUh4S97q4C2ddPrGo91zP40djolTSAtJBUgyij-2Fv-2BP-2B-2FG7nAYiznw-2FIIvACrWECQL5ifaYunA1MGVKdqBCVjX3TiFaSaMg8yhupv9YrHIlD151G5-2FKXFKZNptoJTEiFu-2F4VCCu6hfnRN3vAJDdslwMEh7s0mgCWufduLKftKnkXC1XVgkJ0U5DbZChy95jZyzoN8pGa2IBbWbDlFovBCnuNWOeBDyFwRFhFfEHelOsRkugF8-2FlIvg6zuvl9Hch0r-2B65Vf9-2Fqp15AWkCy03grJCnf7TGEESQQZTm-2BDFVr-2B6trJFivzQjIvvQN5tk2SwvMqSrx8jQCXp0jbRB7xDi2gM1mTt9IX7CEqrsR8G" target="_blank" rel="nofollow noopener noreferrer">www.ChicagoTheMusical.com</a>.</p>
<h3>Robyn Hurder&#8217;s Broadway &amp; regional credits</h3>
<p>Robyn Hurder: Broadway: <em>Smash</em> (Ivy Lynn) *Drama League Nom, Chita Award, <em>Moulin Rouge, The Musical</em> (Nini) *Tony Nominee, Chita Award Nominee, <em>A Beautiful Noise</em> (Marcia Murphey) *Drama Desk Nominee, Chita Award, <em>Nice Work If You Can Get It</em> (Jeannie Muldoon), <em>Grease</em> (Marty) <em>Chitty Chitty Bang Bang </em>(Violet). NYCC/ Encores: 75th Anniversary Gala Production of <em>A Chorus Line</em> (Cassie), <em>The New Yorkers</em> (Lola McGee), <em>Paint Your Wagon</em> (Cherry Jourdell). National Tours:  <em>A Chorus Line</em> (Cassie), <em>Starlight Express</em> (Pearl). Selected Regional: Ogunquit Playhouse: <em>High Society</em> (Tracy Lord), 5th Avenue Theatre: <em>Kiss Me Kate</em> (Lois/Bianca) Drury Lane: <em>Crazy For You</em> (Polly Baker), Shakespeare Theatre Company: <em>Kiss Me Kate</em> (Lois/Bianca) *Helen Hayes Award, Film/TV: “The Equalizer” (CBS), “Fosse/Verdon” (FX) Management: The Rosenzweig Group.</p>
<h3>About <em>Chicago </em></h3>
<p>With a legendary book by <strong>Fred Ebb</strong> and <strong>Bob Fosse</strong>, music by <strong>John Kander</strong> and lyrics by <strong>Fred Ebb</strong>, <strong><em>Chicago </em></strong>is now the #1 longest-running American musical in Broadway history.</p>
<p>The current cast of Chicago features <strong>Kate Baldwin</strong> as Roxie Hart,<strong> Sophie Carmen-Jones</strong> as Velma Kelly, <strong>Tam Mutu</strong> as Billy Flynn, <strong>Alex Newell </strong>as Matron “Mama” Morton, <strong>Raymond Bokhour</strong> as Amos Hart and <strong>R. Lowe </strong>as Mary Sunshine. The cast also includes <strong>Zach Bravo, David Bushman, Max Clayton, Jennifer Dunne, Jessica Ernest, Arian Keddell, James T. Lane, Marty Lawson, Joseph London, Barrett Martin, Sharon Moore, Drew Nellessen, Celina Nightengale, Kristen Faith Oei, Denny Paschall, Mikayla Renfrow, Sean Samuels, Samantha Sturm.</strong></p>
<p>Produced by <strong>Barry and Fran Weissler</strong>, <strong><em>Chicago </em></strong>is the winner of six 1997 Tony Awards including Best Musical Revival and the Grammy Award for Best Musical Cast Recording.</p>
<p>Directed by Tony Award winner <strong>Walter Bobbie</strong> and choreographed by Tony Award winner <strong>Ann Reinking</strong>, <strong><em>Chicago </em></strong>features set design by Tony Award winner <strong>John Lee Beatty</strong>, costume design by Tony Award winner <strong>William Ivey Long</strong>, lighting design by Tony Award winner <strong>Ken Billington</strong>, sound design by Tony Award winner <strong>Scott Lehrer</strong>, casting by <strong>ARC/Duncan Stewart, CSA &amp; Patrick Maravilla, CSA </strong>and Executive Producer <strong>Alecia Parker</strong>.</p>
<h3>The classic story of <em>Chicago</em></h3>
<p>Set amidst the razzle-dazzle decadence of the 1920s, <strong><em>Chicago </em></strong>is the story of Roxie Hart, a housewife and nightclub dancer who murders her on-the-side lover after he threatens to walk out on her. Desperate to avoid conviction, she dupes the public, the media and her rival cellmate, Velma Kelly, by hiring Chicago’s slickest criminal lawyer to transform her malicious crime into a barrage of sensational headlines, the likes of which might just as easily be ripped from today&#8217;s tabloids.</p>
<p><strong><u>PERFORMANCE SCHEDULE</u></strong></p>
<p>Mondays at 7pm, Tuesdays at 7pm, Thursdays at 7pm, Fridays at 8pm, Saturdays at 2:30pm &amp; 8pm, Sundays at 2pm &amp; 7pm.</p>
<p>Added Holiday performances Wed 11/26 @ 7pm, Friday 11/28 @ 2:30pm, Tues 12/30 @ 2pm, Friday 01/02 @ 2:30pm.</p>
<p><strong><u>TICKET INFORMATION</u></strong></p>
<p>Tickets are available in person at the Ambassador Theatre (219 W 49<sup>th</sup> St). Box office hours are Monday through Saturday 10am-8:30pm, Sunday 12pm-7:30pm. Tickets are also available at ChicagoTheMusical.com.</p>
<p><a href="http://link.mediaoutreach.meltwater.com/ls/click?upn=u001.sp13ZQiLvOB67ulZmgEa9ptZHQllmIFSLvji0ct-2BbQDxURtGYhlztWZn8c-2BoJuYp662D_pIbxPfpDI69aAybPrpOfg-2BPiOTsUh4S97q4C2ddPrGo91zP40djolTSAtJBUgyij-2Fv-2BP-2B-2FG7nAYiznw-2FIIvACrWECQL5ifaYunA1MGVKdqBCVjX3TiFaSaMg8yhupv9YrHIlD151G5-2FKXFKZNptoJTEiFu-2F4VCCu6hfnRN3vAJDdslwMEh7s0mgCWufduLKftKnkXC1XVgkJ0U5DbZChyz-2BOH-2FT3RLis27LCI-2BtUkJGE8gOo-2BdyV8ytVSsx4tK3rpt0lGSdsrJXnpizh3kgRZXha335OaHvm61iHlal2F0jXYd3GIkX1ETzKB-2FodZIvz1ZRcCcH-2Ff1-2B6qjvFpAFRqdkBRZERmg3t-2FU1U68VonLMsSNB5I9mPpEsiXZyTd8qJ" target="_blank" rel="nofollow noopener noreferrer">www.ChicagoTheMusical.com</a></p>
<p>The post <a href="https://stagezine.com/robyn-hurder-returns-to-chicago-12-15-25-to-11-11-26/">Robyn Hurder returns to &#8216;Chicago&#8217; 12/15/25 to 1/11/26</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">18792</post-id>	</item>
		<item>
		<title>&#8216;Chess&#8217; in previews; digital lottery &#038; rush tix available</title>
		<link>https://stagezine.com/chess-in-previews-digital-lottery-rush-tix-available/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=chess-in-previews-digital-lottery-rush-tix-available</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Wed, 15 Oct 2025 22:46:47 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[2025 Broadway musicals]]></category>
		<category><![CDATA[Broadway Musicals]]></category>
		<category><![CDATA[Broadway news]]></category>
		<category><![CDATA[Imperial Theatre]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=18504</guid>

					<description><![CDATA[<p>CHESS is Back on Broadway Performances Now Extended Through Sunday, May 3, 2026 Digital Lottery &#38; Rush Tickets Now Available STARRING AARON TVEIT as Freddie Trumper LEA MICHELE as Florence Vassy NICHOLAS CHRISTOPHER as Anatoly Sergievsky WITH HANNAH CRUZ as Svetlana BRADLEY DEAN as Molokov SEAN ALLAN KRILL as Walter AND BRYCE PINKHAM as The [&#8230;]</p>
<p>The post <a href="https://stagezine.com/chess-in-previews-digital-lottery-rush-tix-available/">&#8216;Chess&#8217; in previews; digital lottery &#038; rush tix available</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>CHESS is Back on Broadway</strong><br />
<strong>Performances Now Extended Through Sunday, May 3, 2026</strong></p>
<p><strong>Digital Lottery &amp; Rush Tickets Now Available</strong></p>
<p><strong>STARRING</strong><br />
<strong>AARON TVEIT as Freddie Trumper</strong><br />
<strong>LEA MICHELE as Florence Vassy</strong><br />
<strong>NICHOLAS CHRISTOPHER as Anatoly Sergievsky</strong></p>
<p><strong>WITH</strong><br />
<strong>HANNAH CRUZ as Svetlana</strong><br />
<strong>BRADLEY DEAN as Molokov</strong><br />
<strong>SEAN ALLAN KRILL as Walter</strong><br />
<strong>AND</strong><br />
<strong>BRYCE PINKHAM as The Arbiter</strong></p>
<p><strong>Exclusive Capital One and Mastercard Pre-Sale Begins Today at 11:00AM ET</strong><br />
<strong>Public On-Sale Begins Friday, October 17 at 11:00AM ET</strong></p>
<p><strong>Officially Opens Sunday, November 16, 2025</strong><br />
<strong>At Broadway’s Imperial Theatre</strong></p>
<p>NEW YORK— Producers Tom Hulce, Robert Ahrens and The Shubert Organization along with Creative Partners Productions are thrilled to announce that the first-ever Broadway revival of CHESS will extend performances through Sunday, May 3, 2026 at Broadway’s Imperial Theatre (249 West 45th Street). The show is now in previews.</p>
<p>Capital One and Mastercard®, the official credit card and payment partners of CHESS, are offering cardholders exclusive pre-sale access, 48 hours before the general public. Beginning today, October 15 at 11AM ET, eligible cardholders can secure tickets by clicking HERE and using the code CHESSCAP. Tickets for the new block of tickets will go on sale to the general public on Friday, October 17 at 11AM ET.</p>
<p>The production also announces $49 digital lottery and in-person rush policies, subject to availability.</p>
<p>Entries for the CHESS digital lottery start at 12:00AM at <a href="https://rush.telecharge.com">rush.telecharge.com</a>, 1 day before the performance, and end the same day at 3:00PM. Winners are drawn at 10:00AM and 3:00PM. Winners may buy up to 2 tickets at $49 each.</p>
<p>A limited number of in-person CHESS rush tickets will be available at 10:00AM the day of the performance (and 12:00PM on Sundays) at the Imperial Theatre. There is a limit of two tickets per person and tickets are $49 each.</p>
<p>Tickets for CHESS are available via Telecharge by calling 212-239-6200 or visiting <a href="https://chessbroadway.com/">https://chessbroadway.com/</a>and at the Imperial Theatre box office.</p>
<p>CHESS officially opens Sunday, November 16, 2025 at Broadway’s Imperial Theatre (249 West 45th Street).</p>
<p>Starring Tony Award winner Aaron Tveit (Moulin Rouge), Emmy Award nominee Lea Michele (Funny Girl) and Nicholas Christopher (Sweeney Todd), CHESS also features Hannah Cruz (Suffs), Tony Award nominee Bryce Pinkham (A Gentleman’s Guide to Love and Murder), Bradley Dean (The Phantom of the Opera), Tony Award nominee Sean Allan Krill (Jagged Little Pill) and an ensemble that includes Kyla Bartholomeusz (Hamilton), Daniel Beeman (Once Upon a Mattress), Shavey Brown (Sunset Blvd), Emma Degerstedt (Broadway Debut), Casey Garvin (Smash), Adam Halpin (Glory Days), Sarah Michele Lindsey (Once Upon a Mattress), Michael Milkanin (Shucked), Aleksandr Ivan Pevec (Something Rotten!), Aliah James (Gypsy), Sydney Jones (Sunset Blvd.), Sean MacLaughlin (Lestat), Sarah Meahl (Death Becomes Her), Ramone Nelson (MJ), Fredric Rodriguez Odgaard (Moulin Rouge), Michael Olaribigbe (Once Upon a Mattress), Katerina Papacostas (Tootsie), Samantha Pollino (The Great Gatsby), Regine Sophia (Broadway Debut) and Katie Webber (Smash).</p>
<p>Featuring a new book by Emmy Award winner Danny Strong (“Dopesick”), with music and lyrics by Emmy and Tony Award nominees ABBA’s Benny Andersson and Björn Ulvaeus and Emmy, Grammy, Oscar and Tony Award winner Tim Rice (Evita), based on an idea by Tim Rice, this new production will be directed by Tony Award winner Michael Mayer (Spring Awakening) and choreographed by Drama Desk Award nominee Lorin Latarro (Waitress) with original orchestrations by Anders Eljas, orchestrations by Anders Eljas and Brian Usifer (Swept Away) and music supervision by Brian Usifer.</p>
<p>CHESS will feature scenic design by Tony Award winner David Rockwell (She Loves Me), costume design by Tom Broecker (Call Me Izzy), lighting design by four-time Tony Award winner Kevin Adams (Hedwig and the Angry Inch), sound design by John Shivers (Kinky Boots) and video design by Tony Award nominee Peter Nigrini (Hell’s Kitchen). Johanna McKeon (Funny Girl) will serve as Associate Director and Travis Waldschmidt (Hello, Dolly!) will serve as Associate Choreographer. Casting is by Jim Carnahan C.S.A. and Jason Thinger C.S.A. Hair, Wig and Makeup Design are by Luc Verschueren for Campbell Young Associates.</p>
<p>CHESS is produced by Tom Hulce, Robert Ahrens and The Shubert Organization along with Creative Partners Productions. CHESS is presented by arrangement with Three Knights, the Shubert Organization and Robert Fox Ltd.</p>
<p>CHESS is a seductive showdown of love, loyalty, and power on a global stage. As two of the greatest chess players in the world compete for something beyond victory, the woman between them is caught in a high-stakes battle of desire and devotion.</p>
<p>For more information visit <a href="https://www.ChessBroadway.com">www.ChessBroadway.com.</a><br />
Follow CHESS at <a href="https://www.instagram.com/chessbway">@chessbway</a> on Instagram, Facebook, X and TikTok.</p>
<p>The post <a href="https://stagezine.com/chess-in-previews-digital-lottery-rush-tix-available/">&#8216;Chess&#8217; in previews; digital lottery &#038; rush tix available</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">18504</post-id>	</item>
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		<title>Jackson &#038; Morrison join &#8216;Oh, Mary!&#8217;</title>
		<link>https://stagezine.com/jackson-morrison-join-oh-mary/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jackson-morrison-join-oh-mary</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Thu, 25 Sep 2025 15:17:05 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway news]]></category>
		<category><![CDATA[Cheyenne Jackson]]></category>
		<category><![CDATA[Jane Krakowski]]></category>
		<category><![CDATA[John-Andrew Morrison]]></category>
		<category><![CDATA[Lyceum Theatre]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=18456</guid>

					<description><![CDATA[<p>GRAMMY &#38; EMMY AWARD NOMINEE  CHEYENNE JACKSON &#38; TONY AWARD NOMINEE JOHN-ANDREW MORRISON TO JOIN JANE KRAKOWSKI IN &#8216;OH, MARY!&#8217; OCT. 14, 2025 &#160; NEW YORK — Producers Kevin McCollum &#38; Lucas McMahon and Mike Lavoie &#38; Carlee Briglia announced today that Grammy and Emmy Award nominee Cheyenne Jackson and Tony Award nominee John-Andrew Morrison will join [&#8230;]</p>
<p>The post <a href="https://stagezine.com/jackson-morrison-join-oh-mary/">Jackson &#038; Morrison join &#8216;Oh, Mary!&#8217;</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p dir="ltr"><strong>GRAMMY &amp; EMMY AWARD NOMINEE  CHEYENNE JACKSON &amp; TONY AWARD NOMINEE</strong></p>
<p dir="ltr"><strong>JOHN-ANDREW MORRISON TO JOIN JANE KRAKOWSKI IN &#8216;OH, MARY!&#8217; OCT. 14, 2025</strong></p>
<p>&nbsp;</p>
<p dir="ltr">NEW YORK — Producers Kevin McCollum &amp; Lucas McMahon and Mike Lavoie &amp; Carlee Briglia announced today that Grammy and Emmy Award nominee Cheyenne Jackson and Tony Award nominee John-Andrew Morrison will join the cast of the Tony Award-winning hit comedy Oh, Mary!, beginning October 14, 2025. Jackson will play ‘Mary’s Teacher’ and Morrison will play ‘Mary’s Husband’, joining Tony Award winner Jane Krakowski as ‘Mary Todd Lincoln’ for a limited eight-week engagement through December 7, 2025.</p>
<p dir="ltr">Written by 2025 Tony Award-winner Cole Escola and directed by 2025 Tony Award winner Sam Pinkleton, Oh, Mary! opened on Broadway on July 11, 2024 at the Lyceum Theatre, where it became the first show in the theater’s 121-year history to gross more than $1,000,000 in a single week. Oh, Mary! has since broken its own box office record twelve times, became the first show of the 2024-25 Broadway season to recoup its investment and won two 2025 Tony Awards. Originally meant to be a limited 12-week Broadway engagement, tickets for Oh, Mary! are now on sale through July 5, 2026.</p>
<p dir="ltr">The current cast of Oh, Mary! includes Jinkx Monsoon as ‘Mary Todd Lincoln,’ Jenn Harris as ‘Mary’s Chaperone,’ Martin Landry as ‘Mary’s Husband’s Assistant/Kyle,’ Kumail Nanjiani as ‘Mary’s Husband’ and Michael Urie as ‘Mary’s Teacher. Julian Manjerico, Jackie Sanders, and Sean Peter Forte complete the company. Harris will remain with the cast alongside Krakowski, Jackson, and Morrison, and Landry will play ‘Mary’s Husband’ until original company member Tony Macht returns on November 18, 2025. As previously announced, Monsoon, Nanjiani and Urie will play their final performances on September 28, 2025. From Tuesday, September 30 through Sunday, October 12, original company member Hannah Solow will play the title role, alongside returning cast members Phillip James Brannon as ‘Mary’s Husband’ and James Scully as ‘Mary’s Teacher.’</p>
<p dir="ltr">Oh, Mary! is produced on Broadway by Kevin McCollum &amp; Lucas McMahon and Mike Lavoie &amp; Carlee Briglia with Bob Boyett, The Council, Jean Doumanian Productions, Nicole Eisenberg, Jay Marcus &amp; George Strus, Irony Point, Richard Batchelder/Bradley Reynolds, Tyler Mount/Tommy Doyle, Nelson &amp; Tao, Palomares &amp; Rosenberg, and ShowTown Productions.</p>
<p dir="ltr">General tickets for Oh, Mary! begin at $58.00 (including fees) and are available now on <a href="https://www.telecharge.com/Oh-Mary-tickets?AID=BWY001437800&amp;utm_source=news&amp;utm_campaign=PR050525&amp;utm_medium=web&amp;utm_id=BWY001437800" target="_blank" rel="nofollow noopener noreferrer">Telecharge</a>, in person at the Lyceum Box Office (149 West 45th Street), or by calling 212.239.6200. A digital lottery can be accessed at <a href="http://ohmaryplay.com/lottery" target="_blank" rel="nofollow noopener noreferrer">OhMaryPlay.com/lottery</a>, with select tickets available at $47.00. ‍A limited number of in-person rush tickets are available at the Lyceum Theatre Box Office for $43.00, day-of, when the box office opens.</p>
<p>The post <a href="https://stagezine.com/jackson-morrison-join-oh-mary/">Jackson &#038; Morrison join &#8216;Oh, Mary!&#8217;</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">18456</post-id>	</item>
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		<title>Vanessa Williams at 54 Below in February 2026</title>
		<link>https://stagezine.com/vanessa-williams-at-54-below-in-february-2026/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=vanessa-williams-at-54-below-in-february-2026</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Mon, 18 Aug 2025 18:23:22 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway news]]></category>
		<category><![CDATA[Vanessa Williams]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=18343</guid>

					<description><![CDATA[<p>NEW YORK, NY— 54 BELOW, Broadway’s Supper Club and 2022 Tony Awards® Honoree for Excellence in the Theatre, is thrilled to welcome back Vanessa Williams, fresh off her star turn in The Devil Wears Prada on the West End, on February 16 – 21 at 7pm. Patron/Member presale begins on Mon, Aug 18 at 2pm. [&#8230;]</p>
<p>The post <a href="https://stagezine.com/vanessa-williams-at-54-below-in-february-2026/">Vanessa Williams at 54 Below in February 2026</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>NEW YORK, NY— 54 BELOW, Broadway’s Supper Club and 2022 Tony Awards® Honoree for Excellence in the Theatre, is thrilled to welcome back Vanessa Williams, fresh off her star turn in The Devil Wears Prada on the West End, on February 16 – 21 at 7pm.</p>
<p>Patron/Member presale begins on Mon, Aug 18 at 2pm. Tickets go on sale to the General Public on Fri, Aug 22 at 12pm. Learn more about accessing presales here. Tickets can be purchased at <a href="https://54below.org/events/vanessa-williams/">https://54below.org/events/vanessa-williams/</a></p>
<p>Vanessa Williams returns to 54 Below with a new show all about love. Get ready while she takes you to The Comfort Zone on a musical stroll down memory lane.</p>
<p>Tony®, Emmy, and Grammy nominee Vanessa Williams has sold millions of records worldwide, including several Billboard Top 10 singles in genres across pop, dance, R&amp;B, adult contemporary and jazz. Her hits have included “Dreamin’,” “Save the Best for Last,” and “The Sweetest Day.” Her platinum single “Colors of the Wind,” from Disney’s Pocahontas, won the Oscar, Grammy and Golden Globe for Best Original Song.</p>
<p>Vanessa can currently be seen headlining the West End musical adaptation of beloved film The Devil Wears Prada, in which she stars as the iconic Miranda Priestly. On Broadway, she has appeared in The Trip to Bountiful, Sondheim on Sondheim, After Midnight, Kiss of the Spider Woman, Into the Woods, and POTUS. Her numerous screen appearances include starring roles in the hit films Eraser and Soul Food and the television shows “Ugly Betty,” “Desperate Housewives,” and “Queen of the Universe,” among many others.</p>
<p>Her critically acclaimed work in film, television, recordings, and the Broadway stage has been recognized by every major industry award affiliate including 4 Emmy nominations, 11 Grammy nominations, a Tony® nomination, 3 SAG award nominations, 7 NAACP Image Awards, and 3 Satellite Awards.</p>
<p>She is one of the world’s most accomplished concert artists, appearing regularly with the most prestigious symphony orchestras in the world.</p>
<p>Vanessa Williams plays 54 Below (254 West 54th Street) on February 16 – 21 at 7pm. Cover charges are $145 (includes $15 in fees) &#8211; $156 (includes $16 in fees). Premiums are $217 (includes $17 in fees) &#8211; $222 (includes $17 in fees). $25 food &amp; beverage minimum. Tickets and information are available at 54below.org/VanessaWilliams. Tickets on the day of performance after 4:00pm are only available by calling (646) 476-3551. All online and phone ticket purchases are subject to fees of 10% of ticket price, plus a $2 facility fee.</p>
<h3><strong>MORE ABOUT 54 BELOW</strong></h3>
<p>54 Below, a recipient of the 2022 TONY AWARDS® Honor for Excellence in the Theatre, is a non-profit organization with a mission to preserve the music of Broadway and expand the art of the cabaret while growing opportunities for diverse communities of emerging and established artists and providing unparalleled audience experiences.</p>
<p>It was founded as a place for the Broadway community to celebrate Broadway performers, both established and new, who sing not only the music of Broadway and the Great American Songbook, but also new material intended for Broadway and off-Broadway stages. One of the most in demand venues in the city presenting over 700 shows per year, the club features fine dining and superb scenic, lighting, and sound designs entirely imagined by Broadway designers. For performers, writers, musicians, and more, 54 Below gives opportunities to advance their craft, expand their repertoires, and develop their voices in a way that is more personal, making them stronger as artists.  It gives Broadway fans an opportunity to see their favorite artists in a different way, deepening their relationship and understanding of their talent.</p>
<p>54 Below celebrates Broadway musicals and writers of the past and present, promoting an ongoing engagement with their work. It is also a place for innovation in musical songwriting and performance. Collaborations born at 54 Below give rise to and help develop new theatrical projects and new musicals. In addition, its popular streaming video activities and audio recordings support these activities, helping to build a new Broadway audience worldwide, both in age and geography.<br />
Located at 254 West 54th Street, the club presents live shows at 7pm and 9:30pm. Tickets and information at  54below.org.</p>
<p>The post <a href="https://stagezine.com/vanessa-williams-at-54-below-in-february-2026/">Vanessa Williams at 54 Below in February 2026</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">18343</post-id>	</item>
		<item>
		<title>2025 Drama Desk Awards announced</title>
		<link>https://stagezine.com/2025-drama-desk-awards-announced/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2025-drama-desk-awards-announced</link>
		
		<dc:creator><![CDATA[Scott Harrah]]></dc:creator>
		<pubDate>Mon, 02 Jun 2025 03:31:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway news]]></category>
		<category><![CDATA[Drama Desk Awards]]></category>
		<guid isPermaLink="false">https://stagezine.com/?p=18325</guid>

					<description><![CDATA[<p>2025 WINNERS ANNOUNCED Awards were presented Sunday, June 1 at NYU Skirball DEBRA MESSING AND TITUSS BURGESS HOSTED THE CEREMONY www.DramaDeskAward.com  NEW YORK—Winners for the 2025 Annual Drama Desk Awards were announced this evening at NYU Skirball (556 LaGuardia Pl). Debra Messing and Tituss Burgess hosted the ceremony. The full list of winners is available [&#8230;]</p>
<p>The post <a href="https://stagezine.com/2025-drama-desk-awards-announced/">2025 Drama Desk Awards announced</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p align="center"><strong>2025 WINNERS ANNOUNCED</strong></p>
<p align="center"><strong>Awards were presented Sunday, June 1 at NYU Skirball</strong></p>
<p align="center"><strong>DEBRA MESSING AND TITUSS BURGESS</strong></p>
<p align="center"><strong>HOSTED THE CEREMONY</strong></p>
<p align="center"><a href="https://www.dramadeskaward.com/"><strong>www.DramaDeskAward.com </strong></a></p>
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<td class="yiv9770518869text_content-cell yiv9770518869content-padding-horizontal" align="left" valign="top">NEW YORK—Winners for the 2025 Annual Drama Desk Awards were announced this evening at NYU Skirball (556 LaGuardia Pl). Debra Messing and Tituss Burgess hosted the ceremony.</p>
<p>The full list of winners is available below.</p>
<p>In keeping with the Drama Desk&#8217;s mission, the nominators considered shows that opened on Broadway, Off-Broadway, and Off-Off Broadway during the 2024-2025 season for this year’s awards. Shows were eligible with 21 or more unique live performances.</p>
<p>The Drama Desk Awards were executive produced by Staci Levine and Jessica R. Jenen.</p>
<p>As was the case last year, all performance categories are gender-free. The updated gender-free categories are: Outstanding Lead Performance in a Play, Outstanding Lead Performance in a Musical, Outstanding Featured Performance in a Play, and Outstanding Featured Performance in a Musical.</p>
<p>Each of these categories had twice as many nominees as the former gendered categories and these categories have two winners each. (In the case of Outstanding Featured Performance in a Musical, there was a 3-way tie, so there are 3 winners).</p>
<p>In determining the eligibility of plays or performances from prior seasons, the nominating committee considered only those elements that constituted new work. These productions included Buena Vista Social Club, Hold On to Me Darling, Job, Odd Man Out, Our Class, Still, Teeth, The Christine Jorgensen Show, and Yellow Face. While some members of the Floyd Collins creative team also worked on the original 1996 Playwrights Horizons production, the nominating committee determined their contributions to this revival were eligible as new work.</p>
<p>Productions deemed not eligible either because they were considered in their entirety in prior seasons or because they did not invite awards consideration included A Child’s Christmas in Wales, All In: Comedy About Love, Bringer of Doom, Dead Outlaw, English, Ha Ha Ha Ha Ha Ha Ha, Invasive Species, Oh, Mary!, On Beckett, and The Dead, 1904. Due to rescheduling factors, Grief Camp and Rheology will be considered in the 2025-2026 season.</p>
<p>David Barbour and Charles Wright are the Drama Desk co-presidents and 100% of net proceeds from the 2025 Drama Desk Awards benefited the Entertainment Community Fund.</p>
<p>At this year’s ceremony, Gavin Creel received the Harold S. Prince Award for Lifetime Achievement (posthumously) and stage and screen star Brian Stokes Mitchell received the William Wolf Award.</p>
<p>What sets the Drama Desk Awards apart is that they are voted on and bestowed by critics, journalists, editors, and publishers covering theater. The Drama Desk Awards honor all aspects of New York’s professional theater.</p>
<p>The 2024-25 Drama Desk Nominating Committee is comprised of: Martha Wade Steketee (Chair; freelance: <a href="https://r6lccqnab.cc.rs6.net/tn.jsp?f=001ZVU_9h9BVxaVNN-emT4VhJ5nLHDSSrghd0kQ-2Qj9gODqQ3Q3WkffTg0N6UvTEtLTfcHir79EkCdbc81eBbyNkDI0rRlnbVTpFOd8ADqg8KiRBwglKkesXCcD2ltY1Oy9exGXbnMcoE_v5lZ7EQ9K2SL1O4e0OwL&amp;c=rL0TK4_UrnF1l0rvE99Yib7BeM1040uCBxGYHJHVJHADgRp8_Cd3zg==&amp;ch=z51MTj8XHhYOHEM51GNcW7wFUiRzKxld3BvQP0DwjNwPVy8GrmeEIg==" target="_blank" rel="nofollow noopener noreferrer">UrbanExcavations.com</a>), Linda Armstrong (New York Amsterdam News), Dan Dinero (Theatre is Easy), Peter Filichia (Broadway Radio), Kenji Fujishima (freelance: Theatermania), Raven Snook (TDF Stages, freelance: Time Out New York), and Charles Wright, ex-officio.</p>
<p align="center"><strong>2025 DRAMA DESK WINNERS</strong></p>
<p align="center"><strong>(winners are highlighted in boldface and starred)</strong></p>
<p><strong>Outstanding Play</strong></p>
<p>Blood of the Lamb, by Arlene Hutton</p>
<p>Deep Blue Sound, by Abe Koogler</p>
<p>Grangeville, by Samuel D. Hunter</p>
<p>John Proctor is the Villain, by Kimberly Belflower</p>
<p>Liberation, by Bess Wohl</p>
<p><strong>**Purpose, by Branden Jacobs-Jenkins</strong></p>
<p>&nbsp;</p>
<p><strong>Outstanding Musical</strong></p>
<p>BOOP! The Musical</p>
<p>Death Becomes Her</p>
<p>Just in Time</p>
<p><strong>**Maybe Happy Ending</strong></p>
<p>Music City</p>
<p>Outstanding Revival of a Play</p>
<p><strong>**Eureka Day</strong></p>
<p>Garside’s Career</p>
<p>Home</p>
<p>Wine in the Wilderness</p>
<p>Yellow Face</p>
<p><strong>Outstanding Revival of a Musical</strong></p>
<p>Cats: “The Jellicle Ball”</p>
<p>Floyd Collins</p>
<p><strong>**Gypsy</strong></p>
<p>Once Upon a Mattress</p>
<p>See What I Wanna See</p>
<p>Sunset Blvd.</p>
<p><strong>Outstanding Lead Performance in a Play</strong></p>
<p>Betsy Aidem, The Ask</p>
<p><strong>**Laura Donnelly, The Hills of California</strong></p>
<p>Patsy Ferran, A Streetcar Named Desire</p>
<p>Danny J. Gomez, All of Me</p>
<p>Doug Harris, Redeemed</p>
<p>Patrick Keleher, Fatherland</p>
<p>Louis McCartney, Stranger Things: The First Shadow</p>
<p>Lily Rabe, Ghosts</p>
<p>Jay O. Sanders, Henry IV (Theatre for a New Audience)</p>
<p><strong>**Sarah Snook, The Picture of Dorian Gray</strong></p>
<p>Paul Sparks, Grangeville</p>
<p>Olivia Washington, Wine in the Wilderness</p>
<p>&nbsp;</p>
<h4><strong>Outstanding Lead Performance in a Musical</strong></h4>
<p>Tatianna Córdoba, Real Women Have Curves</p>
<p>Darren Criss, Maybe Happy Ending</p>
<p>Sutton Foster, Once Upon a Mattress</p>
<p>Tom Francis, Sunset Blvd.</p>
<p>Jonathan Groff, Just in Time</p>
<p>Grey Henson, Elf</p>
<p>Jeremy Jordan, Floyd Collins</p>
<p><strong>**Audra McDonald, Gypsy</strong></p>
<p><strong>**Jasmine Amy Rogers, BOOP! The Musical</strong></p>
<p>Nicole Scherzinger, Sunset Blvd.</p>
<p>Helen J Shen, Maybe Happy Ending</p>
<p>Jennifer Simard, Death Becomes Her</p>
<h4><strong>Outstanding Featured Performance in a Play</strong></h4>
<p>Greg Keller, Pre-Existing Condition</p>
<p>Julia Lester, All Nighter</p>
<p>Adrienne C. Moore, The Blood Quilt</p>
<p>Deirdre O’Connell, Glass. Kill. What If If Only. Imp.</p>
<p>Maria-Christina Oliveras, Cymbeline</p>
<p>Maryann Plunkett, Deep Blue Sound</p>
<p>Michael Rishawn, Table 17</p>
<p>Jude Tibeau, Bad Kreyòl</p>
<p>Anjana Vasan, A Streetcar Named Desire</p>
<p>Frank Wood, Hold On to Me Darling</p>
<p><strong>**Amalia Yoo, John Proctor is the Villain</strong></p>
<p><strong>**Kara Young, Purpose</strong></p>
<p>&nbsp;</p>
<h4>Outstanding Featured Performance in a Musical (3-way tie)</h4>
<p><strong>**Brooks Ashmanskas, Smash</strong></p>
<p>Nicholas Barasch, Pirates! The Penzance Musical</p>
<p>André De Shields, Cats: “The Jellicle Ball”</p>
<p>John El-Jor, We Live in Cairo</p>
<p>Jason Gotay, Floyd Collins</p>
<p>Gracie Lawrence, Just in Time</p>
<p><strong>**Jak Malone, Operation Mincemeat</strong></p>
<p>Lesli Margherita, Gypsy</p>
<p>Zachary Noah Piser, See What I Wanna See</p>
<p>Jenny Lee Stern, Forbidden Broadway: Merrily We Stole a Song</p>
<p><strong>**Michael Urie, Once Upon a Mattress</strong></p>
<p>Natalie Walker, The Big Gay Jamboree</p>
<p>&nbsp;</p>
<h4>Outstanding Solo Performance</h4>
<p>David Greenspan, I’m Assuming You Know David Greenspan</p>
<p>Ryan J. Haddad, Hold Me in the Water</p>
<p>Sam Kissajukian, 300 Paintings</p>
<p>Mark Povinelli, The Return of Benjamin Lay</p>
<p><strong>**Andrew Scott, Vanya</strong></p>
<p>&nbsp;</p>
<h4>Outstanding Direction of a Play</h4>
<p>David Cromer and Caitlin Sullivan, The Antiquities</p>
<p>Stephen Daldry and Justin Martin, Stranger Things: The First Shadow</p>
<p>Tyne Rafaeli, Becoming Eve</p>
<p>Jack Serio, Grangeville</p>
<p><strong>**Danya Taymor, John Proctor is the Villain</strong></p>
<p>Whitney White, Liberation</p>
<p>Kip Williams, The Picture of Dorian Gray</p>
<p>Outstanding Direction of a Musical</p>
<p><strong>**Michael Arden, Maybe Happy Ending</strong></p>
<p>Zhailon Levingston and Bill Rauch, Cats: “The Jellicle Ball”</p>
<p>Jamie Lloyd, Sunset Blvd.</p>
<p>Jerry Mitchell, BOOP! The Musical</p>
<p>Alex Timbers, Just in Time</p>
<p>George C. Wolfe, Gypsy</p>
<p>&nbsp;</p>
<h4>Outstanding Choreography</h4>
<p>Camille A. Brown, Gypsy</p>
<p>Warren Carlyle, Pirates! The Penzance Musical</p>
<p>Jakob Karr, Ain’t Done Bad</p>
<p>Arturo Lyons and Omari Wiles, Cats: “The Jellicle Ball”</p>
<p><strong>**Jerry Mitchell, BOOP! The Musical</strong></p>
<p>Sergio Trujillo, Real Women Have Curves</p>
<p>&nbsp;</p>
<h4>Outstanding Music</h4>
<p><strong>**Will Aronson and Hue Park, Maybe Happy Ending</strong></p>
<p>David Foster, BOOP! The Musical</p>
<p>Joy Huerta and Benjamin Velez, Real Women Have Curves</p>
<p>Zoe Sarnak, The Lonely Few</p>
<p>The Lazours, We Live in Cairo</p>
<p>&nbsp;</p>
<h4>Outstanding Lyrics</h4>
<p>Gerard Alessandrini, Forbidden Broadway: Merrily We Stole a Song</p>
<p><strong>**Will Aronson and Hue Park, Maybe Happy Ending</strong></p>
<p>David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts, Operation Mincemeat</p>
<p>Adam Gwon, All the World’s a Stage</p>
<p>Marla Mindelle and Philip Drennen, The Big Gay Jamboree</p>
<p>Luis Quintero, Medea: Re-Versed</p>
<p>&nbsp;</p>
<h4>Outstanding Book of a Musical</h4>
<p><strong>**Will Aronson and Hue Park, Maybe Happy Ending</strong></p>
<p>David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts, Operation Mincemeat</p>
<p>Warren Leight and Isaac Oliver, Just in Time</p>
<p>Bob Martin, BOOP! The Musical</p>
<p>Marla Mindelle and Jonathan Parks-Ramage, The Big Gay Jamboree</p>
<p>Marco Pennette, Death Becomes Her</p>
<p>&nbsp;</p>
<h4>Outstanding Orchestrations</h4>
<p>Will Aronson, Maybe Happy Ending</p>
<p>Doug Besterman, BOOP! The Musical</p>
<p>Joseph Joubert and Daryl Waters, Pirates! The Penzance Musical</p>
<p><strong>**Andrew Resnick and Michael Thurber, Just in Time</strong></p>
<p>Michael Starobin, All the World’s a Stage</p>
<h4>Outstanding Scenic Design of a Play</h4>
<p>Miriam Buether, Glass. Kill. What If If Only. Imp.</p>
<p><strong>**Miriam Buether, and Jamie Harrison and Chris Fisher (illusions and visual effects), Stranger Things: The First Shadow</strong></p>
<p>Gabriel Hainer Evansohn and Grace Laubacher, Life and Trust</p>
<p>Rob Howell, The Hills of California</p>
<p>Johan Kølkjær, Dark Noon</p>
<p>Matt Saunders, Walden</p>
<p>&nbsp;</p>
<h4>Outstanding Scenic Design of a Musical</h4>
<p>Clifton Chadick, Music City</p>
<p>Rachel Hauck, Swept Away</p>
<p><strong>**Dane Laffrey and George Reeve, Maybe Happy Ending (includes video design)</strong></p>
<p>Derek McLane, Just in Time</p>
<p>David Rockwell and Finn Ross (projections), BOOP! The Musical</p>
<p>&nbsp;</p>
<h4>Outstanding Costume Design of a Play</h4>
<p>Brenda Abbandandolo, The Antiquities</p>
<p><strong>**Dede Ayite, Our Town</strong></p>
<p>Christopher Ford, The Beastiary</p>
<p>Camilla Lind, Dark Noon</p>
<p>Karl Ruckdeschel, Twelfth Night</p>
<p>&nbsp;</p>
<h4>Outstanding Costume Design of a Musical</h4>
<p><strong>**Gregg Barnes, BOOP! The Musical</strong></p>
<p>Sarah Cubbage, The Big Gay Jamboree</p>
<p>Toni-Leslie James, Gypsy</p>
<p>Qween Jean, Cats: “The Jellicle Ball”</p>
<p>Paul Tazewell, Death Becomes Her</p>
<p>Catherine Zuber, Just in Time</p>
<p>&nbsp;</p>
<h4>Outstanding Lighting Design of a Play</h4>
<p>Isabella Byrd, Glass. Kill. What If If Only. Imp.</p>
<p><strong>**Jon Clark, Stranger Things: The First Shadow</strong></p>
<p>Natasha Katz, John Proctor is the Villain</p>
<p>Tyler Micoleau, The Antiquities</p>
<p>Paul Whitaker, SUMO</p>
<p>&nbsp;</p>
<h4>Outstanding Lighting Design of a Musical</h4>
<p>Kevin Adams, Swept Away</p>
<p>Adam Honoré, Cats: “The Jellicle Ball”</p>
<p><strong>**Jack Knowles, Sunset Blvd.</strong></p>
<p>Philip S. Rosenberg, BOOP! The Musical</p>
<p>Scott Zielinski and Ruey Horng Sun (projections), Floyd Collins</p>
<p>&nbsp;</p>
<h4>Outstanding Sound Design of a Play</h4>
<p><strong>**Paul Arditti, Stranger Things: The First Shadow</strong></p>
<p>Johnny Gasper, Two Sisters Find a Box of Lesbian Erotica in the Woods</p>
<p>Matt Otto, All of Me</p>
<p>Bray Poor, Glass. Kill. What If If Only. Imp.</p>
<p>Clemence Williams, The Picture of Dorian Gray</p>
<p>Fan Zhang, Good Bones</p>
<p>&nbsp;</p>
<h4>Outstanding Sound Design of a Musical</h4>
<p>Adam Fisher, Sunset Blvd.</p>
<p><strong>**Peter Hylenski, Just in Time</strong></p>
<p>Scott Lehrer, Gypsy</p>
<p>Mick Potter, Stephen Sondheim’s Old Friends</p>
<p>Dan Moses Schreier, Floyd Collins</p>
<p>&nbsp;</p>
<h4>Outstanding Projection and Video Design</h4>
<p>Nathan Amzi and Joe Ransom, Sunset Blvd.</p>
<p>Jake Barton, McNeal</p>
<p><strong>**David Bergman, The Picture of Dorian Gray</strong></p>
<p>Jesse Garrison, The 7th Voyage of Egon Tichy [redux]</p>
<p>Hana S. Kim, Redwood</p>
<p>Outstanding Wig and Hair</p>
<p>Alberto “Albee” Alvarado, SUMO</p>
<p><strong>**Charles G. LaPointe, Death Becomes Her</strong></p>
<p>Sabana Majeed, BOOP! The Musical</p>
<p>Nikiya Mathis, Cats: “The Jellicle Ball”</p>
<p>Nikiya Mathis, Liberation</p>
<p>&nbsp;</p>
<h4>Outstanding Puppetry</h4>
<p>Dorothy James, Bill’s 44th</p>
<p>Tom Lee, See What I Wanna See</p>
<p>Simple Mischief Studio, Small Acts of Daring Invention</p>
<p><strong>**Amanda Villalobos, Becoming Eve</strong></p>
<p>Kirjan Waage, Dead as a Dodo</p>
<p>&nbsp;</p>
<p><strong>Outstanding Fight Choreography</strong></p>
<p>Drew Leary, Romeo + Juliet</p>
<p>Chelsea Pace and James Yaegashi, SUMO</p>
<p><strong>**Rick Sordelet and Christian Kelly-Sordelet, Pirates! The Penzance Musical</strong></p>
<p>Bret Yount, King Lear</p>
<p>&nbsp;</p>
<h4>Outstanding Adaptation</h4>
<p>Becoming Eve, by Emil Weinstein</p>
<p>Cymbeline, by Andrea Thome</p>
<p>Medea: Re-Versed, by Luis Quintero</p>
<p><strong>**Pirates! The Penzance Musical, by Rupert Holmes</strong></p>
<p>The Devil’s Disciple, by David Staller</p>
<p>&nbsp;</p>
<h4>Outstanding Revue</h4>
<p><strong>**Forbidden Broadway: Merrily We Stole a Song</strong></p>
<p>Mama, I’m a Big Girl Now!</p>
<p>The Jonathan Larson Project</p>
<p>The World According to Micki Grant</p>
<p>&nbsp;</p>
<h4>Unique Theatrical Experience</h4>
<p>Odd Man Out</p>
<p>The 7th Voyage of Egon Tichy [redux]</p>
<p><strong>**The Picture of Dorian Gray</strong></p>
<p>The Voices in Your Head</p>
<p>The Wind and the Rain: A story about Sunny’s Bar</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3 align="center">Special Awards</h3>
<h4>Ensemble Award</h4>
<p>The ensemble of Roundabout Theatre Company&#8217;s Liberation (Betsy Aidem, Audrey Corsa, Kayla Davion, Susannah Flood, Kristolyn Lloyd, Irene Sofia Lucio, Charlie Thurston, and Adina Verson) for bringing to vibrant life the specific and universal stories of women staring across the social battle lines of the 1970s from their perch &#8220;somewhere in Ohio&#8221; in Bess Wohl&#8217;s beautiful new play.</p>
<p>&nbsp;</p>
<h4>Sam Norkin Off-Broadway Award</h4>
<p>The incredibly versatile Stephen Michael Spencer for his electric and empathetic performances in two of this season’s strongest new Off-Broadway musicals. In Medea: Re-Versed, Spencer’s funny yet revelatory take on a character we all thought we knew allowed us the rare opportunity to actually understand Jason’s motivations. And then in Music City, Spencer was almost unrecognizable as TJ, a charismatic singer-songwriter who we couldn’t help but root for.</p>
<h4>Additional Special Awards</h4>
<p>Pregones/PRTT: Pregones (founded in 1979) and the Puerto Rican Traveling Theater (founded in 1967) merged in 2014 to become a powerhouse producer of Latinx shows on two NYC stages: one in Manhattan&#8217;s Theater District, the other in the South Bronx, both evoking an atmosphere of warmth and inclusivity. This season brought the blazing world premiere of Matthew Barbot’s the beautiful land i seek (la linda tierra que busco yo), a history-inspired fantasia about two Puerto Rican freedom fighters that deftly explores colonialism while riffing on Waiting for Godot, plus dozens of one-offs showcasing Latinx artists and culture.</p>
<p>Lighting designer Stacey Derosier for her deeply intimate and consistently gorgeous work across this season’s Off-Broadway stages. Whether lighting the minimalist theatricality of The Welkin and Grangeville, or the rich naturalism of The Counter and Danger and Opportunity, Derosier shows us not only that less is often so much more, but also that just a single light can have such a profound impact in the darkness.</p>
<p>The team behind Danger and Opportunity – playwright Ken Urban, director Jack Serio, and ensemble Juan Castano, Julia Chan, and Ryan Spahn – for their genuinely serious, deeply moving consideration of the messy implications of a three-way relationship, done in an imaginatively immersive way that made such a small-scale story feel like a meaningful event.</p>
<p>&nbsp;</p>
<h3 align="center">Shows with Multiple Awards</h3>
<h4>6 Wins</h4>
<p><strong>Maybe Happy Ending</strong></p>
<h4>3 Wins</h4>
<p><strong>BOOP! The Musical</strong></p>
<p><strong>Stranger Things: The First Shadow</strong></p>
<p><strong>The Picture of Dorian Gray</strong></p>
<h4>2 Wins</h4>
<p><strong>Danger and Opportunity (2 Special Awards)</strong></p>
<p><strong>Gypsy</strong></p>
<p><strong>John Proctor is the Villain</strong></p>
<p><strong>Just in Time</strong></p>
<p><strong>Pirates! The Penzance Musical</strong></p>
<p><strong>Purpose</strong></p>
<p align="center"># # #</p>
<p>&nbsp;</p>
<h3>About The Drama Desk</h3>
<p>The Drama Desk was founded in 1949 to explore key issues in the theater and to bring together critics and writers in an organization to support the ongoing development of theater in New York. The organization began presenting its awards in 1955, and it is the only critics’ organization to honor achievement in the theater with competition among Broadway, Off Broadway, and Off-Off Broadway productions in the same categories.</p>
<p>All Drama Desk officers and nominating committee members perform their various services for the organization on a voluntary basis. The organization takes pride in announcing that the awards are then voted on “by impartial media people only,” without any vested interests in the results. Today, 100 New York theater critics, reporters, writers, and arts editors vote on the awards.</p>
<h3>About the Entertainment Community Fund</h3>
<p>The Entertainment Community Fund, formerly The Actors Fund, is a national human services organization that addresses the unique needs of people who work in performing arts and entertainment with services focused on health and wellness, career and life, and housing. Since 1882, the Fund has sought to ensure stability, encourage resiliency and be a safety net for those who shape our country’s cultural vibrancy. Learn more at <a href="https://r6lccqnab.cc.rs6.net/tn.jsp?f=001ZVU_9h9BVxaVNN-emT4VhJ5nLHDSSrghd0kQ-2Qj9gODqQ3Q3WkffdRD295zFuwEaQLZZ7RFolxMdYMJYRc4lD8ErZyC5sFXgA2uC1myc9y4VJze6KyifRIFJWl0cv6r4cCp4QdQilrpvnJTA9WnAYWJMkygodsQ5Fk8AhadtLw=&amp;c=rL0TK4_UrnF1l0rvE99Yib7BeM1040uCBxGYHJHVJHADgRp8_Cd3zg==&amp;ch=z51MTj8XHhYOHEM51GNcW7wFUiRzKxld3BvQP0DwjNwPVy8GrmeEIg==" target="_blank" rel="nofollow noopener noreferrer">entertainmentcommunity.org</a>.</p>
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<p align="center"><a href="https://r6lccqnab.cc.rs6.net/tn.jsp?f=001ZVU_9h9BVxaVNN-emT4VhJ5nLHDSSrghd0kQ-2Qj9gODqQ3Q3WkffWdthX4Aj28OckPLECVeKTOgxhMP6AdNMJsjPUnkKZPK2XxLa-Ljq4FAwpiL4lEiNB1jtfUuHBhTfLlJf5MLAy13K5-PAIVookKwSB1TW6YUwvJzpMYFJpI=&amp;c=rL0TK4_UrnF1l0rvE99Yib7BeM1040uCBxGYHJHVJHADgRp8_Cd3zg==&amp;ch=z51MTj8XHhYOHEM51GNcW7wFUiRzKxld3BvQP0DwjNwPVy8GrmeEIg==" target="_blank" rel="nofollow noopener noreferrer">www.DramaDeskAward.com</a></p>
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<p>The post <a href="https://stagezine.com/2025-drama-desk-awards-announced/">2025 Drama Desk Awards announced</a> appeared first on <a href="https://stagezine.com">StageZine</a>.</p>
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