‘HEAD OVER HEELS’: Taylor Iman Jones & the company. Photo: Joan Marcus

HEAD OVER HEELS
Songs by The Go-Go’s
Based on The Arcadia by Sir Philip Sidney
Conceived & Original Book by Jeff Whitty
Adapted by James Magruder
Music supervision, orchestrations & arrangements by Tom Kitt
Choreographed by Spencer Liff
Directed by Michael Mayer
The Hudson Theatre
141 West 44th Street
(855) 801-5876
www.HeadOverHeelsTheMusical.com

By Scott Harrah

Being an aging Generation X member and a longtime Go-Go’s fan, I was initially thrilled when I heard about Head Over Heels, thinking it would be a fun chronicle of the ups and downs of Belinda Carlisle, Jane Wiedlin, Kathy Valentine and the rest of the L.A. all-female rock group from the 1980s. When I later realized the show is a jukebox musical featuring Go-Go’s music and a story based on Sir Philip Sidney’s obscure Elizabethan story The Arcadia, my expectations were low indeed. A tale set in a mythical land with a royal family facing the threat of its beloved “beat” sounds like an absurd premise for a jukebox musical showcasing the iconic hits of the most successful female rock band ever, but naysayers and skeptics beware: The show grows on you if you simply go along with it and accept it for nothing other than the mindless, splashy entertainment it is.

Brought to us by musical supervisor Tom Kitt, choreographer Spencer Liff, book writer Jeff Whitty and director Michael Mayer–the creative team behind such Broadway blockbusters as Hedwig and the Angry Inch and American Idiot, Spring Awakening and Avenue Q—Head Over Heels is a mixture of a 17^th century romance with gender-bending characters that often speak in Shakespearean iambic pentameter.

The plot revolves around the King of Arcadia, Basilus (Jeremy Kushnier) and Queen Gynecia (Rachel York) reigning over an ancient kingdom, along with their younger daughter Philocea (Alexandra Socha). The younger princess is romantically involved with a shepherd, Musidorus (Andrew Durand). Their older daughter Pamela (Bonnie Milligan) has a secret. The kingdom’s future is threatened when the non-binary Pythio, the Oracle of Delphi (Peppermint), unleashes a prophecy of doom.

Such Go-Go’s classics as “We Got the Beat,” “Vacation,” “Our Lips Are Sealed,” “Turn to You” and “Lust to Love,” along with the Belinda Carlisle solo hits “Mad About You” and “Heaven is a Place on Earth,” are woven into the wacky narrative of changing genders, revolution in the monarchy and sexual discovery.  The story’s humor is sometimes riddled with corny visual puns, such as the choreography for “Mad About You” when dancers are dressed as sheep. Get it? Ewes.

The show is a colorful mess, thanks to winning period costumes by Arianne Phillips and Spencer Liff’s frenetic choreography.

Some of the cast members are also refreshing. Jeremy Kushnier, Andrew Durand and Rachel York give good but mostly serviceable performances, and Peppermint as Pythio primarily serves up the boilerplate camp that made her (or they?) famous on “RuPaul’s Drag Race.” The true standouts here are the winning Bonnie Milligan as Pamela, the brash and zaftig young princess who gets many of the laughs, as well as Taylor Iman Jones as her gal pal Mopsa. Both Ms. Milligan and Ms. Jones are a sheer delight whenever they are onstage.

In comparison to some of the dreadful jukebox musicals recently, from the inane Escape from Margaritaville (featuring Jimmy Buffett songs) to the factually challenged Summer: The Donna Summer Musical, Head Over Heels is a vast improvement for the genre. Perhaps an escapist tale with Go-Go’s songs, full of characters exploring nonconformity and sexual freedom, is exactly the tonic needed in these troubled times.

Edited by Scott Harrah
Published August 3, 2018
Reviewed at August 2, 2018 press performance.

‘HEAD OVER HEELS’: Rachel York & Jeremy Kushnier & the company. Photo: Joan Marcus

‘HEAD OVER HEELS’: Peppermint (center) & the ensemble. Photo: Joan Marcus

‘HEAD OVER HEELS’: Tom Alan Robbins & Jeremy Kushnier. Photo: Joan Marcus

‘HEAD OVER HEELS’: Andrew Durand & Alexandra Socha. Photo: Joan Marcus

‘HEAD OVER HEELS’: The ensemble. Photo: Joan Marcus

‘HEAD OVER HEELS’: The company. Photo: Joan Marcus

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