“Critic’s Pick! Laughter is making a big comeback on Broadway,” raved The New York Times. “Gaspingly funny,” cheered New York Magazine. “A wild new comedy!” raved The Wrap. “One of the best productions Broadway has offered this season!” exclaimed Deadline.

‘EUREKA DAY’: Thomas Middleditch, Amber Gray, Bill Irwin, Chelsea Yakura-Kurtz & Jessica Hecht. Photo: Jeremy Daniel.

Eureka Day stars Tony Award nominee Amber Gray (Broadway: Hadestown; Natasha, Pierre and The Great Comet of 1812) as Carina, two-time Tony Award nominee Jessica Hecht (Broadway: Summer, 1976 at MTC; A View from the Bridge) as Suzanne, Tony Award winner Bill Irwin (Broadway: Who’s Afraid of Virginia Woolf?, Largely New York) as Don, Emmy Award nominee Thomas Middleditch (Television: “Silicon Valley”) as Eli, and Chelsea Yakura-Kurtz (Television: “Scandal,” “The Resident”) as Meiko. Eboni Flowers (Broadway: Macbeth, Slave Play) will assume the role of Carina starting Saturday, February 1.

Jonathan Spector’s explosive and timely comedy had its world premiere at Aurora Theatre Company in Berkeley, CA., and has been seen Off-Broadway at Colt Coeur and in London at The Old Vic. The New York Times, in their Critic’s Pick review of the Off-Broadway production, praised Eureka Day as “the perfect play for our age of disagreement.”

Vaccine chaos at private California school

Eureka Day is a private California elementary school with a Board of Directors that values inclusion above all else—that is until an outbreak of the mumps forces everyone in the community to reconsider the school’s liberal vaccine policy. As cases rise, the board realizes with horror that they’ve got to do what they swore they never would: make a choice that won’t please absolutely everybody.

The production features: scenic design by Tony Award winner Todd Rosenthal; costume design by Tony Award winner Clint Ramos; lighting design by two-time Tony Award nominee Jen Schriever; original music and sound design by Drama Desk Award nominees Rob Milburn & Michael Bodeen; projection design by Tony Award nominee David Bengali; intimacy & sensitivity coordinator Ann C. James; vocal coach Gigi Buffington; casting by Caparelliotis Casting & Kelly Gillespie; Production Stage Manager is Charles M. Turner III.

Eureka Day is presented by special arrangement with Sonia Friedman Productions, Wagner Johnson Productions, and Seaview Productions.

Major support for Eureka Day is provided by the Alfred P. Sloan Foundation as part of The Sloan Initiative: Setting the Stage for Science and Technology. Additional support is provided by The Blanche and Irving Laurie Foundation.

MTC’s Beyond the Stage Series

Manhattan Theatre Club’s Beyond the Stage series enriches and expands the impact of MTC’s productions and theatrical storytelling by offering audiences events that connect to our plays’ cultural and historical contexts. These community-building conversations and experiences provide fresh insights and novel perspectives, leading to a deepened understanding and celebration of our shared humanity.

Beyond the Stage Series throughout January

Sunday, January 12

Purchase a ticket and join us after the 2:00 pm performance on Sunday, January 12 for an intimate conversation moderated by ABC Audio’s Start Here podcast host Brad Mielke, featuring guest speakers Alann Seales and Dr. Nicole Naggar.

Tickets are on sale at Telecharge.com. Subscriptions for MTC’s 2024-25 season are available by visiting www.manhattantheatreclub.com/join, or by calling the MTC Clubline at 212-399-3050.

Wednesday, January 15
Purchase a ticket and join us after the performance for a conversation with Eureka Day playwright Jonathan Spector for TCG’s OFFSCRIPT podcast. Offscript is American Theatre’s monthly podcast about all things theatrical.

Thursday, January 16
January 16 is Entertainment Community Fund Night at The Samuel J. Friedman Theatre! Purchase a ticket and join us following the performance join for a talkback featuring Dr. Ram Koppaka and Dr. Jason Kindt from the Samuel J. Friedman Health Center for the Performing Arts as they discuss Eureka Day, the growth of public health, how it influences our lives and the communities the Friedman Health Center serves and supports.

Additionally, Manhattan Theatre Club (MTC) and Harlem Arts Alliance (HAA) are joining forces to host a Book Drive to benefit Harlem Hospital and its surrounding community. Inspired by Eureka Day, our goal is to collect at least 2,000 new books for children and young adult readers, with a special emphasis on social justice content. Audience and community members are welcome to donate new books at the Samuel J. Friedman box office during operating hours through January 19, 2025.

ABOUT MANHATTAN THEATRE CLUB

Under the leadership of Artistic Director Lynne Meadow and Executive Director Chris Jennings, Manhattan Theatre Club produces seasons of new work for the theatre both on and Off-Broadway. In the 2023-24 season, all three of its Broadway shows were nominated for the Tony Award for Best Play, representing three of the five nominees in the category. MTC’s not-for-profit mission, which Meadow created in 1972 and has implemented over five decades of award-winning productions, is to develop and present new work in a dynamic, supportive environment; to identify and collaborate with the most promising new as well as accomplished artists; and to produce a diverse repertoire of innovative, entertaining, and thought-provoking plays and musicals by American and international playwrights.

Since 1989, MTC Learning and Community Engagement, which uses the power of live theatre and playwriting to awaken minds, ignite imaginations, open hearts, and change lives, has also been an important corollary to MTC’s work. MTC’s over 600 world, American, New York and Broadway premieres have earned 7 Pulitzer Prizes, 30 Tony Awards, 51 Drama Desk Awards and 49 Obie Awards amongst many other honors. MTC has homes on Broadway at its Samuel J. Friedman Theatre and Off-Broadway at New York City Center. MTC is an anti-racist organization that respects and honors all voices and upholds the values of community and equity. For more information, please visit www.manhattantheatreclub.com.

The post ‘Eureka Day’ plays final extension through 2-16-25 appeared first on StageZine.

‘EUREKA DAY’: Thomas Middleditch, Amber Gray, Bill Irwin, Chelsea Yakura-Kurtz & Jessica Hecht. Photo: Jeremy Daniel.

EUREKA DAY
By Jonathan Spector
Directed by Anna D. Shapiro
Through February 16, 2025
Manhattan Theatre Club
Samuel J. Friedman Theatre
261 W 47th Street
https://www.manhattantheatreclub.com/shows/24-25-season/eureka-day/

By Scott Harrah

The American culture wars and the divisive anti-vaccine movement collide at a private school in Berkeley, California in Jonathan’s Spector’s provocative Eureka Day. The show was originally produced in 2018. It has played in different venues across the country as well in London at the Old Vic. Eureka Day is an often hilarious but politically charged dark comedy about “woke” politics, social justice and the anti-vaccine movement that is both topical and uncomfortable to watch in these tense times in America.

The show starts out with a group of parents on the executive committee at Eureka Day, a progressive private school. The group sits around discussing “politically correct” terminology such as “transracial adoptee” and “all gender bathrooms.” It’s the type of “inclusive” chatter that sends conservative TV media hosts into a frenzy.

Anti-vaccine vitriol

There’s a sudden twist when group leader Don (Bill Irwin) reads aloud a letter from a local health official warning of an outbreak of mumps. A Eureka Day student has been confirmed as having the disease. Suddenly, chaos ensues when everyone discusses the public health doctor’s demand that any child who has not received the MMR vaccine must not be allowed to attend school unless he or she has been vaccinated.

Suzanne (Jessica Hecht) is especially opposed to mandating vaccines at school. While Suzanne on the surface appears to be a stereotypical affluent Bay Area liberal, she is actually a control freak. She immediately tears into others on the committee that disagree with her, including Carina (Amber Gray) and full-time dad Eli (Thomas Middleditch). Suddenly, their bubble of “social justice” and left-wing coastal elitism becomes as nasty and polarizing as anything on right-wing TV news programs.

An online livestream discussion about the mumps outbreak is one of the highlights of Eureka Day. As Don and group leaders discuss mumps and its symptoms, the online chat comments—projected onto a screen behind the cast—veer into madness, with parents ranting about alternative medicine, anti-vaccine conspiracy theories and some calling others “Nazis.” It’s hilarious and disturbing but so true to life. What’s so illuminating and shocking is how these upper-middle-class, well-educated parents of Eureka students are just as vile and nauseating as any thread of online trolls.

A prophetic play

Jonathan Spector’s play, first produced nearly seven years ago in 2018, was remarkably prescient, considering it was originally mounted two years before the COVID-19 pandemic. While it’s not exactly a perfect story, it is amazing how much of Mr. Spector’s play was an omen of things to come in 2020. He brilliantly captures all the conflicts that arise from misinformation, individual choice and the greater responsibility of community leaders protecting the public when a disease starts spreading rapidly.

Director Anna D. Shapiro does a nice job of helping the cast shine amongst all the pandemonium. Bill Irwin is brilliant as Don, the head of the school who loves to quote the poet Rumi incessantly. Jessica Hecht is wonderful as the annoying, entitled Suzanne. Amber Gray as Carina is a great foil for Suzanne, and her scenes with Ms. Hecht are incredibly tense and riveting. Thomas Middleditch as Eli, Chelsea Yakura-Kurtz as Meiko and Eboni Flowers as Winter are all equally powerful in their respective roles.

Eureka Day is hardly holiday fare. It rings with contemporary veracity about the ugly divisions in America and is not a play for anyone anxious about historical revisionists and science deniers who might wreak havoc in this country in the near future.

Published December 16, 2024
Reviewed at press preview performance on December 14, 2024

‘EUREKA DAY’: Bill Irwin & Jessica Hecht. Photo: Jeremy Daniel.

‘EUREKA DAY’: Amber Gray, Bill Irwin & Chelsea Yakura-Kurtz. Photo: Jeremy Daniel.

‘EUREKA DAY’: Thomas Middleditch. Photo: Jeremy Daniel.

‘EUREKA DAY’: Amber Gray & Chelsea Yakura-Kurtz. Photo: Jeremy Daniel.

The post ‘Eureka Day’: Anti-vax chaos at Berkeley school appeared first on StageZine.

‘THE ICEMAN COMETH’: (left to right) Michael Potts, Denzel Washington & company. Julieta Cervantes

THE ICEMAN COMETH
Written by Eugene O’Neill
Directed by George C. Wolfe
Through July 1, 2018
Bernard B. Jacobs Theatre
242 West 45th Street
(212-239-6200),www.icemanonbroadway.com

By David NouNou

Eugene O’Neill’s classic has been and still is hailed as a classic. Clocking in at nearly four hours, you have to have the stamina of a bull elephant to sit through a repetitious, “slosh fest” babblethon of has-beens and “never weres” who sit all day and night boozing and bemoaning their pipe dreams and wallow in the lies they conjure for themselves to see life through another day.

Set in 1912 at Harry Hope’s bar in the Lower West Side of New York City, the denizens of this dive are awaiting the arrival of Theodore Hickman or “Hickey” (Denzel Washington). The audience in the theater must wait over an hour until Mr. Washington makes his entrance (so you have to endure all the wallowing as well). He is a traveling salesman, a drunkard like themselves, to come and cheer them up from their life of misery with his brand of humor and open pockets to buy the drinks. However, on this arrival Hickey doesn’t bring fun, but instead brings them sobriety to face the next day and get out and do something with their lives.

They all pull it together to go out in the world and face their fears, except for the disenchanted Socialist and resident cynic, Larry Slade (David Morse) who knows the reality of things. They all return more despondent because what they were hoping to find were only untruths and pipe dreams. Hickey’s mission wasn’t so much as to help them go out to find jobs or connect with the world; he wants to help them face their future without fear or living in pipe dreams.

Denzel Washington and David Morse provide solid performances and manage to make this ponderous evening bearable. Honestly speaking, spending eight hours at Angels in America, which deals with the advent of AIDS and Roy Cohn, is more uplifting and epic than this miserable evening of self-pitying and self-loathing, but if one is a Denzel Washington or Eugene O’Neill fan, it should not be missed.

Edited by Scott Harrah
Published May 29, 2018

‘THE ICEMAN COMETH’: (left to right) David Morse, Denzel Washington & Colm Meaney in ‘The Iceman’. Photo Credit: Julieta Cervantes

‘THE ICEMAN COMETH’: Denzel Washington. Photo: Julieta Cervantes

‘THE ICEMAN COMETH’: Denzel Washington & David Morse. Photo: Julieta Cervantes

‘THE ICEMAN COMETH’: Denzel Washington & cast. Photo: Julieta Cervantes

‘THE ICEMAN COMETH’: Denzel Washington & cast. Photo: Julieta Cervantes

‘THE ICEMAN COMETH’: The company. Photo; Julieta Cervantes

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