MONARCH & MADNESS: Mark Rylance as Richard III. Photo: Joan Marcus RICHARD III Written by William Shakespeare Directed by Tim Carroll Belasco Theatre 111 West 44th Street. (212-239-6200), www.ShakespeareBroadway.com By David NouNouAfter seeing some pretty whacked-out Shakespeare earlier this year; from Alan Cumming’s frightful one-man Macbeth to the current gimmicky, twisted revival of Romeo and Juliet, I was dreading having to sit through another one of the Bard’s great works being desecrated. I’m happy to report that Shakespeare has finally been given his just and deserved due by the Shakespeare Globe Co. from England.Alternating with another Shakespeare classic, Twelfth Night, I got to see Richard III first, and what a glorious production. This is not the conventional, hump-backed, beak-nosed, sneering Richard; this version has given him a comedic side. From his first entrance, Mark Rylance inhabits this Richard, Duke of Gloucester, later to become King Richard the III, as more of a harlequin court jester than the evil incarnate Richard we are familiar with. At times he is even buffoonish. For Mr. Rylance, one of the most fearless actors of the stage, has given us a new interpretation. Yes, he still manages to kill off his brothers, nephews, and most everyone who opposes him or who stands in his way to the ascension to the throne. We know he is doing evil but he does it in a most beguiling way; the transformation to evil incarnate comes much later.Though Mr. Rylance’s performance would be categorized as unconventional, this production is done in the traditional manner: dialogue, sets, and costumes. Adding to the grandeur is the beautiful, authentic Elizabethan music played by expert musicians. Just as in Shakespeare’s day, men play women’s parts. Samuel Barnett as Queen Elizabeth, whose two young sons are murdered by Richard, is splendid as is Joseph Timms as Lady Anne. Also giving good performances are Angus Wright as Buckingham and in the dual role of Hastings and Tyrrell, Paul Chahidi.I must admit it is an unconventional Richard III, and a lot of credit goes to Tim Carroll for his fast-paced direction and infusing much authenticity from the Shakespearean era. However, I did miss the sinister fear striking-in the-heart-malignant Richard. I could have done with a little less shtick and a bit more venom. OUTSTANDING PERFORMANCE: Mark Rylance as Richard III. Photo: Joan MarcusTony nominated for Best Drama Actor 2014 – Mark RyelanceEdited by Scott Harrah Published November 14, 2013 Reviewed at press performance on November 13, 2013Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Related